Sḫams al-asṿāt: the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English Persian |
| Veröffentlicht: |
Uppsala
Univ.
2012
|
| Schriftenreihe: | Studia Iranica Upsaliensia
18 South Asian studies 3 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 145, 104 S. Ill. |
| ISBN: | 9789155483999 9155483992 9789155484002 915548400X |
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| 245 | 1 | 0 | |a Sḫams al-asṿāt |b the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt |c critical ed., Engl. transl., introd. and annot. by Mehrdad Fallahzadeh & Mahmoud Hassanabadi |
| 246 | 1 | 1 | |a Šams al-aṣwāt |
| 264 | 1 | |a Uppsala |b Univ. |c 2012 | |
| 300 | |a 145, 104 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Studia Iranica Upsaliensia |v 18 | |
| 490 | 1 | |a South Asian studies |v 3 | |
| 500 | |a Includes bibliographical references and index | ||
| 546 | |a Aus dem Pers. übers. | ||
| 546 | |a Parallelt. in arab. Schr. | ||
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Datensatz im Suchindex
| _version_ | 1804150170370179072 |
|---|---|
| adam_text | Contents
English
Section
List of
illustrations
...............................................................................................xvi
Transliteration system
.........................................................................................xxi
Abbreviations
......................................................................................................xxii
Preface
....................................................................................................................23
Introduction
............................................................................................................27
The author
.........................................................................................................27
The work
...........................................................................................................29
The manuscripts
...............................................................................................33
The evolution of the manuscripts
..................................................................61
Principles of the edition
..................................................................................66
Notes on the English translations
..................................................................71
Stemma codicum
..............................................................................................72
English translation of Shams
al-asvãt
................................................................73
[Preface]
.................................................................................................................75
Part one: Concerning the description of features of
svara,
which is named
svarãdhyãya
m
Hindi
...........................................................................................86
Chapter one: Regarding the nature
oí nada,
that is to say, what sound is
............................................................................................................................86
Chapter two: Concerning the outlet of
nada,
and the names of the stages
of its transference from the body, and the emission of its sound
..............87
Chapter three: Concerning the ascending and descending of the
svaras
. 89
Chapter four: Concerning the names of seven cardinal
svaras
.................91
Chapter five: Concerning the names
oí vãdí
svara
and so forth
...............91
Chapter six: Concerning the names
oïsrutis,
i.e. the partitions of the main
svaras
.................................................................................................................92
Chapter seven: Concerning the names of twelve
vikrta svaras
.................93
Chapter eight: Regarding the explanation of tlvratama
svaras
and so forth
............................................................................................................................94
Chapter nine: Concerning the explanation of the names of grama and the
number of mw
-cchanã,
and the seven ways of
ãrcika
which are assigned
for their derivation
...........................................................................................95
Chapter ten: Regarding the elucidation of the total number
οι
tãnas,
and
their features
.....................................................................................................97
Chapter eleven: Concerning the multiplication method
οι
tana...............
97
Chapter twelve: Concerning the explanation of a table which is called the
table of khandameru and how to draw it, and the method
oïmülakrama
and so forth
.......................................................................................................98
Chapter thirteen: Concerning the explanation of the reason why scholars
fixed seven tones, i.e. seven main
svaras
...................................................100
Chapter fourteen: On the explanation
ofalaňkaras
[or
alamkãras]
which
are the embellishments of the
svara?,
..........................................................102
Part two: Concerning the explanation of
ragas
which is termed
rãgãdhyãya
in Hindi
.................................................................................................................104
Chapter one: On the distinctions of the [different] qualities of singing [or
composition] which is termed
n ch
ngg yn
{nãcanga-gãyana
[?])
in Hindi
..........................................................................................................................104
Chapter two: On the description of
rãgas
and their names and features
105
Part three: On the explanation of Tp
{ãlãpa),
that is to say, to omit and
modify the
svara
of
a rãga,
and the explanation of its component parts
which is called
{prakirnakãdhyãya)
.................................................................112
Chapter one: On the explanation of the names of words and syllables
which are used in
ãlãpa
and the meaning of each letter
...........................112
Chapter two: On the knowledge of four positions of
ãlãpa
which is called
sth n- l p
(sthãna-ãlãpa)
.............................................................................113
Chapter three: On the detailed description of different kinds of
ãlãpa..
114
Chapter four: On the names of
gmk
(gamaks), that is to say, to alter a
svara
................................................................................................................114
Chapter five: On the number of various kinds of singers and the
differences between them
.............................................................................116
Chapter six: On the number and description of the good singers and their
qualities, which are called bhvkn {bhushan
[?])
