Oceans of air: Tomás Saraceno
"The book to accompany Tomás Saraceno's exhibition Oceans of Air at Mona: a deep dive into the artist's contagious curiosity, which ranges from dust particles and spider silk to the very connective tissue of the universe. This is not an exhibition catalogue, but a book devoted to Leaf...
Gespeichert in:
| Hauptverfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hobart, Tasmania
Museum of Old and New Art
[2023]
|
| Schlagworte: | |
| Zusammenfassung: | "The book to accompany Tomás Saraceno's exhibition Oceans of Air at Mona: a deep dive into the artist's contagious curiosity, which ranges from dust particles and spider silk to the very connective tissue of the universe. This is not an exhibition catalogue, but a book devoted to Leaf, Leaves, Life, Lives, a new artwork commissioned by Mona specially for this exhibition. When Tomás first visited lutruwita (Tasmania), he was struck by how its plant life reflects intersecting Aboriginal and colonial histories. In the book (and artwork), you will see delicate crinkle-cut leaves from Nothofagus gunnii, known as the tanglefoot beech or 'the Fagus' (an ancient Gondwanan species, and Tasmania's only native deciduous tree), alongside those of both native and introduced plants collected in the grounds of Mona and further afield. There are leaves collected from the aftermath of bushfires and cultural burning, or pressed like botanists' specimens, others picked and dried, still others fallen naturally from the plant. It's a continuation of Tomás's work with leaves and other foliage, such as when he picked and pressed poppies growing from poisoned earth around his Berlin studio, built on the site of a former factory famous for making photographic film and dye. It's a beautifully illustrated document of an artwork's conceptual undergrowth, its genesis and development, and final emergence from an island of plant life, people and fire. Alongside all this is a collection of perspectives that influenced the artist's mind during this gradual process, with essays from Pakana curator Zoe Rimmer, art historian Eva Diaz, Pakana cultural burning practitioner Andry Sculthorpe, local botanist Greg Jordan, and curator Emma Pike."--Publisher's webpage |
| Beschreibung: | "This publication accompanies the exhibition 'Tomás Saraceno: Oceans of Air', 17 December 2022 - 24 July 2023, Museum of Old and New Art" (Seite 6) Printed at Grafiche Veneziane in Venice, on Fedrigoni Freelife Cento Extra White, a recycled paper. Softcover featuring gatefolds and a Swiss bound spine. Designed by Enrico Bardin |
| Beschreibung: | 144 Seiten, 16 ungezählte Seiten 30 cm |
| ISBN: | 9780648785941 0648785947 |
Internformat
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| 500 | |a "This publication accompanies the exhibition 'Tomás Saraceno: Oceans of Air', 17 December 2022 - 24 July 2023, Museum of Old and New Art" (Seite 6) | ||
| 500 | |a Printed at Grafiche Veneziane in Venice, on Fedrigoni Freelife Cento Extra White, a recycled paper. Softcover featuring gatefolds and a Swiss bound spine. Designed by Enrico Bardin | ||
| 505 | 8 | |a Introduction / Emma Pike -- nuritinga paywuta-mana-mapali (Holding our past) / Zoe Rimmer -- The biopolitics of humility / Eva Díaz -- All that we are is connected to the place of creation / Andry Sculthorpe -- The fagus / Greg Jordan | |
