Trauma and documentary photography of the FSA von Blair, Sara 1960-, Rosenberg, Eric M. 19XX-

Inhaltsverzeichnis

The totality of form S. J. Freedberg's criticism and Clement Greenberg's history von Rosenberg, Eric M.

Size matters von Rosenberg, Eric M.

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"... one of the most powerful, horrible, and yet fascinating pictures ..." Thomas Eakins's The Gross Clinic as history painting von Rosenberg, Eric M.

[Rezension von:] Fried, Michael <Kunsthistoriker>: Realism, writing, disfiguration on Thomas Eakins and Stephen Crane. - Chicago, 1987 von Rosenberg, Eric M.

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The impossibility of painting the satiric inevitability of John Singleton Copley's "Boy with a squirrel" von Rosenberg, Eric M. 19XX-

A preponderance of practical problems discourse instituionalized and the history of art in the United States between 1876 and 1888 von Rosenberg, Eric M.

J. Frank Currier, Munich and the anxious state of American art, ca. 1880 von Rosenberg, Eric M.

Response: Romancing the modern Nemerov, Wyeth, and the limits of American art history von Rosenberg, Eric M.

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Walker Evan's depression and the trauma of photography von Rosenberg, Eric M.

America's thing von Rosenberg, Eric M.

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[Rezension von:] Bedell, Rebecca: The anatomy of nature : geology and American landscape painting, 1825 - 1875. - Princeton : Princeton Univ. Press, 2002 // Berger, Martin A.: Man... von Rosenberg, Eric M.

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Meaning the modern von Rosenberg, Eric M.

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Bursting at the seams Architecture and the films of the Beatles von Rosenberg, Eric M. 19XX-