Love and abolition: the social life of Black queer performance
"Examines queer performance and affective response in the Black radical tradition-using work by James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german-to demonstrate how love animates the contemporary prison abolition movement"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Columbus
The Ohio State University Press
[2022]
|
| Schriftenreihe: | Black performance and cultural criticism
|
| Schlagworte: | |
| Zusammenfassung: | "Examines queer performance and affective response in the Black radical tradition-using work by James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german-to demonstrate how love animates the contemporary prison abolition movement"-- |
| Beschreibung: | xxii, 260 Seiten Illustrationen 23 cm |
| ISBN: | 9780814258194 9780814215067 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047865395 | ||
| 003 | DE-604 | ||
| 005 | 20221122 | ||
| 007 | t | ||
| 008 | 220304s2022 a||| b||| 00||| eng d | ||
| 020 | |a 9780814258194 |c (pbk.) |9 978-0-8142-5819-4 | ||
| 020 | |a 9780814215067 |c (hbk.) |9 978-0-8142-1506-7 | ||
| 035 | |a (OCoLC)1310251570 | ||
| 035 | |a (DE-599)BVBBV047865395 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-824 |a DE-12 |a DE-11 | ||
| 084 | |a HU 1784 |0 (DE-625)53787: |2 rvk | ||
| 084 | |a HU 1728 |0 (DE-625)53761: |2 rvk | ||
| 100 | 1 | |a Reed, Alison Rose |e Verfasser |0 (DE-588)1254313141 |4 aut | |
| 245 | 1 | 0 | |a Love and abolition |b the social life of Black queer performance |c Alison Rose Reed |
| 264 | 1 | |a Columbus |b The Ohio State University Press |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a xxii, 260 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Black performance and cultural criticism | |
| 505 | 8 | |a Introduction: Abolition literature: calling on tough and tender love -- Listening for Emmett Till: James Baldwin, Laurie Carlos, and Black love as survival -- Transforming harm into healing: Ntozake Shange and the Combahee River Collective -- Concrete utopias: activating spirit in the performance worlds of Sharon Bridgforth and Josefina Báez -- Love in the streets: Stephanie Leigh Batiste, vanessa german, and vigils for state violence -- Contraband love: humanities behind bars and abolition pedagogy -- Epilogue: Abolition as renegade presence | |
| 520 | 3 | |a "Examines queer performance and affective response in the Black radical tradition-using work by James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german-to demonstrate how love animates the contemporary prison abolition movement"-- | |
| 648 | 7 | |a Geschichte 1960-2022 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a LGBT |0 (DE-588)7705503-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Darstellende Kunst |0 (DE-588)4129566-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schwarze |0 (DE-588)4116433-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Abolitionismus |0 (DE-588)4302520-1 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Alternatives to imprisonment | |
| 653 | 0 | |a Prison abolition movements | |
| 653 | 0 | |a Love | |
| 653 | 0 | |a Queer theory | |
| 653 | 0 | |a African American prisoners / Social conditions | |
| 653 | 0 | |a Performing arts / Social aspects | |
| 653 | 0 | |a Radicalism | |
| 653 | 0 | |a American literature / African American authors / History and criticism | |
| 653 | 0 | |a African American prisoners / Social conditions | |
| 653 | 0 | |a Alternatives to imprisonment | |
| 653 | 0 | |a American literature / African American authors | |
| 653 | 0 | |a Love | |
| 653 | 0 | |a Performing arts / Social aspects | |
| 653 | 0 | |a Prison abolition movements | |
| 653 | 0 | |a Queer theory | |
| 653 | 0 | |a Radicalism | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Schwarze |0 (DE-588)4116433-7 |D s |
| 689 | 0 | 2 | |a LGBT |0 (DE-588)7705503-2 |D s |
| 689 | 0 | 3 | |a Abolitionismus |0 (DE-588)4302520-1 |D s |
| 689 | 0 | 4 | |a Darstellende Kunst |0 (DE-588)4129566-3 |D s |
| 689 | 0 | 5 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 6 | |a Geschichte 1960-2022 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-8142-8189-5 |
| 940 | 1 | |q BSB_NED_20220520 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033247945 | ||
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09048 |g 73 |
| 942 | 1 | 1 | |c 305.8009 |e 22/bsb |f 090513 |g 73 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09049 |g 73 |
| 942 | 1 | 1 | |c 305.309 |e 22/bsb |f 090511 |g 73 |
| 942 | 1 | 1 | |c 305.309 |e 22/bsb |f 09049 |g 73 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09046 |g 73 |
| 942 | 1 | 1 | |c 305.8009 |e 22/bsb |f 090511 |g 73 |
| 942 | 1 | 1 | |c 305.8009 |e 22/bsb |f 090512 |g 73 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09047 |g 73 |
Datensatz im Suchindex
| _version_ | 1804183441935171584 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Reed, Alison Rose |
| author_GND | (DE-588)1254313141 |
| author_facet | Reed, Alison Rose |
| author_role | aut |
| author_sort | Reed, Alison Rose |
| author_variant | a r r ar arr |
| building | Verbundindex |
| bvnumber | BV047865395 |
| classification_rvk | HU 1784 HU 1728 |