| 520 | 3 | |a "The book to accompany Tomás Saraceno's exhibition Oceans of Air at Mona: a deep dive into the artist's contagious curiosity, which ranges from dust particles and spider silk to the very connective tissue of the universe. This is not an exhibition catalogue, but a book devoted to Leaf, Leaves, Life, Lives, a new artwork commissioned by Mona specially for this exhibition. When Tomás first visited lutruwita (Tasmania), he was struck by how its plant life reflects intersecting Aboriginal and colonial histories. In the book (and artwork), you will see delicate crinkle-cut leaves from Nothofagus gunnii, known as the tanglefoot beech or 'the Fagus' (an ancient Gondwanan species, and Tasmania's only native deciduous tree), alongside those of both native and introduced plants collected in the grounds of Mona and further afield. There are leaves collected from the aftermath of bushfires and cultural burning, or pressed like botanists' specimens, others picked and dried, still others fallen naturally from the plant. It's a continuation of Tomás's work with leaves and other foliage, such as when he picked and pressed poppies growing from poisoned earth around his Berlin studio, built on the site of a former factory famous for making photographic film and dye. It's a beautifully illustrated document of an artwork's conceptual undergrowth, its genesis and development, and final emergence from an island of plant life, people and fire. Alongside all this is a collection of perspectives that influenced the artist's mind during this gradual process, with essays from Pakana curator Zoe Rimmer, art historian Eva Diaz, Pakana cultural burning practitioner Andry Sculthorpe, local botanist Greg Jordan, and curator Emma Pike."--Publisher's webpage | |
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Datensatz im Suchindex
| _version_ | 1811019813105958912 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
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| author | Rimmer, Zoe Diaz, Eva 1977- Sculthorpe, Andry Jordan, Greg |
| author_GND | (DE-588)137310722 (DE-588)13396437X |
| author_facet | Rimmer, Zoe Diaz, Eva 1977- Sculthorpe, Andry Jordan, Greg |
| author_role | aut aut aut aut |
| author_sort | Rimmer, Zoe |
| author_variant | z r zr e d ed a s as g j gj |
| building | Verbundindex |
| bvnumber | BV048997965 |
| classification_rvk | LI 99999 |
| contents | Introduction / Emma Pike -- nuritinga paywuta-mana-mapali (Holding our past) / Zoe Rimmer -- The biopolitics of humility / Eva Díaz -- All that we are is connected to the place of creation / Andry Sculthorpe -- The fagus / Greg Jordan |
| ctrlnum | (OCoLC)1390813994 (DE-599)BVBBV048997965 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Museum of Old and New Art 17.12.2022-24.07.2023 Hobart, Tasmanien gnd-content |
| genre_facet | Ausstellungskatalog Museum of Old and New Art 17.12.2022-24.07.2023 Hobart, Tasmanien |
| id | DE-604.BV048997965 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:08:56Z |
| indexdate | 2024-09-23T20:24:42Z |
| institution | BVB |
| institution_GND | (DE-588)1025919734 |
| isbn | 9780648785941 0648785947 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034261181 |
| oclc_num | 1390813994 |
| open_access_boolean | |
| owner | DE-255 DE-11 |
| owner_facet | DE-255 DE-11 |
| physical | 144 Seiten, 16 ungezählte Seiten 30 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Museum of Old and New Art |
| record_format | marc |
| spelling | Saraceno, Tomás 1973- (DE-588)137310722 art Oceans of air Tomás Saraceno contributors: Emma Pike, Zoe Rimmer, Eva Díaz, Andry Sculthorpe, Greg Jordan Tomás Saraceno : oceans of air Hobart, Tasmania Museum of Old and New Art [2023] 144 Seiten, 16 ungezählte Seiten 30 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier "This publication accompanies the exhibition 'Tomás Saraceno: Oceans of Air', 17 December 2022 - 24 July 2023, Museum of Old and New Art" (Seite 6) Printed at Grafiche Veneziane in Venice, on Fedrigoni Freelife Cento Extra White, a recycled paper. Softcover featuring gatefolds and a Swiss bound spine. Designed by Enrico Bardin Introduction / Emma Pike -- nuritinga paywuta-mana-mapali (Holding our past) / Zoe Rimmer -- The biopolitics of humility / Eva Díaz -- All that we are is connected to the place of creation / Andry Sculthorpe -- The fagus / Greg Jordan "The book to accompany Tomás Saraceno's exhibition Oceans of Air at Mona: a deep dive into the artist's contagious curiosity, which ranges from dust particles