Authenticity in fusion music: a case study among indigenous churches in Brazil
Indigenous peoples of Brazil have come to faith in Christ in large numbers in recent decades. As Christianity takes root in each culture, it may incorporate expressive forms of music and art, which can range from those identical to earlier cultural forms to those which are fully imported. But what h...
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Format: | Buch |
Sprache: | English |
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Eugene, OR
Wipf and Stock
[2024]
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Indigenous peoples of Brazil have come to faith in Christ in large numbers in recent decades. As Christianity takes root in each culture, it may incorporate expressive forms of music and art, which can range from those identical to earlier cultural forms to those which are fully imported. But what happens when musicians and artists of a local indigenous community fuse elements from a variety of genres and create their own music? Are they just imitations of external forms? Or are they authentic creations from elements that have now become their own sounds, too? Christian musicians among the Xerente (pronounced Sheh-'ren-teh) have created their own fusion genre(s) to express their faith, communicate the gospel, and edify their churches. Their music includes elements from their cultural tradition as well as from (secular) genres of the northeastern region of Brazil. Is it, then, authentically Xerente? As we discuss in this book, independent of tangible markers or its long history, the authenticity of an art form can be demonstrated through a number of connections with the community and signposted by its meaning and function among the people, as well as the competence and agency of the people in their artistic choices. -- |
Beschreibung: | xvi, 268 Seiten Illustrationen, Notenbeispiele 23 cm |
ISBN: | 9781666769531 1666769533 |
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520 | 3 | |a Indigenous peoples of Brazil have come to faith in Christ in large numbers in recent decades. As Christianity takes root in each culture, it may incorporate expressive forms of music and art, which can range from those identical to earlier cultural forms to those which are fully imported. But what happens when musicians and artists of a local indigenous community fuse elements from a variety of genres and create their own music? Are they just imitations of external forms? Or are they authentic creations from elements that have now become their own sounds, too? Christian musicians among the Xerente (pronounced Sheh-'ren-teh) have created their own fusion genre(s) to express their faith, communicate the gospel, and edify their churches. Their music includes elements from their cultural tradition as well as from (secular) genres of the northeastern region of Brazil. Is it, then, authentically Xerente? As we discuss in this book, independent of tangible markers or its long history, the authenticity of an art form can be demonstrated through a number of connections with the community and signposted by its meaning and function among the people, as well as the competence and agency of the people in their artistic choices. -- | |
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Datensatz im Suchindex
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Contents Figures I ix Foreword by Robin Harris | xi Acknowledgements | xiii Prelude | xv i. Introduction | i i.i Research Context | i 1.2 Thesis Overview | 8 1.3 Research Objectives | 23 1.4 Literature Review | 25 1.5 Theoretical Framework | 37 1.6 Research Methodology | 40 1.7 Chapter Summaries | 41 2. The Xerente and Christian Faith | 43 2.1 Historical Background of Indigenous Missions [ 43 2.2 Xerente Cultural Heritage | 52 2.3 Evangelical Missions among the Xerente | 56 3. The Xerente and Their Musics | 61 3.1 Traditional Music | 61 3.2 Brazilian Genres in Contact with Xerente Society | 67 3.3 Music in the Xerente Church | 70 3.4 The Xerente Fusion: Not an Exception | 89 3.5 Chapter Summary | 90
vi Contents 4. Fusion Genres | 91 4.1 Genre Development or Fusion | 91 4.2 The Question of Absolute Genres | 94 4.3 Actions Leading towards Fusion | 105 4.4 Genres and the Xerente Christian Identity | 107 4.5 Functions and Meanings in Musical Fusion | 108 4.6 Chapter Summary | 109 5. Musical Meaning Development in Christian Genres | 111 5.1 Musical Semiotics and Meaning Development | 111 5.2 Perceived Meanings among Local Christians— An Ethnographic Report | 122 5.3 Venues and Other Characteristics | 138 5.4 Conclusion: Local Meanings and Functions | 141 6. Signposts of Authenticity | 143 6.1 Introduction I 143 6,2 Meaning as a Signpost of Authenticity | 145 6.3 Function as Signpost of Authenticity | 151 6.4 Competence among Musicians as Signpost ofAuthenticity | 157 6.5 Agency as Signpost of Authenticity | 161 7. Considerations ofAuthenticity in Xerente Church Fusion Genres | 166 7.1 The Meaning of Authenticity | 166 7.2 Signpost of Meaning | 170 7.3 Signpost of Function | 173 7.4 Signpost of Competence | 175 7.5 Signpost of Agency | 176 7.6 The Significance of Authenticity for Spirituality | 178 7.7 The Dichotomies Challenged | 179 7.8 Chapter Summary | 181 8. Applications and Conclusion | 182 8.1 Xerente Contextualization | 182 8.2 Implications of This Study | 184 8.3 Summary of Content | 206 8.4 Conclusion I 211
