The philosophical baroque :: on autopoietic modernities /
In his pioneering study The Philosophical Baroque: On Autopoietic Modernities , Erik S. Roraback argues that modern culture, contemplated over its four-century history, resembles nothing so much as the pearl famously described, by periodizers of old, as irregular, barroco . Reframing modernity as a...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Leiden ; Boston :
Brill,
[2017]
|
Schriftenreihe: | Literary modernism (Leiden) ;
v. 2. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | In his pioneering study The Philosophical Baroque: On Autopoietic Modernities , Erik S. Roraback argues that modern culture, contemplated over its four-century history, resembles nothing so much as the pearl famously described, by periodizers of old, as irregular, barroco . Reframing modernity as a multi-century baroque, Roraback steeps texts by Shakespeare, Henry James, Joyce, and Pynchon in systems theory and the ideas of philosophers of language and culture from Leibniz to such dynamic contemporaries as Luhmann, Benjamin, Blanchot, Deleuze and Guattari, Lacan, and Žižek. The resulting brew, high in intellectual caffeine, will be of value to all who take an interest in cultural modernity--indeed, all who recognize that "modernity" was (and remains) a congeries of competing aesthetic, economic, historical, ideological, philosophical, and political energies. |
Beschreibung: | 1 online resource. |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9789004339859 900433985X |
Internformat
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505 | 0 | 0 | |a Preliminary Material -- Introduction: Re-Framing Modernity -- Luhmann and Autopoietic Forms of the (Neo) Baroque Modern: Or, Structure, System, and Contingency -- Folds of Desire's (Dis)contents: Orson Welles, Lacan, and Shakespeare's King Lear (c. 1606) -- The Monad of Deleuze's Many-Tiered High Baroque Leibniz -- Folds of an Autopoietic and Unconscious Monad: Henry James, Benjamin, and Blanchot -- (Neo) Baroque Intersections: Finnegans Wake (1939), Gravity's Rainbow (1973), and L'Écriture du désastre (The Writing of the Disaster) (1980) -- Neobaroque Fingerprints: Artistic Authority, Interpretation, and Economic Power/Un-power of Finnegans Wake -- Deleuze's Le pli: Leibniz et le baroque (The Fold: Leibniz and the Baroque) (1988) with Joyce's "stohong baroque" Finnegans Wake -- Autopoietic Baroque Energies: Finnegans Wake -- Folding Blanchot onto Pynchon: Enlightenment Reason, the Global Technical System, and World Citizenship -- Catastrophe, Allegory, and the Philosophical Baroque: A Quartet of Benjamin-Lacan and Joyce-Pynchon -- Conclusions -- Select Bibliography -- Index of Premodern and Modern Authors -- Index of Sources -- Index of Names and Subjects. |
520 | |a In his pioneering study The Philosophical Baroque: On Autopoietic Modernities , Erik S. Roraback argues that modern culture, contemplated over its four-century history, resembles nothing so much as the pearl famously described, by periodizers of old, as irregular, barroco . Reframing modernity as a multi-century baroque, Roraback steeps texts by Shakespeare, Henry James, Joyce, and Pynchon in systems theory and the ideas of philosophers of language and culture from Leibniz to such dynamic contemporaries as Luhmann, Benjamin, Blanchot, Deleuze and Guattari, Lacan, and Žižek. The resulting brew, high in intellectual caffeine, will be of value to all who take an interest in cultural modernity--indeed, all who recognize that "modernity" was (and remains) a congeries of competing aesthetic, economic, historical, ideological, philosophical, and political energies. | ||
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author | Roraback, Erik S. (Erik Sherman) |
author_GND | http://id.loc.gov/authorities/names/n2008020340 |
author_facet | Roraback, Erik S. (Erik Sherman) |
author_role | aut |
author_sort | Roraback, Erik S. |
author_variant | e s r es esr |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN56 |
callnumber-raw | PN56.M54 R66 2017 |
callnumber-search | PN56.M54 R66 2017 |