and spider silk to the very connective tissue of the universe. This is not an exhibition catalogue, but a book devoted to Leaf, Leaves, Life, Lives, a new artwork commissioned by Mona specially for this exhibition. When Tomás first visited lutruwita (Tasmania), he was struck by how its plant life reflects intersecting Aboriginal and colonial histories. In the book (and artwork), you will see delicate crinkle-cut leaves from Nothofagus gunnii, known as the tanglefoot beech or 'the Fagus' (an ancient Gondwanan species, and Tasmania's only native deciduous tree), alongside those of both native and introduced plants collected in the grounds of Mona and further afield. There are leaves collected from the aftermath of bushfires and cultural burning, or pressed like botanists' specimens, others picked and dried, still others fallen naturally from the plant. It's a continuation of Tomás's work with leaves and other foliage, such as when he picked and pressed poppies growing from poisoned earth around his Berlin studio, built on the site of a former factory famous for making photographic film and dye. It's a beautifully illustrated document of an artwork's conceptual undergrowth, its genesis and development, and final emergence from an island of plant life, people and fire. Alongside all this is a collection of perspectives that influenced the artist's mind during this gradual process, with essays from Pakana curator Zoe Rimmer, art historian Eva Diaz, Pakana cultural burning practitioner Andry Sculthorpe, local botanist Greg Jordan, and curator Emma Pike."--Publisher's webpage Saraceno, Tomás 1973- (DE-588)137310722 gnd rswk-swf Saraceno, Tomás / 1973- / Exhibitions Museum of Old and New Art (Tas.) / Exhibitions Art museums / Tasmania / Hobart / Exhibitions Art, Modern / 21st century / Exhibitions Spider webs in art Botanical specimens / Tasmania / Exhibitions Pollution / Measurement / Exhibitions Nothofagus gunnii / Tasmania Installations (Art) / Exhibitions Art, Argentine / 21st century Installations (Art) Saraceno, Tomás / 1973- Art, Argentine Art, Modern Art museums Botanical specimens Nothofagus gunnii Pollution / Measurement Tasmania Tasmania / Hobart 2000-2099 Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Museum of Old and New Art 17.12.2022-24.07.2023 Hobart, Tasmanien gnd-content Saraceno, Tomás 1973- (DE-588)137310722 p DE-604 Pike, Emma win Rimmer, Zoe aut Diaz, Eva 1977- (DE-588)13396437X aut Sculthorpe, Andry aut Jordan, Greg aut Museum of Old and New Art (DE-588)1025919734 his isb |
| spellingShingle | Rimmer, Zoe Diaz, Eva 1977- Sculthorpe, Andry Jordan, Greg Oceans of air Tomás Saraceno Introduction / Emma Pike -- nuritinga paywuta-mana-mapali (Holding our past) / Zoe Rimmer -- The biopolitics of humility / Eva Díaz -- All that we are is connected to the place of creation / Andry Sculthorpe -- The fagus / Greg Jordan Saraceno, Tomás 1973- (DE-588)137310722 gnd |
| subject_GND | (DE-588)137310722 (DE-588)4135467-9 |
| title | Oceans of air Tomás Saraceno |
| title_alt | Tomás Saraceno : oceans of air |
| title_auth | Oceans of air Tomás Saraceno |
| title_exact_search | Oceans of air Tomás Saraceno |
| title_exact_search_txtP | Oceans of air Tomás Saraceno |
| title_full | Oceans of air Tomás Saraceno contributors: Emma Pike, Zoe Rimmer, Eva Díaz, Andry Sculthorpe, Greg Jordan |
| title_fullStr | Oceans of air Tomás Saraceno contributors: Emma Pike, Zoe Rimmer, Eva Díaz, Andry Sculthorpe, Greg Jordan |
| title_full_unstemmed | Oceans of air Tomás Saraceno contributors: Emma Pike, Zoe Rimmer, Eva Díaz, Andry Sculthorpe, Greg Jordan |
| title_short | Oceans of air |
| title_sort | oceans of air tomas saraceno |
| title_sub | Tomás Saraceno |
| topic | Saraceno, Tomás 1973- (DE-588)137310722 gnd |
| topic_facet | Saraceno, Tomás 1973- Ausstellungskatalog Museum of Old and New Art 17.12.2022-24.07.2023 Hobart, Tasmanien |
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