Contents Appendix A: Characteristics ofXerente Music | 213 Appendix B: Xerente Musical Instruments by Rinaldo de Mattos (in Portuguese) | 218 Appendix C: Xerente Music Recordings, Transcriptions, and Lyrics | 222 Appendix D: Musical Symbol and Meaning by Eisen Portugal: Abbreviated Article | 243 Appendix E: Xerente Mission Records | 250 Bibliography | 255 vii |
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spelling | Portugal, Elsen Verfasser (DE-588)1339566443 aut Authenticity in fusion music a case study among indigenous churches in Brazil Elsen Portugal ; foreword by Robin Harris Eugene, OR Wipf and Stock [2024] © 2024 xvi, 268 Seiten Illustrationen, Notenbeispiele 23 cm txt rdacontent n rdamedia nc rdacarrier Indigenous peoples of Brazil have come to faith in Christ in large numbers in recent decades. As Christianity takes root in each culture, it may incorporate expressive forms of music and art, which can range from those identical to earlier cultural forms to those which are fully imported. But what happens when musicians and artists of a local indigenous community fuse elements from a variety of genres and create their own music? Are they just imitations of external forms? Or are they authentic creations from elements that have now become their own sounds, too? Christian musicians among the Xerente (pronounced Sheh-'ren-teh) have created their own fusion genre(s) to express their faith, communicate the gospel, and edify their churches. Their music includes elements from their cultural tradition as well as from (secular) genres of the northeastern region of Brazil. Is it, then, authentically Xerente? As we discuss in this book, independent of tangible markers or its long history, the authenticity of an art form can be demonstrated through a number of connections with the community and signposted by its meaning and function among the people, as well as the competence and agency of the people in their artistic choices. -- Glaubensgemeinschaft (DE-588)4157490-4 gnd rswk-swf Indigenes Volk (DE-588)4187207-1 gnd rswk-swf Cross-over Musik (DE-588)4507629-7 gnd rswk-swf Evangelikale Bewegung (DE-588)4153245-4 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf Evangelicalism / Brazil Church music / Brazil / Evangelical Church Sherente Indians / Religious life / Brazil Church work with Indians / Brazil Christianity and other religions / Brazil Jazz-rock (Music) / Brazil Évangélisme / Brésil Musique d'église / Brésil / Evangelical Church Pastorale des Peuples autochtones / Brésil Christianisme / Relations / Brésil Jazz rock / Brésil Brasilien (DE-588)4008003-1 g Indigenes Volk (DE-588)4187207-1 s Evangelikale Bewegung (DE-588)4153245-4 s Glaubensgemeinschaft (DE-588)4157490-4 s Cross-over Musik (DE-588)4507629-7 s DE-604 Harris, Robin P. (DE-588)1148666575 wpr Erscheint auch als Online-Ausgabe, EPUB 978-1-6667-6955-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035105921&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Portugal, Elsen Authenticity in fusion music a case study among indigenous churches in Brazil Glaubensgemeinschaft (DE-588)4157490-4 gnd Indigenes Volk (DE-588)4187207-1 gnd Cross-over Musik (DE-588)4507629-7 gnd Evangelikale Bewegung (DE-588)4153245-4 gnd |
subject_GND | (DE-588)4157490-4 (DE-588)4187207-1 (DE-588)4507629-7 (DE-588)4153245-4 (DE-588)4008003-1 |
title | Authenticity in fusion music a case study among indigenous churches in Brazil |
title_auth | Authenticity in fusion music a case study among indigenous churches in Brazil |
title_exact_search | Authenticity in fusion music a case study among indigenous churches in Brazil |
title_full | Authenticity in fusion music a case study among indigenous churches in Brazil Elsen Portugal ; foreword by Robin Harris |
title_fullStr | Authenticity in fusion music a case study among indigenous churches in Brazil Elsen Portugal ; foreword by Robin Harris |
title_full_unstemmed | Authenticity in fusion music a case study among indigenous churches in Brazil Elsen Portugal ; foreword by Robin Harris |
title_short | Authenticity in fusion music |
title_sort | authenticity in fusion music a case study among indigenous churches in brazil |
title_sub | a case study among indigenous churches in Brazil |
topic | Glaubensgemeinschaft (DE-588)4157490-4 gnd Indigenes Volk (DE-588)4187207-1 gnd Cross-over Musik (DE-588)4507629-7 gnd Evangelikale Bewegung (DE-588)4153245-4 gnd |
topic_facet | Glaubensgemeinschaft Indigenes Volk Cross-over Musik Evangelikale Bewegung Brasilien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035105921&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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