Music in the human experience: an introduction to music psychology
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxi, 439 Seiten Illustrationen, Notenbeispiele, Diagramme 1 CD |
| ISBN: | 9780415881852 9780415881869 |
Internformat
MARC
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| 100 | 1 | |a Hodges, Donald A. |4 aut | |
| 245 | 1 | 0 | |a Music in the human experience |b an introduction to music psychology |c Donald A. Hodges and David C. Sebald |
| 264 | 1 | |a New York ; London |b Routledge |c 2011 | |
| 300 | |a xxi, 439 Seiten |b Illustrationen, Notenbeispiele, Diagramme |e 1 CD | ||
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| 650 | 4 | |a Musik | |
| 650 | 4 | |a Psychologie | |
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Datensatz im Suchindex
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| DE-BY-FWS_katkey | 413569 |
| DE-BY-FWS_media_number | 083101168048 |
| _version_ | 1824553816392990720 |
| adam_text | Contents
Media Tutorials ix
List of
Illustrations xi
Preface
xv
Acknowledgments
xxiii
PART I: INTRODUCING
M
USIC PSYCHOLOGY
ι
ι
What Is Music Psychology?
3
A Brief Tour of the Model of Music Psychology
5
A Very Brief History of Music Psychology
7
An Overview of the Literature in Music Psychology
8
Library and Online Resources
9
Music Psychology Periodicals
9
Music Psychology Organizations
10
Conclusion
11
Discussion Questions
12
2
Philosophical Issues in Music Psychology
13
The Musical Significance of Human Nature
13
The Interface of Music Philosophy and Music Psychology
19
Conclusion
27
Discussion Questions
28
3
How We Came to Be Musical
30
Rhythm, a Fundamental Life Process
31
Natural
Soundscapes 36
Parent-Infant Bonding
40
The Acquisition of Language
42
A Unique Mode of Knowing
43
Social Organization
43
Conclusion
44
Discussion Questions
45
VI
Contents
4
Music Around the World and Across Time
47
Time-Line of Early Artistic Behaviors
48
Prehistoric Cave and Rock Art
51
Art and Technology
52
Invariants
54
Music: A Human Invariant
55
Conclusion
67
Discussion Questions
68
PART II: PERCEIVING, UNDERSTANDING, AND
RESPONDING TO MUSIC
71
5
Acoustical Foundations of Music 151
73
What Is Sound?
73
Important Parameters of Sound
76
Measuring and Describing Sound
79
How Environment Affects Sound
90
Conclusion
94
Discussion Questions
94
6
Musical Hearing
96
The Hearing Mechanism ™
■
МТ62-мт6 3
96
The Auditory Cortex
104
Conclusion1 1764
109
Discussion Questions
109
7
Psychoacoustics and the Perception of Music
111
The Critical BandMT71
112
The Perception of Pitch 77·2·MT73 MT74
114
The Perception of LoudnessMT7-5-MT7 6
120
The Perception of Timbre 777
121
The Perception of Duration 178
123
Secondary Relationships
125
Conclusion
127
Discussion Questions
127
8
Music Cognition
129
Gestalt
Laws of Cognitive Organization 781
130
Auditory Scene Analysis 782·MT8-3·MT8·4
1
3 З
Musical Memory^85
137
Statistical Learning in Music
138
Expectancy TheoryMT8·6·MT8·7·MT8-8
139
Tonality
142
Cognition of Musical Elements
145
Cognition of Larger Musical Forms
147
Cross-Cultural Comparative Research in Music
149 , _
Bayerische
Staatsbibliothek
München
VII
Music and Language
150
Contents
Conclusion
152
Discussion Questions
154
9
Music and the Brain
156
Brief Introduction to the Brain
156
Music in the Brain
162
Conclusion
175
Discussion Questions
177
10
Bodily Responses to Music
178
Physiological Responses to Music
178
Physical Responses to Music
184
Discussion of Psychophysiological Variables
187
Conclusion
189
Discussion Questions
190
11
Musical Emotions
191
Introduction to the Study of Emotions1*11 11
л
192
Perceived Emotions: The Cognitivist Position**™-2 **™-9
198
Induced Musical Emotions: The Emotivist Position
199
A Third Viewpoint: Aesthetic Trinity Theory
205
Musical Emotions in Everyday Experiences
207
Conclusion
209
Discussion Questions
210
PART III: BEING MUSICAL
211
12
The Musical Person
213
Is Musicality Inherited or Acquired?
213
The Musical Personality
218
Musical Identity
222
Musical Preferences
225
Conclusion
229
Discussion Questions
230
13
Music Performance
232
Motor Skills
233
Cognitive Skills
240
Expressive Skills
246
Conclusion
253
Discussion Questions
253
14
The Psychology of Music Learning
255
Psychoanalysis
256
Behavioral Psychology
258
Cognitive Approaches
261
VIII
Contents
Music Learning Theory
280
Conclusion
281
Discussion Questions
282
15
Music and Health
284
Music Therapy
284
Music Medicine
290
Performing Arts Medicine
293
Conclusion
302
Discussion Questions
303
16
Music in Social Contexts 3°4
Music in American Society
304
Reflections of Society in Music
311
The Influence of Music on Social Behaviors
315
Conclusion
323
Discussion Questions
324
Appendix A Chronological Summary of Boob Published in Music Psychology
326
Appendix
В
Selected Online Databases Frequently Available through Libraries
333
Glossary
335
Notes
356
Illustration Credits
359
References
362
Index
427
|
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| id | DE-604.BV037336937 |
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| indexdate | 2025-02-20T06:41:53Z |
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| title | Music in the human experience an introduction to music psychology |
| title_alt | "Interactive tutorials" |
| title_auth | Music in the human experience an introduction to music psychology |
| title_exact_search | Music in the human experience an introduction to music psychology |
| title_full | Music in the human experience an introduction to music psychology Donald A. Hodges and David C. Sebald |
| title_fullStr | Music in the human experience an introduction to music psychology Donald A. Hodges and David C. Sebald |
| title_full_unstemmed | Music in the human experience an introduction to music psychology Donald A. Hodges and David C. Sebald |
| title_short | Music in the human experience |
| title_sort | music in the human experience an introduction to music psychology |
| title_sub | an introduction to music psychology |
| topic | Musik Psychologie Music Psychological aspects Musikpsychologie (DE-588)4127817-3 gnd |
| topic_facet | Musik Psychologie Music Psychological aspects Musikpsychologie Einführung |
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Inhaltsverzeichnis
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