Shadow craft: visual aesthetics of black and white Hindi cinema
"The years between Indian independence (1947) and the dominance of colour cinema (early 1960s) saw the emergence and fruition of a distinct, confident, and nuanced black and white aesthetic in Hindi mainstream cinema. Shadow Craft is an ardent and immersive study of cinematic craftings that emb...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Publishing
2020
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBR01 UBT01 URL des Erstveröffentlichers URL des Erstveröffentlichers |
| Zusammenfassung: | "The years between Indian independence (1947) and the dominance of colour cinema (early 1960s) saw the emergence and fruition of a distinct, confident, and nuanced black and white aesthetic in Hindi mainstream cinema. Shadow Craft is an ardent and immersive study of cinematic craftings that emblematise the oeuvres of Kamal Amrohi, Raj Kapoor, Nutan, Bimal Roy, Guru Dutt, and Abrar Alvi. Films such as Aag (1948), Mahal (1949), Seema (1955), Pyaasa (1957), Sujata (1959), Kagaz Ke Phool (1959), Sahib Bibi Aur Ghulam (1962), Bandini (1963) remain formative to the visual psyche of generations of South Asian viewers. This enduring visual language demonstrates a minutely attuned and sympathetic camera, evocative pools of shadow, affect-rich atmospheric composition, and the visual autonomy of performance. With seventy five rare and curated images from the archives, Shadow Craft offers for the first time a consolidated and intimate journey through this pioneering black and white cinema aesthetic at its most expressive and climactic moment." |
| Beschreibung: | Includes bibliographical references (pages 223-226) and index |
| Beschreibung: | 1 Online-Ressource (viii, 234 Seiten) |
| ISBN: | 9789390176557 9789390176564 9789390176267 |
| DOI: | 10.5040/9789390176557 |
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| 505 | 8 | |a Introduction: The Promise of Monochromatic Cinema in Independent India -- Overture: Kamal Amrohi's Mahal (1949) -- The Rebellious Image: Raj Kapoor's Aag (1948) -- Female (Self) Portraiture in Monochrome: Nutan in Bimal Roy's Sujata (1959) and Bandini (1963) -- Framing the Artist: Guru Dutt's Pyaasa (1957) and Kaagaz ke Phool (1959) -- The Waiting Dissolve: Abrar Alvi's Sahib Bibi aur Ghulam (1962) -- Conclusion: Fade to Colour -- Outro: Reel Number 13 -- Endnotes -- Bibliography -- Index -- About the Authors | |
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| author | Prabhu, Gayathri 1974- Govind, Nikhil |
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| contents | Introduction: The Promise of Monochromatic Cinema in Independent India -- Overture: Kamal Amrohi's Mahal (1949) -- The Rebellious Image: Raj Kapoor's Aag (1948) -- Female (Self) Portraiture in Monochrome: Nutan in Bimal Roy's Sujata (1959) and Bandini (1963) -- Framing the Artist: Guru Dutt's Pyaasa (1957) and Kaagaz ke Phool (1959) -- The Waiting Dissolve: Abrar Alvi's Sahib Bibi aur Ghulam (1962) -- Conclusion: Fade to Colour -- Outro: Reel Number 13 -- Endnotes -- Bibliography -- Index -- About the Authors |
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| spelling | Prabhu, Gayathri 1974- Verfasser (DE-588)1209028034 aut Shadow craft visual aesthetics of black and white Hindi cinema Gayathri Prabhu, Nikhil Govind London Bloomsbury Publishing 2020 1 Online-Ressource (viii, 234 Seiten) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 223-226) and index Introduction: The Promise of Monochromatic Cinema in Independent India -- Overture: Kamal Amrohi's Mahal (1949) -- The Rebellious Image: Raj Kapoor's Aag (1948) -- Female (Self) Portraiture in Monochrome: Nutan in Bimal Roy's Sujata (1959) and Bandini (1963) -- Framing the Artist: Guru Dutt's Pyaasa (1957) and Kaagaz ke Phool (1959) -- The Waiting Dissolve: Abrar Alvi's Sahib Bibi aur Ghulam (1962) -- Conclusion: Fade to Colour -- Outro: Reel Number 13 -- Endnotes -- Bibliography -- Index -- About the Authors "The years between Indian independence (1947) and the dominance of colour cinema (early 1960s) saw the emergence and fruition of a distinct, confident, and