gãyana
in Hindi
...........118
Chapter seven: Regarding the explanation of censured/demerited singers
which is called dkh hh
(dokhãhahu) gãyana
[in Hindi]
...........................118
Part four: On the description and explanation of various types of
gita
(music), which is called
prabandhãdhyãya
in Hindi, and their features
.....121
Part five: On the explanation of the rules of dastak-zadan ([keeping the
rhythm by] clapping the hands [i.e. the knowledge of rhythm]) which is
called
tãlãdhyãya
................................................................................................124
Part six: On [musical] instruments and their features which is called
vãdãdhyãya
[in Hindi]
........................................................................................127
Bibliography
........................................................................................................129
Index of musical terms
.......................................................................................133
Persian Section
(See the Contents (¿^j**) of Persian Section)
|
| any_adam_object | 1 |
| author | Ras Baras |
| author2 | Fallāḥzāda, Mihrdād |
| author2_role | edt |
| author2_variant | m f mf |
| author_GND | (DE-588)102755590X (DE-588)1031970614 |
| author_facet | Ras Baras Fallāḥzāda, Mihrdād |
| author_role | aut |
| author_sort | Ras Baras |
| author_variant | r b rb |
| building | Verbundindex |
| bvnumber | BV040888808 |
| ctrlnum | (OCoLC)844037740 (DE-599)HBZHT017445248 |
| format | Book |
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| geographic_facet | Indien Sultanat Delhi Iran Mogulreich |
| id | DE-604.BV040888808 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:34:40Z |
| institution | BVB |
| isbn | 9789155483999 9155483992 9789155484002 915548400X |
| language | English Persian |
| lccn | 2012456083 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025868499 |
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| physical | 145, 104 S. Ill. |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Univ. |
| record_format | marc |
| series | Studia Iranica Upsaliensia South Asian studies |
| series2 | Studia Iranica Upsaliensia South Asian studies |
| spelling | Ras Baras Verfasser (DE-588)102755590X aut Sḫams al-asṿāt the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt critical ed., Engl. transl., introd. and annot. by Mehrdad Fallahzadeh & Mahmoud Hassanabadi Šams al-aṣwāt Uppsala Univ. 2012 145, 104 S. Ill. txt rdacontent n rdamedia nc rdacarrier Studia Iranica Upsaliensia 18 South Asian studies 3 Includes bibliographical references and index Aus dem Pers. übers. Parallelt. in arab. Schr. Śārṅgadeva Saṅgītaratnākara Śārṅgadeva 1210-1247 Saṅgītaratnākara (DE-588)4369874-8 gnd rswk-swf Hindustani music Theory Music theory India Musiktheorie (DE-588)4040876-0 gnd rswk-swf Hindustanimusik (DE-588)4467299-8 gnd rswk-swf Persisch (DE-588)4065403-5 gnd rswk-swf Sanskrit (DE-588)4051642-8 gnd rswk-swf Indien Sultanat Delhi (DE-588)4309623-2 gnd rswk-swf Indien (DE-588)4026722-2 gnd rswk-swf Iran (DE-588)4027653-3 gnd rswk-swf Mogulreich (DE-588)4074930-7 gnd rswk-swf (DE-588)4136710-8 Kommentar gnd-content Śārṅgadeva 1210-1247 Saṅgītaratnākara (DE-588)4369874-8 u DE-604 Indien (DE-588)4026722-2 g Iran (DE-588)4027653-3 g Persisch (DE-588)4065403-5 s Sanskrit (DE-588)4051642-8 s Musiktheorie (DE-588)4040876-0 s Sultanat Delhi (DE-588)4309623-2 g Mogulreich (DE-588)4074930-7 g Hindustanimusik (DE-588)4467299-8 s Fallāḥzāda, Mihrdād (DE-588)1031970614 edt Studia Iranica Upsaliensia 18 (DE-604)BV004144740 18 South Asian studies 3 (DE-604)BV023484015 3 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025868499&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ras Baras Sḫams al-asṿāt the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt Studia Iranica Upsaliensia South Asian studies Śārṅgadeva Saṅgītaratnākara Śārṅgadeva 1210-1247 Saṅgītaratnākara (DE-588)4369874-8 gnd Hindustani music Theory Music theory India Musiktheorie (DE-588)4040876-0 gnd Hindustanimusik (DE-588)4467299-8 gnd Persisch (DE-588)4065403-5 gnd Sanskrit (DE-588)4051642-8 gnd |
| subject_GND | (DE-588)4369874-8 (DE-588)4040876-0 (DE-588)4467299-8 (DE-588)4065403-5 (DE-588)4051642-8 (DE-588)4309623-2 (DE-588)4026722-2 (DE-588)4027653-3 (DE-588)4074930-7 (DE-588)4136710-8 |
| title | Sḫams al-asṿāt the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt |
| title_alt | Šams al-aṣwāt |
| title_auth | Sḫams al-asṿāt the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt |
| title_exact_search | Sḫams al-asṿāt the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt |
| title_full | Sḫams al-asṿāt the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt critical ed., Engl. transl., introd. and annot. by Mehrdad Fallahzadeh & Mahmoud Hassanabadi |
| title_fullStr | Sḫams al-asṿāt the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt critical ed., Engl. transl., introd. and annot. by Mehrdad Fallahzadeh & Mahmoud Hassanabadi |
| title_full_unstemmed | Sḫams al-asṿāt the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt critical ed., Engl. transl., introd. and annot. by Mehrdad Fallahzadeh & Mahmoud Hassanabadi |
| title_short | Sḫams al-asṿāt |
| title_sort | shams al asvat the sun of songs by ras baras an indo persian music theoretical treatise from the late 17th century sams al aswat |
| title_sub | the sun of songs by Ras Baras ; (an Indo-Persian music theoretical treatise from the late 17th century) = Šams al-aṣwāt |
| topic | Śārṅgadeva Saṅgītaratnākara Śārṅgadeva 1210-1247 Saṅgītaratnākara (DE-588)4369874-8 gnd Hindustani music Theory Music theory India Musiktheorie (DE-588)4040876-0 gnd Hindustanimusik (DE-588)4467299-8 gnd Persisch (DE-588)4065403-5 gnd Sanskrit (DE-588)4051642-8 gnd |
| topic_facet | Śārṅgadeva Saṅgītaratnākara Śārṅgadeva 1210-1247 Saṅgītaratnākara Hindustani music Theory Music theory India Musiktheorie Hindustanimusik Persisch Sanskrit Indien Sultanat Delhi Iran Mogulreich Kommentar |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025868499&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV004144740 (DE-604)BV023484015 |
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