Milton Resnick
![''Untitled,'' c. 1990, [[Acrylic paint|acrylic]] painting on paper, private collection](https://upload.wikimedia.org/wikipedia/en/thumb/d/d9/Milton_Resnick_-_untitled_acrylic_on_paper_c._1990%2C_private_collection.jpg/250px-Milton_Resnick_-_untitled_acrylic_on_paper_c._1990%2C_private_collection.jpg)
He also wrote poetry on a nearly daily basis for the last thirty years of his life. He was an inveterate reader, riveting speaker and gifted teller of tales, capable of conversing with college audiences in sessions that might last three hours.
Paintings held in public collections include: ''New Bride'', 1963 Smithsonian American Art Museum, Washington, D.C., ''Mound'', 1961 National Gallery of Art, Washington, D.C., ''Saturn'', 1976 National Gallery of Canada, Ottawa, Ontario, ''Elephant'', 1977 Milton Resnick and Pat Passlof Foundation, New York, ''Earth'', 1976 Museum of Modern Art, NYC, ''Wedding'', 1962 The Metropolitan Museum of Art, New York, ''Pink Fire'', 1971 National Gallery of Australia, Canberra, and ''Untitled'', 1982 Whitney Museum of American Art, New York, along with many pictures of comparable quality in smaller collections — public and private — make for some, an effective case for Resnick as an exponent of the sublime.
His remaining estate is held in trust by the Milton Resnick and Pat Passlof Foundation. Beginning in 2017, the centenary of his birth, the Foundation plans to open his former residence and studio, at 87 Eldridge Street in Manhattan as a public exhibition space to showcase his work, that of his wife Pat Passlof, and other Abstract Expressionist painters. Provided by Wikipedia