Bad girls: cultural politics and media representations of transgressive women
"Bad Girls examines representational practices of film and television stories beginning with post-Vietnam cinema and ending with postfeminisms and contemporary public disputes over women in the military. The book explores a diverse range of popular media texts, from the Alien saga to Ally McBea...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Lang
2007
|
| Schriftenreihe: | Frontiers in political communications
6 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Bad Girls examines representational practices of film and television stories beginning with post-Vietnam cinema and ending with postfeminisms and contemporary public disputes over women in the military. The book explores a diverse range of popular media texts, from the Alien saga to Ally McBeal and Sex and the City, from The Net and VR5 to Sportsnight and G.I. Jane. The research is framed as a study of intergenerational tensions in portrayals of women and public institutions - in careers, governmental service, and interactions with technology. Using iconic texts and their contexts as a primary focus, this book offers a rhetorical and cultural history of the tensions between remembering and forgetting in representations of the American feminist movement between 1979 and 2005. Looking forward, the book sets an agenda for discussion of gender issues over the next twenty-five years and articulates with authority the manner in which "transgression" itself has become a site of struggle."--BOOK JACKET. |
| Beschreibung: | XIX, 261 S. Ill. |
| ISBN: | 9780820461502 0820461504 |
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Datensatz im Suchindex
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| adam_text | Table
of
Contents
Acknowledgments
.......................................................
,
.................................................xi
Foreword: The Politics of Representation (Bruce Gronbeck)
.............................xiii
Introduction: Why We Write
........................................................................................1
Chapter One: Hijacking Feminism in Post-Vietnam Cinema:
Tough Women and Tangled Memories
............................................................21
Chapter Two: Hacking Women: The Politics of Disconnect
...............................63
Chapter Three: Leaving the Mothership:
Postmodernit}7
and Postfeminism in Ally McBeal and Sex and the City
....................................91
Chapter Four: Designing Women as Consumers... Again: Gender
and the Myth of the Le%-el Playing Field in the Information Age...
............135
Chapter Five: Oh, to Be Given a Sporting Chance.
..:
Televisual Representations of Women in the World of Sports News
........167
Chapter Six: It s a Dick Thing: Ambivalent Coding of American Female
Soldiers in Gulf War Narratives
.......................................................................197
Epilogue: An Open Letter from the Second Wrave Mothership
.........................231
Index
.............................................................................................................................247
Bad Girls examines representational practices of film and television sto¬
ries beginning with post-Vietnam cinema and ending with postfemi-
nisms and contemporary public disputes over women in the military.
The book explores a diverse range of popular media texts, from the
Alien saga to Ally McBeal and Sex and the City, from The Net and VR5
to Sportsnight and G.I.Jane. The research is framed as a study of inter-
generational tensions in portrayals of women and public institutions
—■
in careers, governmental service, and interactions with technology.
Using iconic texts and their contexts as a primary focus, this book offers
a rhetorical and cultural history of the tensions between remembering
and forgetting in representations of the American feminist movement
between
1979
and
2005.
Looking forward, the book sets an agenda for
discussion of gender issues over the next twenty-five years and articu¬
lates with authority the manner in which transgression itself has
become a site of struggle.
A. Susan Owen received her Ph.D. in Communication Studies from the University of
Iowa and is Professor in the Communication Studies Department at the University of
Puget
Sound. She is co-author of Parallels: The Soldier s Knowledge and the Oral
History of Contemporary Warfare, as well as author of articles and book chapters on
representations of women in popular culture, visual rhetoric and cultural memory, queer
representation, and critical race studies.
Sarah R. Stein received her Ph.D. in Communication Studies from the University of Iowa
and is Associate Professor of Communication at North Carolina State University. She is
an award-winning documentary film editor and the author of articles and book chapters
on gender and digital culture, critical analyses of technology advertisements, and the
integration of information and communication technologies into higher education.
Leah R.
Vande Berg
received her Ph.D. in Communication Studies from the University of
Iowa and was Professor of Communication Studies at
California
State University.
Sacramento. She is co-author/co-editor of four books, including Organizational Life
un
Television and Critical Approaches to Television, and she was former editor of the
Western Journal of Communication, and past president of the Western Communication
Association. She died in 200-i before tliis book was completed.
|
| adam_txt |
Table
of
Contents
Acknowledgments
.
,
.xi
Foreword: The Politics of Representation (Bruce Gronbeck)
.xiii
Introduction: Why We Write
.1
Chapter One: Hijacking Feminism in Post-Vietnam Cinema:
Tough Women and Tangled Memories
.21
Chapter Two: Hacking Women: The Politics of Disconnect
.63
Chapter Three: Leaving the Mothership:
Postmodernit}7
and Postfeminism in Ally McBeal and Sex and the City
.91
Chapter Four: Designing Women as Consumers. Again: Gender
and the Myth of the Le%-el Playing Field in the Information Age.
.135
Chapter Five: Oh, to Be Given a Sporting Chance.
.:
Televisual Representations of Women in the World of Sports News
.167
Chapter Six: It's a Dick Thing: Ambivalent Coding of American Female
Soldiers in Gulf War Narratives
.197
Epilogue: An Open Letter from the Second Wrave Mothership
.231
Index
.247
Bad Girls examines representational practices of film and television sto¬
ries beginning with post-Vietnam cinema and ending with postfemi-
nisms and contemporary public disputes over women in the military.
The book explores a diverse range of popular media texts, from the
Alien saga to Ally McBeal and Sex and the City, from The Net and VR5
to Sportsnight and G.I.Jane. The research is framed as a study of inter-
generational tensions in portrayals of women and public institutions
—■
in careers, governmental service, and interactions with technology.
