Giving Vasari the Giorgio treatment von Sohm, Philip L. 1951-

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Caravaggio, Federico Zuccaro and the economics of 'novità' von Sohm, Philip L. 1951-

Style in the art theory of early modern Italy von Sohm, Philip L. 1951-

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[Rezension von:] Spear, Richard E.: The "Divine"Guido : religion, sex, money and art in the World of Guido Reni. - NewHaven : Yale University Press, 1997 von Sohm, Philip L. 1951-

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Maniera and the absent hand avoiding the etymology of style von Sohm, Philip L. 1951-

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Seicento mannerism eighteenth-century definitions of a Venetian style von Sohm, Philip L. 1951-

Pittoresco Marco Boschini, his critics, and their critiques of painterly brushwork in seventeenth- and eighteenth-century Italy von Sohm, Philip L. 1951-

Unknown epithalamia as sources for G. B. Tiepolo's iconography and style von Sohm, Philip L. 1951-

The Scuola Grande di San Marco 1437 - 1550 The architecture of o Venetian lay confraternity von Sohm, Philip L. 1951-

Pietro Longhi and Carlo Goldoni relations between painting and theater von Sohm, Philip L. 1951-

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Ancora imparo a palette and an inscription by the Master of the Annunciation to the Shepherds von Sohm, Philip L. 1951-

Venetian finger painting after Titian von Sohm, Philip L. 1951-

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Senescent and inspiring palettes von Sohm, Philip L. 1951-

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Palettes as Signatures and Encoded Identities in Early-Modern Self-Portraits von Sohm, Philip L. 1951-

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Caravaggio the barbarian von Sohm, Philip L. 1951-

Painting for profit the economic lives of seventeenth-century Italian painters von Spear, Richard E. 1940-, Sohm, Philip L. 1951-

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[Rezension von:] Il collezionismo d'arte a Venezia : il Seicento. - 1. ed. - Venezia : Marsilio, 2007 von Sohm, Philip L. 1951-

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Caravaggio's deaths von Sohm, Philip L. 1951-

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Ordering history with style Giorgio Vasari on the art of history von Sohm, Philip L. 1951-

Baroque piles and other decompositions von Sohm, Philip L. 1951-