callnumber-sort | PN 256 M54 R66 42017 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Preliminary Material -- Introduction: Re-Framing Modernity -- Luhmann and Autopoietic Forms of the (Neo) Baroque Modern: Or, Structure, System, and Contingency -- Folds of Desire's (Dis)contents: Orson Welles, Lacan, and Shakespeare's King Lear (c. 1606) -- The Monad of Deleuze's Many-Tiered High Baroque Leibniz -- Folds of an Autopoietic and Unconscious Monad: Henry James, Benjamin, and Blanchot -- (Neo) Baroque Intersections: Finnegans Wake (1939), Gravity's Rainbow (1973), and L'Écriture du désastre (The Writing of the Disaster) (1980) -- Neobaroque Fingerprints: Artistic Authority, Interpretation, and Economic Power/Un-power of Finnegans Wake -- Deleuze's Le pli: Leibniz et le baroque (The Fold: Leibniz and the Baroque) (1988) with Joyce's "stohong baroque" Finnegans Wake -- Autopoietic Baroque Energies: Finnegans Wake -- Folding Blanchot onto Pynchon: Enlightenment Reason, the Global Technical System, and World Citizenship -- Catastrophe, Allegory, and the Philosophical Baroque: A Quartet of Benjamin-Lacan and Joyce-Pynchon -- Conclusions -- Select Bibliography -- Index of Premodern and Modern Authors -- Index of Sources -- Index of Names and Subjects. |
ctrlnum | (OCoLC)976395900 |
dewey-full | 809/.9112 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 809 - History, description & criticism |
dewey-raw | 809/.9112 |
dewey-search | 809/.9112 |
dewey-sort | 3809 49112 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
format | Electronic eBook |
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indexdate | 2024-11-27T13:27:44Z |
institution | BVB |
isbn | 9789004339859 900433985X |
language | English |
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series | Literary modernism (Leiden) ; |
series2 | Literary modernism ; |
spelling | Roraback, Erik S. (Erik Sherman), author. http://id.loc.gov/authorities/names/n2008020340 The philosophical baroque : on autopoietic modernities / by Erik S. Roraback. Leiden ; Boston : Brill, [2017] 1 online resource. text txt rdacontent computer n rdamedia online resource nc rdacarrier Literary modernism ; volume 2 Includes bibliographical references and index. Online resource; title from digital title page (viewed on May 04, 2017). Preliminary Material -- Introduction: Re-Framing Modernity -- Luhmann and Autopoietic Forms of the (Neo) Baroque Modern: Or, Structure, System, and Contingency -- Folds of Desire's (Dis)contents: Orson Welles, Lacan, and Shakespeare's King Lear (c. 1606) -- The Monad of Deleuze's Many-Tiered High Baroque Leibniz -- Folds of an Autopoietic and Unconscious Monad: Henry James, Benjamin, and Blanchot -- (Neo) Baroque Intersections: Finnegans Wake (1939), Gravity's Rainbow (1973), and L'Écriture du désastre (The Writing of the Disaster) (1980) -- Neobaroque Fingerprints: Artistic Authority, Interpretation, and Economic Power/Un-power of Finnegans Wake -- Deleuze's Le pli: Leibniz et le baroque (The Fold: Leibniz and the Baroque) (1988) with Joyce's "stohong baroque" Finnegans Wake -- Autopoietic Baroque Energies: Finnegans Wake -- Folding Blanchot onto Pynchon: Enlightenment Reason, the Global Technical System, and World Citizenship -- Catastrophe, Allegory, and the Philosophical Baroque: A Quartet of Benjamin-Lacan and Joyce-Pynchon -- Conclusions -- Select Bibliography -- Index of Premodern and Modern Authors -- Index of Sources -- Index of Names and Subjects. In his pioneering study The Philosophical Baroque: On Autopoietic Modernities , Erik S. Roraback argues that modern culture, contemplated over its four-century history, resembles nothing so much as the pearl famously described, by periodizers of old, as irregular, barroco . Reframing modernity as a multi-century baroque, Roraback steeps texts by Shakespeare, Henry James, Joyce, and Pynchon in systems theory and the ideas of philosophers of language and culture from Leibniz to such dynamic contemporaries as Luhmann, Benjamin, Blanchot, Deleuze and Guattari, Lacan, and Žižek. The resulting brew, high in intellectual caffeine, will be of value to all who take an interest in cultural modernity--indeed, all who recognize that "modernity" was (and remains) a