Sounds of liberty: music, radicalism and reform in the Anglophone world, 1790-1914
"This book explores the role of music in the transmission of political culture over time and distance, focusing on radicals and reformers committed to the struggle for a better future. It follows in the footsteps of relentlessly travelling activists - both women and men - and brings to light th...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2017
|
| Schriftenreihe: | Studies in Imperialism
|
| Schlagworte: | |
| Online-Zugang: | FUBA1 UBT01 Volltext |
| Zusammenfassung: | "This book explores the role of music in the transmission of political culture over time and distance, focusing on radicals and reformers committed to the struggle for a better future. It follows in the footsteps of relentlessly travelling activists - both women and men - and brings to light the importance of music-making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled and reminded; and it helps to understand better the affective register of the political and cultural life of those who composed, performed and consumed it. Throughout the long nineteenth century the sounds of liberty resonated across the Anglophone world: in the faint strains of 'rough music' played on the streets of Toronto and the 'middle-brow' performances within the walls of a secularist coven in Christchurch; in cacophonous election songs swirling around the hustings in Glasgow and Sunday afternoon chamber music concerts in the heart of radical Holborn; in defiant anthems blaring slightly out of tune on picket lines in Broken Hill and in hymns warbled by labour church choirs in Winnipeg. The first section examines songs; the second examines music's place in the public sphere where people - individually and collectively - made music when marching, electioneering, celebrating and commemorating, as well as striking, rioting and rebelling. The final section explores music-making within the walls of a range of associations and institutions including the difficult and often destructive part it played in European interaction with indigenous people" --Back cover Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened |
| Beschreibung: | 1 Online-Ressource (xiii, 378 Seiten) Illustrationen |
| ISBN: | 9781526106223 |
| DOI: | 10.7765/9781526106223 |
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| 505 | 8 | |a Introduction: the sounds of liberty --1. Songs of the world --2. The sound of marching feet --3. Votes for a song --4 'Sing a Song of Sixpence' --5. Music, morals and the middle class --6. The challenges of uplift --7 'Sing of the warriors of labour': radical religion, secularism and the hymn --Conclusion: 'And they sang a new song' --Index | |
| 520 | |a "This book explores the role of music in the transmission of political culture over time and distance, focusing on radicals and reformers committed to the struggle for a better future. It follows in the footsteps of relentlessly travelling activists - both women and men - and brings to light the importance of music-making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled and reminded; and it helps to understand better the affective register of the political and cultural life of those who composed, performed and consumed it. Throughout the long nineteenth century the sounds of liberty resonated across the Anglophone world: in the faint strains of 'rough music' played on the streets of Toronto and the 'middle-brow' performances within the walls of a secularist coven in Christchurch; in cacophonous election songs swirling around the hustings in Glasgow and Sunday afternoon chamber music concerts in the heart of radical Holborn; in defiant anthems blaring slightly out of tune on picket lines in Broken Hill and in hymns warbled by labour church choirs in Winnipeg. The first section examines songs; the second examines music's place in the public sphere where people - individually and collectively - made music when marching, electioneering, celebrating and commemorating, as well as striking, rioting and rebelling. The final section explores music-making within the walls of a range of associations and institutions including the difficult and often destructive part it played in European interaction with indigenous people" --Back cover | ||
| 520 | |a Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened | ||
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| 650 | 4 | |a Music / Political aspects / History / 18th century | |
| 650 | 4 | |a Music / Social aspects / History / 19th century | |
| 650 | 4 | |a Music / Political aspects / History / 19th century | |
| 650 | 4 | |a Radicalism in music | |
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| 700 | 1 | |a Pickering, Paul A. |d 1959- |e Verfasser |0 (DE-588)1141794667 |4 aut | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Bowan, Kate Pickering, Paul A. 1959- |
| author_GND | (DE-588)1026929288 (DE-588)1141794667 |
| author_facet | Bowan, Kate Pickering, Paul A. 1959- |
