Alexander Rehding
Alexander Rehding is Fanny Peabody Professor of Music at Harvard University. Rehding is a music theorist and musicologist with a focus on intellectual history and media theory, known for innovative interdisciplinary work. His publications explore music in a wide range of contexts from Ancient Greek music to the Eurovision Song Contest—and even in outer space. His research has contributed to Riemannian theory, the history of music theory, sound studies, and media archaeology, reaching into the digital humanities and ecomusicology. Provided by Wikipedia
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Beethoven's Symphony no. 9 / by Rehding, Alexander
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Hugo Riemann and the birth of modern musical thought / by Rehding, Alexander
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Adorno, music, modernity by Gordon, Peter Eli 1966-, Rehding, Alexander ca. 20. Jh
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Music and Monumentality Commemoration and Wonderment in Nineteenth Century Germany by Rehding, Alexander ca. 20. Jh
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Hugo Riemann and the birth of modern musical thought by Rehding, Alexander
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Liszt's musical monuments by Rehding, Alexander ca. 20. Jh
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Alien listening Voyager's golden record and music from Earth by Chua, Daniel K. L. 1966-, Rehding, Alexander ca. 20. Jh
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Apologia for Erik by Rehding, Alexander ca. 20. Jh
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Hugo Riemann and the birth of modern musical thought by Rehding, Alexander ca. 20. Jh
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Hugo Riemann and the birth of modern musical thought by Rehding, Alexander
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Kann man die Geschichte der Musiktheorie dezentralisieren? by Rehding, Alexander ca. 20. Jh
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Beethoven's Symphony no. 9 by Rehding, Alexander ca. 20. Jh
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Music and monumentality commemoration and wonderment in nineteenth-century Germany by Rehding, Alexander ca. 20. Jh
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Music and monumentality commemoration and wonderment in nineteenth-century Germany by Rehding, Alexander ca. 20. Jh
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Hugo Riemann and the birth of modern musical thought by Rehding, Alexander ca. 20. Jh
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Hugo Riemann and the birth of modern musical thought by Rehding, Alexander
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TrisZtan: or, the case of Liszt's "Ich möchte hingehn" by Rehding, Alexander ca. 20. Jh
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The Oxford handbook of timbre
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Adorno and music: critical variations by Gordon, Peter Eli 1966-
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