| contents | Introduction: Abolition literature: calling on tough and tender love -- Listening for Emmett Till: James Baldwin, Laurie Carlos, and Black love as survival -- Transforming harm into healing: Ntozake Shange and the Combahee River Collective -- Concrete utopias: activating spirit in the performance worlds of Sharon Bridgforth and Josefina Báez -- Love in the streets: Stephanie Leigh Batiste, vanessa german, and vigils for state violence -- Contraband love: humanities behind bars and abolition pedagogy -- Epilogue: Abolition as renegade presence |
| ctrlnum | (OCoLC)1310251570 (DE-599)BVBBV047865395 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1960-2022 gnd |
| era_facet | Geschichte 1960-2022 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03883nam a2200853 c 4500</leader><controlfield tag="001">BV047865395</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221122 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220304s2022 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780814258194</subfield><subfield code="c">(pbk.)</subfield><subfield code="9">978-0-8142-5819-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780814215067</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-0-8142-1506-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1310251570</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047865395</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-824</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1784</subfield><subfield code="0">(DE-625)53787:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1728</subfield><subfield code="0">(DE-625)53761:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Reed, Alison Rose</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1254313141</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Love and abolition</subfield><subfield code="b">the social life of Black queer performance</subfield><subfield code="c">Alison Rose Reed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Columbus</subfield><subfield code="b">The Ohio State University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxii, 260 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Black performance and cultural criticism</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction: Abolition literature: calling on tough and tender love -- Listening for Emmett Till: James Baldwin, Laurie Carlos, and Black love as survival -- Transforming harm into healing: Ntozake Shange and the Combahee River Collective -- Concrete utopias: activating spirit in the performance worlds of Sharon Bridgforth and Josefina Báez -- Love in the streets: Stephanie Leigh Batiste, vanessa german, and vigils for state violence -- Contraband love: humanities behind bars and abolition pedagogy -- Epilogue: Abolition as renegade presence</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Examines queer performance and affective response in the Black radical tradition-using work by James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german-to demonstrate how love animates the contemporary prison abolition movement"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-2022</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">LGBT</subfield><subfield code="0">(DE-588)7705503-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Darstellende Kunst</subfield><subfield code="0">(DE-588)4129566-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Abolitionismus</subfield><subfield code="0">(DE-588)4302520-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Alternatives to imprisonment</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Prison abolition movements</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Love</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Queer theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American prisoners / Social conditions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Performing arts / Social aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Radicalism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">American literature / African American authors / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American prisoners / Social conditions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Alternatives to imprisonment</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">American literature / African American authors</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Love</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Performing arts / Social aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Prison abolition movements</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Queer theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Radicalism</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">LGBT</subfield><subfield code="0">(DE-588)7705503-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Abolitionismus</subfield><subfield code="0">(DE-588)4302520-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Darstellende Kunst</subfield><subfield code="0">(DE-588)4129566-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1960-2022</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-8142-8189-5</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220520</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033247945</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.8009</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090513</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09049</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09049</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09046</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.8009</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.8009</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09047</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV047865395 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:18:57Z |
