Introduction von Ehrenheim, Hedvig von 1970-, Prusac-Lindhagen, Marina 1974-

The Costantinian Bronze Colossus Nero's hairstyle and the beard of Commodus von Prusac-Lindhagen, Marina 1974-

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From face to face recarving of Roman portraits and the late-Antique portrait arts von Prusac-Lindhagen, Marina 1974-

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From face to face recarving of Roman portraits and the late-antique portrait arts von Prusac-Lindhagen, Marina 1974-

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From face to face recarving of Roman portraits and the late-antique portrait arts von Prusac-Lindhagen, Marina 1974-

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Introduction von Dillon, Sheila, Prusac-Lindhagen, Marina 1974-

I ritratti del V e del VI secolo von Prusac-Lindhagen, Marina 1974-

Personifications of Eudaimonia, Felicitas and Fortuna in Greek and Roman Art von Prusac-Lindhagen, Marina 1974-

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South of the Naro, north of the Drilo, from the Karst to the sea cultural identities in South Dalmatia 500 BC - AD 500 von Prusac-Lindhagen, Marina 1974-

Re-Carving Roman Portraits: Background and Method von Prusac-Lindhagen, Marina 1974-

Mimesis and the necessity of destruction animism and evil in Damnatio Memoriae portraits von Prusac-Lindhagen, Marina 1974-

The Significance of Emotions in Realistic Portraiture von Prusac-Lindhagen, Marina 1974-

Through the looking glass Collective emotions and psychoiconography in Roman portrait studies von Prusac-Lindhagen, Marina 1974-

Portraits and Identities at Ostia von Prusac-Lindhagen, Marina 1974-

Friends, Foes and Hybrids: The Transformation of Burial Ritual in Roman Dalmatia von Prusac-Lindhagen, Marina 1974-

The Arch of Constantine continuity and commemoration through reuse von Prusac-Lindhagen, Marina 1974-

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The ninth mask from the temple of Venus and Roma? von Prusac-Lindhagen, Marina 1974-

Gallienus, soldatkeiseren med storst betydning for kunsthistorien von Prusac-Lindhagen, Marina 1974-

Emotions in Antiquity and Ancient Egypt

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Reading Roman emotions visual and textual interpretations

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