Integration of macro X-ray fluorescence scanning and reflectance hyperspectral imaging into research and conservation activities at the National Gallery, London von Melchiorre Di Crescenzo, Marta, Higgitt, Catherine, Billinge, Rachel, Spring, Marika

Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings von Russell, Joanna, Melchiorre Di Crescenzo, Marta, Padfield, Joseph, Spring, Marika

Giovanni Bellini's painting technique von Dunkerton, Jill 1952-, Spring, Marika

Inhaltsverzeichnis

"A knight of Saint John" by Rosso Fiorentino a restoration in context von Keith, Larry, Melchiorre Di Crescenzo, Marta, Spring, Marika, Aderkas, Nelly von

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"An astronomer" by Ferdinand Bol materials, colour change and conservation von Spring, Marika, Aderkas, Nelly von, Rukavina, Flaminia, Peggie, David

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Colourless powdered glass as an additive in fifteenth- and sixteenth-century European paintings von Spring, Marika

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Aelbert Cuyp's "Large dort" colour change and conservation von Spring, Marika, Keith, Larry

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The technology of eighteenth- and nineteenth-century red lake pigments von Kirby, Jo, Spring, Marika, Higgitt, Catherine

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Raphael's materials some new discoveries and their context within early sixteenth-century painting von Spring, Marika

Proscribed pigments in Northern European Renaissance paintings and the case of Paris red von Kirby, Jo, Saunders, David, Spring, Marika

Investigation of pigment-medium interaction processes in oil paint containing degraded smalt von Spring, Marika

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"Black earths" a study of unusual black and dark grey pigments used by artists in the sixteenth century von Spring, Marika, Grout, Rachel, White, Raymond

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The technique of Garofalo's paintings at the National Gallery von Dunkerton, Jill 1952-, Penny, Nicholas 1949-, Spring, Marika

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Occurences of the purple pigment fluorite on paintings in the National Gallery von Spring, Marika

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A virgin and child from the workshop of Albrecht Dürer? von Ackroyd, Paul, Foister, Susan 1954-, Spring, Marika

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Veronese's paintings in the National Gallery technique and materials ; part I von Penny, Nicholas 1949-, Spring, Marika

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Original or early surface coatings on portraits by Jan van Eyck von Dunkerton, Jill 1952-, Spring, Marika, Peggie, David, Stelzig, Sandra

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Van Eyck's technique and materials historical perspectives and contemporary context von Spring, Marika, Morrison, Rachel

Goya's portraits in the National Gallery their technnique, materials and development von Spring, Marika, Billinge, Rachel, Treves, Letizia, Aderkas, Nelly von, Higgitt, Catherine, Loon, Annelies van, Dik, Joris

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The conservation history of Titian"s "Diana and Actaeon" and "Diana and Callisto" von Ridge, Jacqueline, Spring, Marika

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