Walter Riezler on the unity of the arts unsiloing art and music in the Weimar era von Sears, Elizabeth 1952-

First contact Panofsky meets Warburg von Sears, Elizabeth 1952-

Walter Riezler on the Unity of the Arts unsiloing Art and Music in the Weimar Era von Sears, Elizabeth 1952-

George H. Forsyth and the sacred fortress at Sinai von Forsyth, Ilene H. 1928-, Sears, Elizabeth 1952-

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A diarist's view Roger Hinks on the Warburg Institute "twenty-five years after its settling in London" von Sears, Elizabeth 1952-

American iconography assessing FSA photographs, 1945 von Sears, Elizabeth 1952-

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Kenneth Clark and Gertrud Bing letters on 'The Nude' von Sears, Elizabeth 1952-

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[Rezension von:] Baschet, Jérôme: L'iconographie médiévale. - Paris : Gallimard, 2008 von Sears, Elizabeth 1952-

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Orpheus von Sears, Elizabeth 1952-

Portraits in counterpoint Jerome and Jeremiah in an Augsburg manuscript von Sears, Elizabeth 1952-

Portraits in counterpoint Jerome and Jeremiah in an Augsburg Manuscript von Sears, Elizabeth 1952-

Ivory and Ivory Workers in Medieval Paris von Sears, Elizabeth 1952-

Edgar Wind and the "encyclopaedic imagination" von Sears, Elizabeth 1952-

Keepers of the flame: Bing, Solmitz, Klibansky, and the continuity of the Warburg tradition von Sears, Elizabeth 1952-

Under Miss Green's watch three decades of art history at the Index of Christian Art von Sears, Elizabeth 1952-

The ages of man medieval interpretations of the life cycle von Sears, Elizabeth 1952-

An émigré art historian and America H. W. Janson von Sears, Elizabeth 1952-, Schoell-Glass, Charlotte 1951-

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Warburg Institute Archive, general correspondance von Sears, Elizabeth 1952-

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"Amerika kennt keine Ruinen" Horst W. Jansons Amerikabild von Schoell-Glass, Charlotte 1951-, Sears, Elizabeth 1952-

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The art-historical work of Walter Cahn von Sears, Elizabeth 1952-