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Weitere Verfasser: “… Stringer, Julian, 1966- …”
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Film festivals in Asia notes on history, geography, and power from a distance von Stringer, Julian 1966-

Leslie Cheung star as autosexual von Stringer, Julian 1966-

Boat people second thoughts on text and context von Stringer, Julian 1966-

Putting Korean cinema in its place genre classifications and the contexts of reception von Stringer, Julian 1966-

Sopyonje and the inner domain of national culture von Stringer, Julian 1966-

Wong Kar-Wai von Stringer, Julian 1966-

The original and the copy Nakata Hideo's Ring (1998) von Stringer, Julian 1966-

Scrambling Hollywood Asian stars/Asian American star cultures von Stringer, Julian 1966-

Boat people second thoughts on text and context von Stringer, Julian 1966-

Global cities and the international film festival economy von Stringer, Julian 1966-

Cultural identity and diaspora in contemporary Hong Kong Cinema von Stringer, Julian 1966-

"The China had never been used!" on the Patina of perfect images in Titanic von Stringer, Julian 1966-

Exposing intimacy in Russ Meyer's Motorpsycho! and Faster Pussycat! Kill! Kill ! von Stringer, Julian 1966-

Location filmmaking and the Hong Kong crime film anatomy of a scene von Stringer, Julian 1966-

Film noir in Asia historicizing South Korean crime thrillers von Lee, Nikki J. Y., Stringer, Julian 1966-

Remake, repeat, revive Kim Ki-young's housemaid trilogies von Lee, Nikki J. Y., Stringer, Julian 1966-

Edgar G. Ulmer von Stringer, Julian 1966-

The gathering place Lost in Oahu von Stringer, Julian 1966-

Cultural identity and diaspora in contemporary Hong Kong cinema von Stringer, Julian 1966-