congeries of competing aesthetic, economic, historical, ideological, philosophical, and political energies. Modernism (Literature) http://id.loc.gov/authorities/subjects/sh85086446 Modernism (Aesthetics) http://id.loc.gov/authorities/subjects/sh85086444 Civilization, Modern. http://id.loc.gov/authorities/subjects/sh85026469 Modernisme (Littérature) Modernisme (Esthétique) LITERARY CRITICISM General. bisacsh Civilization, Modern fast Modernism (Aesthetics) fast Modernism (Literature) fast Criticism, interpretation, etc. fast has work: The philosophical baroque (Text) https://id.oclc.org/worldcat/entity/E39PCFHhqWyptYtPTwTMqJXBGd https://id.oclc.org/worldcat/ontology/hasWork Print version: Roraback, Erik S. (Erik Sherman). Philosophical baroque. Leiden ; Boston : Brill, 2017 9789004323278 (DLC) 2017002057 Literary modernism (Leiden) ; v. 2. http://id.loc.gov/authorities/names/no2017007691 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1487444 Volltext |
spellingShingle | Roraback, Erik S. (Erik Sherman) The philosophical baroque : on autopoietic modernities / Literary modernism (Leiden) ; Preliminary Material -- Introduction: Re-Framing Modernity -- Luhmann and Autopoietic Forms of the (Neo) Baroque Modern: Or, Structure, System, and Contingency -- Folds of Desire's (Dis)contents: Orson Welles, Lacan, and Shakespeare's King Lear (c. 1606) -- The Monad of Deleuze's Many-Tiered High Baroque Leibniz -- Folds of an Autopoietic and Unconscious Monad: Henry James, Benjamin, and Blanchot -- (Neo) Baroque Intersections: Finnegans Wake (1939), Gravity's Rainbow (1973), and L'Écriture du désastre (The Writing of the Disaster) (1980) -- Neobaroque Fingerprints: Artistic Authority, Interpretation, and Economic Power/Un-power of Finnegans Wake -- Deleuze's Le pli: Leibniz et le baroque (The Fold: Leibniz and the Baroque) (1988) with Joyce's "stohong baroque" Finnegans Wake -- Autopoietic Baroque Energies: Finnegans Wake -- Folding Blanchot onto Pynchon: Enlightenment Reason, the Global Technical System, and World Citizenship -- Catastrophe, Allegory, and the Philosophical Baroque: A Quartet of Benjamin-Lacan and Joyce-Pynchon -- Conclusions -- Select Bibliography -- Index of Premodern and Modern Authors -- Index of Sources -- Index of Names and Subjects. Modernism (Literature) http://id.loc.gov/authorities/subjects/sh85086446 Modernism (Aesthetics) http://id.loc.gov/authorities/subjects/sh85086444 Civilization, Modern. http://id.loc.gov/authorities/subjects/sh85026469 Modernisme (Littérature) Modernisme (Esthétique) LITERARY CRITICISM General. bisacsh Civilization, Modern fast Modernism (Aesthetics) fast Modernism (Literature) fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85086446 http://id.loc.gov/authorities/subjects/sh85086444 http://id.loc.gov/authorities/subjects/sh85026469 |
title | The philosophical baroque : on autopoietic modernities / |
title_auth | The philosophical baroque : on autopoietic modernities / |
title_exact_search | The philosophical baroque : on autopoietic modernities / |
title_full | The philosophical baroque : on autopoietic modernities / by Erik S. Roraback. |
title_fullStr | The philosophical baroque : on autopoietic modernities / by Erik S. Roraback. |
title_full_unstemmed | The philosophical baroque : on autopoietic modernities / by Erik S. Roraback. |
title_short | The philosophical baroque : |
title_sort | philosophical baroque on autopoietic modernities |
title_sub | on autopoietic modernities / |
topic | Modernism (Literature) http://id.loc.gov/authorities/subjects/sh85086446 Modernism (Aesthetics) http://id.loc.gov/authorities/subjects/sh85086444 Civilization, Modern. http://id.loc.gov/authorities/subjects/sh85026469 Modernisme (Littérature) Modernisme (Esthétique) LITERARY CRITICISM General. bisacsh Civilization, Modern fast Modernism (Aesthetics) fast Modernism (Literature) fast |
topic_facet | Modernism (Literature) Modernism (Aesthetics) Civilization, Modern. Modernisme (Littérature) Modernisme (Esthétique) LITERARY CRITICISM General. Civilization, Modern Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1487444 |
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