Using iconic texts and their contexts as a primary focus, this book offers
a rhetorical and cultural history of the tensions between remembering
and forgetting in representations of the American feminist movement
between
1979
and
2005.
Looking forward, the book sets an agenda for
discussion of gender issues over the next twenty-five years and articu¬
lates with authority the manner in which "transgression" itself has
become a site of struggle.
A. Susan Owen received her Ph.D. in Communication Studies from the University of
Iowa and is Professor in the Communication Studies Department at the University of
Puget
Sound. She is co-author of Parallels: The Soldier's Knowledge and the Oral
History of Contemporary Warfare, as well as author of articles and book chapters on
representations of women in popular culture, visual rhetoric and cultural memory, queer
representation, and critical race studies.
Sarah R. Stein received her Ph.D. in Communication Studies from the University of Iowa
and is Associate Professor of Communication at North Carolina State University. She is
an award-winning documentary film editor and the author of articles and book chapters
on gender and digital culture, critical analyses of technology advertisements, and the
integration of information and communication technologies into higher education.
Leah R.
Vande Berg
received her Ph.D. in Communication Studies from the University of
Iowa and was Professor of Communication Studies at
California
State University.
Sacramento. She is co-author/co-editor of four books, including Organizational Life
un
Television and Critical Approaches to Television, and she was former editor of the
Western Journal of Communication, and past president of the Western Communication
Association. She died in 200-i before tliis book was completed. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
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| record_format | marc |
| series | Frontiers in political communications |
| series2 | Frontiers in political communications |
| spelling | Owen, A. Susan Verfasser aut Bad girls cultural politics and media representations of transgressive women A. Susan Owen, Sarah R. Stein, and Leah R. Vande Berg New York [u.a.] Lang 2007 XIX, 261 S. Ill. txt rdacontent n rdamedia nc rdacarrier Frontiers in political communications 6 "Bad Girls examines representational practices of film and television stories beginning with post-Vietnam cinema and ending with postfeminisms and contemporary public disputes over women in the military. The book explores a diverse range of popular media texts, from the Alien saga to Ally McBeal and Sex and the City, from The Net and VR5 to Sportsnight and G.I. Jane. The research is framed as a study of intergenerational tensions in portrayals of women and public institutions - in careers, governmental service, and interactions with technology. Using iconic texts and their contexts as a primary focus, this book offers a rhetorical and cultural history of the tensions between remembering and forgetting in representations of the American feminist movement between 1979 and 2005. Looking forward, the book sets an agenda for discussion of gender issues over the next twenty-five years and articulates with authority the manner in which "transgression" itself has become a site of struggle."--BOOK JACKET. Frau Anti-feminism Feminism United States Feminist criticism Women in motion pictures Women in popular culture United States Women on television Women United States Social conditions 21st century Medien (DE-588)4169187-8 gnd rswk-swf Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Repräsentation Soziologie (DE-588)4202023-2 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Feminismus (DE-588)4222126-2 s Kulturpolitik (DE-588)4033581-1 s Medien (DE-588)4169187-8 s Repräsentation Soziologie (DE-588)4202023-2 s DE-604 Stein, Sarah R. Verfasser aut Vande Berg, Leah R. 1949-2004 Verfasser (DE-588)13020482X aut Frontiers in political communications 6 (DE-604)BV014324742 6 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015711706&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015711706&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Owen, A. Susan Stein, Sarah R. Vande Berg, Leah R. 1949-2004 Bad girls cultural politics and media representations of transgressive women Frontiers in political communications Frau Anti-feminism Feminism United States Feminist criticism Women in motion pictures Women in popular culture United States Women on television Women United States Social conditions 21st century Medien (DE-588)4169187-8 gnd Kulturpolitik (DE-588)4033581-1 gnd Repräsentation Soziologie (DE-588)4202023-2 gnd Feminismus (DE-588)4222126-2 gnd |
| subject_GND | (DE-588)4169187-8 (DE-588)4033581-1 (DE-588)4202023-2 (DE-588)4222126-2 (DE-588)4078704-7 |
| title | Bad girls cultural politics and media representations of transgressive women |
| title_auth | Bad girls cultural politics and media representations of transgressive women |
| title_exact_search | Bad girls cultural politics and media representations of transgressive women |
| title_exact_search_txtP | Bad girls cultural politics and media representations of transgressive women |
| title_full | Bad girls cultural politics and media representations of transgressive women A. Susan Owen, Sarah R. Stein, and Leah R. Vande Berg |
| title_fullStr | Bad girls cultural politics and media representations of transgressive women A. Susan Owen, Sarah R. Stein, and Leah R. Vande Berg |
| title_full_unstemmed | Bad girls cultural politics and media representations of transgressive women A. Susan Owen, Sarah R. Stein, and Leah R. Vande Berg |
| title_short | Bad girls |
| title_sort | bad girls cultural politics and media representations of transgressive women |
| title_sub | cultural politics and media representations of transgressive women |
| topic | Frau Anti-feminism Feminism United States Feminist criticism Women in motion pictures Women in popular culture United States Women on television Women United States Social conditions 21st century Medien (DE-588)4169187-8 gnd Kulturpolitik (DE-588)4033581-1 gnd Repräsentation Soziologie (DE-588)4202023-2 gnd Feminismus (DE-588)4222126-2 gnd |
| topic_facet | Frau Anti-feminism Feminism United States Feminist criticism Women in motion pictures Women in popular culture United States Women on television Women United States Social conditions 21st century Medien Kulturpolitik Repräsentation Soziologie Feminismus USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015711706&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015711706&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV014324742 |
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