nuanced black and white aesthetic in Hindi mainstream cinema. Shadow Craft is an ardent and immersive study of cinematic craftings that emblematise the oeuvres of Kamal Amrohi, Raj Kapoor, Nutan, Bimal Roy, Guru Dutt, and Abrar Alvi. Films such as Aag (1948), Mahal (1949), Seema (1955), Pyaasa (1957), Sujata (1959), Kagaz Ke Phool (1959), Sahib Bibi Aur Ghulam (1962), Bandini (1963) remain formative to the visual psyche of generations of South Asian viewers. This enduring visual language demonstrates a minutely attuned and sympathetic camera, evocative pools of shadow, affect-rich atmospheric composition, and the visual autonomy of performance. With seventy five rare and curated images from the archives, Shadow Craft offers for the first time a consolidated and intimate journey through this pioneering black and white cinema aesthetic at its most expressive and climactic moment." Geschichte 1948-1963 gnd rswk-swf Black and white films History and criticism Cinematography India History 20th century Motion pictures India History 20th century Motion pictures, Hindi History 20th century Schwarz-Weiß-Film (DE-588)4350936-8 gnd rswk-swf Hindi (DE-588)4024954-2 gnd rswk-swf Indien (DE-588)4026722-2 gnd rswk-swf Film & Media World Cinema Lighting (Film & Media) Film Production Film Directors Indien (DE-588)4026722-2 g Hindi (DE-588)4024954-2 s Schwarz-Weiß-Film (DE-588)4350936-8 s Geschichte 1948-1963 z DE-604 Govind, Nikhil Verfasser (DE-588)1050696913 aut Erscheint auch als Druck-Ausgabe, Festeinband 978-93-90176-25-0 https://doi.org/10.5040/9789390176557?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.5040/9789390176557 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Prabhu, Gayathri 1974- Govind, Nikhil Shadow craft visual aesthetics of black and white Hindi cinema Introduction: The Promise of Monochromatic Cinema in Independent India -- Overture: Kamal Amrohi's Mahal (1949) -- The Rebellious Image: Raj Kapoor's Aag (1948) -- Female (Self) Portraiture in Monochrome: Nutan in Bimal Roy's Sujata (1959) and Bandini (1963) -- Framing the Artist: Guru Dutt's Pyaasa (1957) and Kaagaz ke Phool (1959) -- The Waiting Dissolve: Abrar Alvi's Sahib Bibi aur Ghulam (1962) -- Conclusion: Fade to Colour -- Outro: Reel Number 13 -- Endnotes -- Bibliography -- Index -- About the Authors Black and white films History and criticism Cinematography India History 20th century Motion pictures India History 20th century Motion pictures, Hindi History 20th century Schwarz-Weiß-Film (DE-588)4350936-8 gnd Hindi (DE-588)4024954-2 gnd |
| subject_GND | (DE-588)4350936-8 (DE-588)4024954-2 (DE-588)4026722-2 |
| title | Shadow craft visual aesthetics of black and white Hindi cinema |
| title_auth | Shadow craft visual aesthetics of black and white Hindi cinema |
| title_exact_search | Shadow craft visual aesthetics of black and white Hindi cinema |
| title_exact_search_txtP | Shadow craft visual aesthetics of black and white Hindi cinema |
| title_full | Shadow craft visual aesthetics of black and white Hindi cinema Gayathri Prabhu, Nikhil Govind |
| title_fullStr | Shadow craft visual aesthetics of black and white Hindi cinema Gayathri Prabhu, Nikhil Govind |
| title_full_unstemmed | Shadow craft visual aesthetics of black and white Hindi cinema Gayathri Prabhu, Nikhil Govind |
| title_short | Shadow craft |
| title_sort | shadow craft visual aesthetics of black and white hindi cinema |
| title_sub | visual aesthetics of black and white Hindi cinema |
| topic | Black and white films History and criticism Cinematography India History 20th century Motion pictures India History 20th century Motion pictures, Hindi History 20th century Schwarz-Weiß-Film (DE-588)4350936-8 gnd Hindi (DE-588)4024954-2 gnd |
| topic_facet | Black and white films History and criticism Cinematography India History 20th century Motion pictures India History 20th century Motion pictures, Hindi History 20th century Schwarz-Weiß-Film Hindi Indien |
| url | https://doi.org/10.5040/9789390176557?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9789390176557 |
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