Agnes Pelton: desert transcendentalist Whitney Museum of American Art, New York : 13th March-28th June von Swartz, Anne

Volltext öffnen

Why digital art history? von Fisher, Michelle Millar, Swartz, Anne 1944-

Volltext öffnen

Technological muses Piano builders in Russia, 1810-1881 von Swartz, Anne

Volltext öffnen

Carrie Moyer and Sheila Pepe: tabernacles for trying times Museum of Arts and design, New York : 22nd May 2021-6th February 2022 von Swartz, Anne

Volltext öffnen

[Rezension von: Junctures in women's leadership : social movements / edited by Mary K. Trigg and Alison R. Bernstein. - 2018] von Swartz, Anne

Volltext öffnen

Accession II Eva Hesse's response to minimalism von Swartz, Anne

Volltext öffnen

[Rezension von: Playing at home : the house in contemporary art / Gill Perry. - 1. publ. . - London : Reaktion Books, 2013. - 263 S. : zahlr. Ill. . - ISBN: 978-1-78023-180-8. - (A... von Swartz, Anne

Volltext öffnen

Changing the future the Women's Caucus for Art Awards and The Feminist Art Project Day of Panels von Swartz, Anne

Deutung der Schlußtakte in Chopins Mazurken op. 30,4, op. 17,4 und op. 24,2 von Swartz, Anne

Volltext öffnen

The mazurkas of Chopin von Swartz, Anne

[Rezension von: Autotheory as feminist practice in art, writing, and criticism / Lauren Fournier. - 2021] von Swartz, Anne

Volltext öffnen

Piano makers in Russia in the nineteenth century von Swartz, Anne 1944-

Inhaltsverzeichnis

Piano makers in Russia in the nineteenth century von Swartz, Anne 1944-

[Rezension von:] Wagner, Anne Middleton: Three artists (three women) : modernism and the art of Hesse, Krasner, and O'Keeffe. - University of California, 1996 von Swartz, Anne

Volltext öffnen