| indexdate | 2024-07-10T09:23:30Z |
| institution | BVB |
| isbn | 9780814258194 9780814215067 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033247945 |
| oclc_num | 1310251570 |
| open_access_boolean | |
| owner | DE-824 DE-12 DE-11 |
| owner_facet | DE-824 DE-12 DE-11 |
| physical | xxii, 260 Seiten Illustrationen 23 cm |
| psigel | BSB_NED_20220520 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | The Ohio State University Press |
| record_format | marc |
| series2 | Black performance and cultural criticism |
| spelling | Reed, Alison Rose Verfasser (DE-588)1254313141 aut Love and abolition the social life of Black queer performance Alison Rose Reed Columbus The Ohio State University Press [2022] © 2022 xxii, 260 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Black performance and cultural criticism Introduction: Abolition literature: calling on tough and tender love -- Listening for Emmett Till: James Baldwin, Laurie Carlos, and Black love as survival -- Transforming harm into healing: Ntozake Shange and the Combahee River Collective -- Concrete utopias: activating spirit in the performance worlds of Sharon Bridgforth and Josefina Báez -- Love in the streets: Stephanie Leigh Batiste, vanessa german, and vigils for state violence -- Contraband love: humanities behind bars and abolition pedagogy -- Epilogue: Abolition as renegade presence "Examines queer performance and affective response in the Black radical tradition-using work by James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german-to demonstrate how love animates the contemporary prison abolition movement"-- Geschichte 1960-2022 gnd rswk-swf LGBT (DE-588)7705503-2 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Abolitionismus (DE-588)4302520-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Alternatives to imprisonment Prison abolition movements Love Queer theory African American prisoners / Social conditions Performing arts / Social aspects Radicalism American literature / African American authors / History and criticism American literature / African American authors Criticism, interpretation, etc USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s LGBT (DE-588)7705503-2 s Abolitionismus (DE-588)4302520-1 s Darstellende Kunst (DE-588)4129566-3 s Literatur (DE-588)4035964-5 s Geschichte 1960-2022 z DE-604 Erscheint auch als Online-Ausgabe 978-0-8142-8189-5 |
| spellingShingle | Reed, Alison Rose Love and abolition the social life of Black queer performance Introduction: Abolition literature: calling on tough and tender love -- Listening for Emmett Till: James Baldwin, Laurie Carlos, and Black love as survival -- Transforming harm into healing: Ntozake Shange and the Combahee River Collective -- Concrete utopias: activating spirit in the performance worlds of Sharon Bridgforth and Josefina Báez -- Love in the streets: Stephanie Leigh Batiste, vanessa german, and vigils for state violence -- Contraband love: humanities behind bars and abolition pedagogy -- Epilogue: Abolition as renegade presence LGBT (DE-588)7705503-2 gnd Darstellende Kunst (DE-588)4129566-3 gnd Schwarze (DE-588)4116433-7 gnd Literatur (DE-588)4035964-5 gnd Abolitionismus (DE-588)4302520-1 gnd |
| subject_GND | (DE-588)7705503-2 (DE-588)4129566-3 (DE-588)4116433-7 (DE-588)4035964-5 (DE-588)4302520-1 (DE-588)4078704-7 |
| title | Love and abolition the social life of Black queer performance |
| title_auth | Love and abolition the social life of Black queer performance |
| title_exact_search | Love and abolition the social life of Black queer performance |
| title_exact_search_txtP | Love and abolition the social life of Black queer performance |
| title_full | Love and abolition the social life of Black queer performance Alison Rose Reed |
| title_fullStr | Love and abolition the social life of Black queer performance Alison Rose Reed |
| title_full_unstemmed | Love and abolition the social life of Black queer performance Alison Rose Reed |
| title_short | Love and abolition |
| title_sort | love and abolition the social life of black queer performance |
| title_sub | the social life of Black queer performance |
| topic | LGBT (DE-588)7705503-2 gnd Darstellende Kunst (DE-588)4129566-3 gnd Schwarze (DE-588)4116433-7 gnd Literatur (DE-588)4035964-5 gnd Abolitionismus (DE-588)4302520-1 gnd |
| topic_facet | LGBT Darstellende Kunst Schwarze Literatur Abolitionismus USA |
| work_keys_str_mv | AT reedalisonrose loveandabolitionthesociallifeofblackqueerperformance |