Late style and its discontents: essays in art, literature, and music
Late style' is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production-often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the ar...
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| Weitere Verfasser: | , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2016
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| Ausgabe: | First edition |
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Late style' is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production-often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, 'late' being the antonym of 'early' or the third term in the triad 'early-middle-late'. However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterised as the imaginative response made by exceptional talents to the imminence of their death. In their confrontation with death creative artists, critics claim, produce work that is by turns a determination to continue while strength remains, a summation of their life's work and a radical vision of the essence of their craft. And because this creative phenomenon is understood as primarily an existential response to a common fate, so late style is understood as something that transcends the particularities of place, time and medium |
| Beschreibung: | Some of the essays were first aired at 2 conferences: "Rethinking Late: Style Art, Literature, Music, Film", the first King's College London in November 2007, the second at the Australian National University, Canberra, in August 2008 |
| Beschreibung: | xiii, 270 Seiten, 8 ungezählte Seiten Bildtafeln Illustrationen, Notenbeispiele |
| ISBN: | 9780198704621 |
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| adam_text | Late Style and its
Discontents
Essays in Art, Literature, and Music
Edited by
GORDON McMULLAN
and
SAM SMILES
OXPORD
UNIVERSITY PRESS
Contents
Plates ix
Contributors xi
Introduction: Late Style and its Discontents 1
Gordon McMullan and Sam Smiles
I. LATENESS, HISTORY, MODERNITY
1. From Titian to Impressionism: Hie Genealogy of Late Style 15
Sam Smiles
2. The ‘Strangeness’ of George Oppen: Criticism, Modernity,
and the Conditions of Late Style 31
Gordon McMullan
II. LATENESS AND THE LIFE COURSE
X 3. Historicizing Late Style as a Discourse of Reception 51
Linda Hutcheon and Michael Hutcheon
4. Making Darwin Late: Later Life and Style in Evolutionary
Writing and its Contexts 69
David Amigoni
5. In the Antechamber of Death: Picassos Later Paintings 81
Jeremy Lewison
III. CONSTRUCTING LATENESS
6. The‘Late Styles’of Gioachino Rossini 105
Philip Gossett
7. Saving Schubert: The Evasions of Late Style 120
Laura Tunbridge
8. Perceptions of Lateness: Goethe, Nietzsche, Thomas Mann,
and D. H. Lawrence 131
Michael Bell IV.
IV. THE TIME AND PLACE OF LATENESS
9. Suffering Sea Changes: Jane Austen’s Afterlives and the Possibilities
of a Late Style 147
Olivia Murphy
viii
Contents
10. Ravel’s Timeliness and his Many Late Styles 158
Barbara L. Kelly
11. ‘Anachronism’: Michael Hamburger and the Time and Place
of Late Work 174
Karen Leeder
V. ADORNO, LATENESS, HISTORY
12. Notes on Beethoven’s Late Style 191
Michael Spitzer
^ 13. The Infinity of Water Lilies: On Monet’s Late Paintings 209
Bente Larsen
J 14. Lateness and Modernity in Theodor Adorno 220
Robert Spencer
Afterword 235
Ben Hutchinson
Bibliography 241
Index 259
|
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| author_corporate | Rethinking late style: art, literature, music, film London Rethinking Late Style: Art, Literature, Music, Film (Veranstaltung) |
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| discipline | Kunstgeschichte |
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| format | Conference Proceeding Book |
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| spelling | Rethinking late style: art, literature, music, film 2007 London Verfasser (DE-588)7645402-2 aut Late style and its discontents essays in art, literature, and music edited by Gordon McMullan and Sam Smiles First edition Oxford Oxford University Press 2016 xiii, 270 Seiten, 8 ungezählte Seiten Bildtafeln Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Some of the essays were first aired at 2 conferences: "Rethinking Late: Style Art, Literature, Music, Film", the first King's College London in November 2007, the second at the Australian National University, Canberra, in August 2008 Late style' is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production-often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, 'late' being the antonym of 'early' or the third term in the triad 'early-middle-late'. However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterised as the imaginative response made by exceptional talents to the imminence of their death. In their confrontation with death creative artists, critics claim, produce work that is by turns a determination to continue while strength remains, a summation of their life's work and a radical vision of the essence of their craft. And because this creative phenomenon is understood as primarily an existential response to a common fate, so late style is understood as something that transcends the particularities of place, time and medium Musik (DE-588)4040802-4 gnd rswk-swf Spätwerk (DE-588)4182024-1 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift King's College 11.2007 London gnd-content (DE-588)1071861417 Konferenzschrift Australian National University 08.2008 Canberra gnd-content Künstler (DE-588)4033423-5 s Spätwerk (DE-588)4182024-1 s Kunst (DE-588)4114333-4 s Literatur (DE-588)4035964-5 s Musik (DE-588)4040802-4 s DE-604 McMullan, Gordon 1962- (DE-588)133727785 edt Smiles, Sam (DE-588)132460327 edt Rethinking Late Style: Art, Literature, Music, Film (Veranstaltung) 2008 Canberra Verfasser (DE-588)1139778277 aut KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029089707&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Late style and its discontents essays in art, literature, and music |
| title_auth | Late style and its discontents essays in art, literature, and music |
| title_exact_search | Late style and its discontents essays in art, literature, and music |
| title_full | Late style and its discontents essays in art, literature, and music edited by Gordon McMullan and Sam Smiles |
| title_fullStr | Late style and its discontents essays in art, literature, and music edited by Gordon McMullan and Sam Smiles |
| title_full_unstemmed | Late style and its discontents essays in art, literature, and music edited by Gordon McMullan and Sam Smiles |
| title_short | Late style and its discontents |
| title_sort | late style and its discontents essays in art literature and music |
| title_sub | essays in art, literature, and music |
| topic | Musik (DE-588)4040802-4 gnd Spätwerk (DE-588)4182024-1 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd Künstler (DE-588)4033423-5 gnd |
| topic_facet | Musik Spätwerk Literatur Kunst Künstler Konferenzschrift King's College 11.2007 London Konferenzschrift Australian National University 08.2008 Canberra |
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