John Blackburn:
This is the first ever monograph on the work of the British artist John Blackburn (b.1932). Ian Massey traces the stylistic and technical development of the artist's work from the Encaustic paintings of the early 1960s through to the present day. He considers Blackburn's wide-ranging outpu...
Gespeichert in:
Hauptverfasser: | , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Bristol
Sansom & Company
2018
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This is the first ever monograph on the work of the British artist John Blackburn (b.1932). Ian Massey traces the stylistic and technical development of the artist's work from the Encaustic paintings of the early 1960s through to the present day. He considers Blackburn's wide-ranging output, of work produced both in England and in New Zealand. The author draws on new research, including conversations with the artist in his studio, and on previously unpublished archival material, including a large body of correspondence sent to Blackburn by his early champion and collector Jim Ede, the founder of Kettle's Yard. Massey considers the artist's work within an international context; one that encompasses St Ives modernism, art informel, arte povera, the Gutai movement, and key influences such as Bacon, Fautrier and Tàpies. He describes the artist's often intensely physical methods and incorporation of found materials, their usage informed by a humanist philosophy that stems from Blackburn's early experiences, and from what he describes as the brutality of being alive. The publication establishes Blackburn?s significance, and positions him within the history of post-war abstract painting. It includes additional texts by writer and critic Andrew Lambirth, art historian Christopher Johnstone, and long-time friend and collector Furse Swann |
Beschreibung: | John Blackburn (artworks) and contributors (text) |
Beschreibung: | 179 Seiten |
ISBN: | 9781911408277 1911408275 |
Internformat
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520 | 3 | |a This is the first ever monograph on the work of the British artist John Blackburn (b.1932). Ian Massey traces the stylistic and technical development of the artist's work from the Encaustic paintings of the early 1960s through to the present day. He considers Blackburn's wide-ranging output, of work produced both in England and in New Zealand. The author draws on new research, including conversations with the artist in his studio, and on previously unpublished archival material, including a large body of correspondence sent to Blackburn by his early champion and collector Jim Ede, the founder of Kettle's Yard. Massey considers the artist's work within an international context; one that encompasses St Ives modernism, art informel, arte povera, the Gutai movement, and key influences such as Bacon, Fautrier and Tàpies. He describes the artist's often intensely physical methods and incorporation of found materials, their usage informed by a humanist philosophy that stems from Blackburn's early experiences, and from what he describes as the brutality of being alive. The publication establishes Blackburn?s significance, and positions him within the history of post-war abstract painting. It includes additional texts by writer and critic Andrew Lambirth, art historian Christopher Johnstone, and long-time friend and collector Furse Swann | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Massey, Ian Lambirth, Andrew 1959- Swann, Furse |
author_GND | (DE-588)1169764045 (DE-588)140505091 |
author_facet | Massey, Ian Lambirth, Andrew 1959- Swann, Furse |
author_role | aut aut aut |
author_sort | Massey, Ian |
author_variant | i m im a l al f s fs |
building | Verbundindex |
bvnumber | BV045315170 |
callnumber-first | N - Fine Arts |
callnumber-label | N6490 |
callnumber-raw | N6490 |
callnumber-search | N6490 |
callnumber-sort | N 46490 |
callnumber-subject | N - Visual Arts |
classification_rvk | LI 99999 |
ctrlnum | (OCoLC)1060773637 (DE-599)BSZ512237646 |
dewey-full | 700.411 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700.411 |
dewey-search | 700.411 |
dewey-sort | 3700.411 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
era | Geschichte 1961-2013 gnd |
era_facet | Geschichte 1961-2013 |
format | Book |
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illustrated | Not Illustrated |
indexdate | 2024-09-23T20:21:43Z |
institution | BVB |
isbn | 9781911408277 1911408275 |
language | English |
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physical | 179 Seiten |
publishDate | 2018 |
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spelling | Blackburn, John 1932- (DE-588)1169764045 art John Blackburn Ian Massey, Christopher Johnstone, Andrew Lambirth, Furse Swann ; book coordinator Amy Tibble Bristol Sansom & Company 2018 179 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier John Blackburn (artworks) and contributors (text) This is the first ever monograph on the work of the British artist John Blackburn (b.1932). Ian Massey traces the stylistic and technical development of the artist's work from the Encaustic paintings of the early 1960s through to the present day. He considers Blackburn's wide-ranging output, of work produced both in England and in New Zealand. The author draws on new research, including conversations with the artist in his studio, and on previously unpublished archival material, including a large body of correspondence sent to Blackburn by his early champion and collector Jim Ede, the founder of Kettle's Yard. Massey considers the artist's work within an international context; one that encompasses St Ives modernism, art informel, arte povera, the Gutai movement, and key influences such as Bacon, Fautrier and Tàpies. He describes the artist's often intensely physical methods and incorporation of found materials, their usage informed by a humanist philosophy that stems from Blackburn's early experiences, and from what he describes as the brutality of being alive. The publication establishes Blackburn?s significance, and positions him within the history of post-war abstract painting. It includes additional texts by writer and critic Andrew Lambirth, art historian Christopher Johnstone, and long-time friend and collector Furse Swann Blackburn, John 1932- (DE-588)1169764045 gnd rswk-swf Geschichte 1961-2013 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Blackburn, John 1932- (DE-588)1169764045 p Malerei (DE-588)4037220-0 s Geschichte 1961-2013 z DE-604 Massey, Ian aut Lambirth, Andrew 1959- (DE-588)140505091 aut Swann, Furse aut Tibble, Amy Sonstige oth V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz512237646inh.htm 20181107153227 Inhaltsverzeichnis |
spellingShingle | Massey, Ian Lambirth, Andrew 1959- Swann, Furse John Blackburn Blackburn, John 1932- (DE-588)1169764045 gnd Malerei (DE-588)4037220-0 gnd |
subject_GND | (DE-588)1169764045 (DE-588)4037220-0 (DE-588)4145395-5 |
title | John Blackburn |
title_auth | John Blackburn |
title_exact_search | John Blackburn |
title_full | John Blackburn Ian Massey, Christopher Johnstone, Andrew Lambirth, Furse Swann ; book coordinator Amy Tibble |
title_fullStr | John Blackburn Ian Massey, Christopher Johnstone, Andrew Lambirth, Furse Swann ; book coordinator Amy Tibble |
title_full_unstemmed | John Blackburn Ian Massey, Christopher Johnstone, Andrew Lambirth, Furse Swann ; book coordinator Amy Tibble |
title_short | John Blackburn |
title_sort | john blackburn |
topic | Blackburn, John 1932- (DE-588)1169764045 gnd Malerei (DE-588)4037220-0 gnd |
topic_facet | Blackburn, John 1932- Malerei Bildband |
url | http://swbplus.bsz-bw.de/bsz512237646inh.htm |
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