Pinewood anatomy of a film studio in post-war Britain von Street, Sarah 1958-

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Pianos, Affect, and Memory von Mazey, Paul ca. 20./21. Jh, Street, Sarah 1958-

Colour films in Britain the Eastmancolor revolution von Street, Sarah 1958-, Johnston, Keith M. 1973-, Frith, Paul, Rickards, Carolyn

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Margaret Rutherford and comic performance von Street, Sarah 1958-

British cinema, American reception Black Narcissus (1947) and the legion of decency von Street, Sarah 1958-

"The mirror crack'd" heritage, history and self-reflexive discourse von Street, Sarah 1958-

"The dresses had told me" fashion and femininity in Rear window von Street, Sarah 1958-

British film and the national interest 1927-1939 von Street, Sarah 1958-

Deborah Kerr von Street, Sarah 1958-

Heritage crime the case of Agatha Christie von Street, Sarah 1958-

Der ultimative Schiffsuntergang die "Titanic" in Legende, Erinnerung und Film von Street, Sarah 1958-

'Star trading' the British in 1930s and 1940s Hollywood von Street, Sarah 1958-

Questions of authenticity and realism in A night to remember (1958) von Street, Sarah 1958-

Hitchcockian haberdashery von Street, Sarah 1958-

The idea of british film culture von Street, Sarah 1958-

'Mad about the boy' masculinity and career in Sunset Boulevard von Street, Sarah 1958-

Starved for Technicolor von Street, Sarah 1958-

Pinewood studios, the independent frame, and innovation von Street, Sarah 1958-

Chromatic modernity color, cinema, and media of the 1920s von Street, Sarah 1958-, Yumibe, Joshua 1974-

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Export der Farbpalette Technicolor-Filme in Großbritannien von Street, Sarah 1958-