The Rifleman / von Sharrett, Christopher

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The world that is known an Interview with Michael Haneke von Sharrett, Christopher

Haneke and the discontents of European culture von Sharrett, Christopher

1960 - Movies and intimations of disaster and hope von Sharrett, Christopher

False criticism cinema, bourgeois society, and the conservative complaint von Sharrett, Christopher

'Toby Dammit,' intertext, and the end of humanism von Sharrett, Christopher

Batman and the Twilight of the idols an Interview with Frank Miller von Sharrett, Christopher

The horror film as social allegory (and how it comes undone) von Sharrett, Christopher

The Rifleman von Sharrett, Christopher

Bowling for Columbine a review von Sharrett, Christopher, Luhr, William

Genocidal spectacles and the ideology of death von Sharrett, Christopher

Fargo, or the blank frontier von Sharrett, Christopher

The myth of apocalypse and the horror film the primacy of Psycho and The Birds von Sharrett, Christopher

Peckinpah the radical the politics of The wild bunch von Sharrett, Christopher

The horror film in neoconservative culture von Sharrett, Christopher

Tobe Hooper and the American Twilight von Sharrett, Christopher

Michael Mann von Sharrett, Christopher

Family, frontier and the destruction of the social order von Sharrett, Christopher

The Rifleman von Sharrett, Christopher

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The end of the road David Cronenberg's Crash and the fading of the west von Brottman, Mikita 1966-, Sharrett, Christopher