Paul Schrader

Raised in a strict Calvinist family, Schrader attended Calvin College before pursuing film studies at UCLA on the encouragement of film critic Pauline Kael. He then worked as a film scholar and critic, publishing the book ''Transcendental Style in Film: Ozu, Bresson, Dreyer'' (1972) before transitioning to screenwriting in 1974. The success of ''Taxi Driver'' in 1976 brought greater attention to his work, and Schrader began directing his own films, beginning with ''Blue Collar'' (co-written with his brother, Leonard Schrader). Schrader has described three of his recent films as a loose trilogy: ''First Reformed'' (2017), ''The Card Counter'' (2021), and ''Master Gardener'' (2022). Provided by Wikipedia
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Transcendental style in film : Ozu, Bresson, Dreyer / by Schrader, Paul, 1946-
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Fälle für Anfänger im Bürgerlichen Recht by Werner, Olaf 1939-2024, Werner-Grisko, Almuth 1972-, Schrader, Paul Tobias 1977-
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Adressatenorientierte Auslegung des Unterlassungstitels? by Schrader, Paul Tobias 1977-
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Transcendental style on film by Schrader, Paul 1946-
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Schrader on Schrader & other writings by Schrader, Paul 1946-
Published 2004Call Number: Loading…Indexes
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Collected screenplays by Schrader, Paul 1946-
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American gigolo [screenplay] by Schrader, Paul 1946-
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Transcendental style in film Ozu, Bresson, Dreyer by Schrader, Paul 1946-
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Taxi driver [screenplay] by Schrader, Paul 1946-
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Die Angsthasen Humoristisches Laienspiel um den 1. Mai 1890 in 4 Aufzügen u. 3 Zwischenbildern by Körner-Schrader, Paul
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Das Lehrlingsheim als pädagogischer Heimtyp der Gegenwart by Schräder, Paul
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Die Geschichte der königlichen Seehandlung (Preußische Staatsbank) mit besonderer Berücksichtigung der neueren Zeit, auf Grund amtlicher Quellen bearbeitet by Schrader, Paul 1879-
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