The Mellon "Mercury" investigating a Giambologna replica von Sturman, Shelley, Pincus, Debra

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Casting Degas's sculpture into bronze a closer look von Barbour, Daphne, Sturman, Shelley

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The artist as primary source in the conservation of contemporary sculpture von Sturman, Shelley, Donovan, Molly 1966-

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The Budapest horse beyond the Leonardo da Vinci question von Sturman, Shelley, May, Katherine, Luchs, Alison

Italian renaissance bronzes alloy analysis, artist and interpretation von Sturman, Shelley, Smith, Dylan

Degas and his castings a tribute to Anne Pingeot von Sturman, Shelley G.

Technical investigation of the Mellon Venus and Bacchus and a Faun von Ozone, Judy, Sturman, Shelley G.

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[Rezension von:] Material matters : the conservation of modern sculpture. - London : Tate Gallery Publishing, 1999 von Sturman, Shelley G.

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When the workshop is fluid observations on Parisian bronze casting in the early twentieth century von Glinsman, Lisha Deming, Barbour, Daphne, Sturman, Shelley

A Renaissance of color the conservation of "Lorenzo the Magnificent" von Belman, Michael, Luchs, Alison, Sturman, Shelley

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Replication and variation Roccatagliata and the female nude von Sturman, Shelley

A statuette from the workshop of Leonardo da Vinci von Luchs, Alison, Sturman, Shelley, May, Katherine

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La porta della sacrestia di San Marco di Jacopo Sansovino risultati preliminari di un'indagine von Sturman, Shelley G., Smith, Dylan

A group of Giambologna female nudes analysis and manufacture von Sturman, Shelley G.

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[Rezension von:] Bassett, Jane; Fogelman, Peggy: Looking at European sculpture : a guide to technical terms. - Los Angeles : The J. Paul Getty Museum, 1997 von Sturman, Shelley G.

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The materials of the sculptor Degas' techniques von Sturman, Shelley G., Barbour, Daphne

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Technical examination of Riccio plaquettes von Sturman, Shelley G., Berrie, Barbara H.

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