Tilda Swinton
![Swinton at [[75th Berlin International Film Festival|2025 Berlinale]]](https://upload.wikimedia.org/wikipedia/commons/1/16/Tilda_Swinton_at_Berlinale_2025-2.jpg)
Swinton began her career by appearing in Derek Jarman's experimental films ''Caravaggio'' (1986), ''The Last of England'' (1988), ''War Requiem'' (1989), and ''The Garden'' (1990). For her portrayal of Isabella of France in ''Edward II'' (1991), she won the Volpi Cup for Best Actress. She next starred in ''Orlando'' (1992), ''Female Perversions'' (1996), and ''The Beach'' (2000), and was nominated for the Golden Globe Award for Best Actress for her portrayal of a desperate mother in ''The Deep End'' (2001).
Swinton received the Academy Award for Best Supporting Actress for playing a corporate attorney in ''Michael Clayton'' (2007). Other notable credits include ''Vanilla Sky'' (2001), ''Adaptation'' (2002), ''Young Adam'' (2003), ''Constantine'', ''Broken Flowers'' (both 2005), ''Burn After Reading'', ''The Curious Case of Benjamin Button'' (both 2008), ''I Am Love'' (2009), ''We Need to Talk About Kevin'' (2011), ''Only Lovers Left Alive'' (2013), ''Snowpiercer'' (2014), ''Trainwreck'' (2015), ''Suspiria'' (2018), ''Memoria'' (2021), ''The Eternal Daughter'' (2022), and ''The Room Next Door'' (2024). Swinton garnered mainstream recognition with her roles as the White Witch in the ''Chronicles of Narnia'' series (2005–2010) and the Ancient One in the Marvel Cinematic Universe franchise (2016–2019). She frequently collaborates with filmmaker Wes Anderson, appearing in such projects as ''Moonrise Kingdom'' (2012), ''The Grand Budapest Hotel'' (2014), and ''Asteroid City'' (2023).
Swinton has received various honours throughout her career, including a special tribute by the Museum of Modern Art in 2013, the British Film Institute Fellowship and the Golden Lion for Lifetime Achievement in 2020, and the Honorary Golden Bear in 2025. Provided by Wikipedia
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"Das Streben nach Glück scheint mir eine falsche Spur zu sein. Nach Glück zu streben, das ist wie das Streben nach Vanille-Eis. Es ist ein angenehmer Geschmack, aber nicht etwas, w... by Swinton, Tilda 1960-
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The impossible wardrobe by Swinton, Tilda 1960-, Saillard, Olivier 1967-
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Cloakroom vestiaire obligatoire by Swinton, Tilda 1960-, Saillard, Olivier 1967-
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Die Riesencrevette Tilda Swinton, Queen des Arthouse-Kinos, sei kaum fassbar in ihrer Tiefe (Weltwoche). Unser Kolumnist deshalb aus der Untiefe by Swinton, Tilda 1960-
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Embodying Pasolini - Tilda Swinton & Olivier Saillard by Swinton, Tilda 1960-, Saillard, Olivier 1967-
Published 2022Other Authors: “…Swinton, Tilda 1960-…”
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Their faith in the power of cinema by Swinton, Tilda 1960-
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Eternity dress by Swinton, Tilda 1960-, Saillard, Olivier 1967-
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Two letters by Cousins, Mark 1965-, Swinton, Tilda 1960-
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No known address ... or ... Don't look down ... by Swinton, Tilda 1960-
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Tilda Swinton Sammlung von Presseartikeln ; Benutzung nur im HFF-Lesesaal
Published 2020Other Authors: “…Swinton, Tilda 1960-…”
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Diaghilev and the Ballets Russes a National Gallery of Art presentation
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Cycling the frame by Beatt, Cynthia 1949-
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Women make film a new road movie through cinema
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The invisible frame by Fischer-Turner, Simon
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Das offene Universum = The open universe
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The invisible frame by Turner, Simon Fisher 1954-
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The deep end trügerische Stille ; ein mörderischer Strudel, aus dem es kein entkommen gibt by Holding, Elizabeth Sanxay, Nashel, Peter, Holding, Elizabeth Sanxay
Published 2002Other Authors:Call Number: Loading…
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