| author_role | aut aut |
| author_sort | Bowan, Kate |
| author_variant | k b kb p a p pa pap |
| building | Verbundindex |
| bvnumber | BV045437185 |
| classification_rvk | LR 57720 |
| collection | ZDB-201-MSI |
| contents | Introduction: the sounds of liberty --1. Songs of the world --2. The sound of marching feet --3. Votes for a song --4 'Sing a Song of Sixpence' --5. Music, morals and the middle class --6. The challenges of uplift --7 'Sing of the warriors of labour': radical religion, secularism and the hymn --Conclusion: 'And they sang a new song' --Index |
| ctrlnum | (OCoLC)1085408765 (DE-599)BVBBV045437185 |
| dewey-full | 306.484209033 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.484209033 |
| dewey-search | 306.484209033 |
| dewey-sort | 3306.484209033 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie Musikwissenschaft |
| doi_str_mv | 10.7765/9781526106223 |
| era | Geschichte 1790-1914 gnd |
| era_facet | Geschichte 1790-1914 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T08:18:08Z |
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| isbn | 9781526106223 |
| language | English |
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| series2 | Studies in Imperialism |
| spelling | Bowan, Kate Verfasser (DE-588)1026929288 aut Sounds of liberty music, radicalism and reform in the Anglophone world, 1790-1914 Kate Bowan and Paul A. Pickering Manchester Manchester University Press 2017 1 Online-Ressource (xiii, 378 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Studies in Imperialism Introduction: the sounds of liberty --1. Songs of the world --2. The sound of marching feet --3. Votes for a song --4 'Sing a Song of Sixpence' --5. Music, morals and the middle class --6. The challenges of uplift --7 'Sing of the warriors of labour': radical religion, secularism and the hymn --Conclusion: 'And they sang a new song' --Index "This book explores the role of music in the transmission of political culture over time and distance, focusing on radicals and reformers committed to the struggle for a better future. It follows in the footsteps of relentlessly travelling activists - both women and men - and brings to light the importance of music-making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled and reminded; and it helps to understand better the affective register of the political and cultural life of those who composed, performed and consumed it. Throughout the long nineteenth century the sounds of liberty resonated across the Anglophone world: in the faint strains of 'rough music' played on the streets of Toronto and the 'middle-brow' performances within the walls of a secularist coven in Christchurch; in cacophonous election songs swirling around the hustings in Glasgow and Sunday afternoon chamber music concerts in the heart of radical Holborn; in defiant anthems blaring slightly out of tune on picket lines in Broken Hill and in hymns warbled by labour church choirs in Winnipeg. The first section examines songs; the second examines music's place in the public sphere where people - individually and collectively - made music when marching, electioneering, celebrating and commemorating, as well as striking, rioting and rebelling. The final section explores music-making within the walls of a range of associations and institutions including the difficult and often destructive part it played in European interaction with indigenous people" --Back cover Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened Geschichte 1790-1914 gnd rswk-swf History / bicssc Humanities / History / bicssc HISTORY / General / bisach History of music / thema Music / Social aspects / History / 18th century Music / Political aspects / History / 18th century Music / Social aspects / History / 19th century Music / Political aspects / History / 19th century Radicalism in music Politische Kultur (DE-588)4046540-8 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Englisches Sprachgebiet (DE-588)4113441-2 gnd rswk-swf Englisches Sprachgebiet (DE-588)4113441-2 g Politische Kultur (DE-588)4046540-8 s Gesellschaft (DE-588)4020588-5 s Musik (DE-588)4040802-4 s Geschichte 1790-1914 z DE-604 Pickering, Paul A. 1959- Verfasser (DE-588)1141794667 aut Erscheint auch als Druck-Ausgabe, Hardcover 978-0-7190-8274-0 (DE-604)BV044490964 https://doi.org/10.7765/9781526106223 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bowan, Kate Pickering, Paul A. 1959- Sounds of liberty music, radicalism and reform in the Anglophone world, 1790-1914 Introduction: the sounds of liberty --1. Songs of the world --2. The sound of marching feet --3. Votes for a song --4 'Sing a Song of Sixpence' --5. Music, morals and the middle class --6. The challenges of uplift --7 'Sing of the warriors of labour': radical religion, secularism and the hymn --Conclusion: 'And they sang a new song' --Index History / bicssc Humanities / History / bicssc HISTORY / General / bisach History of music / thema Music / Social aspects / History / 18th century Music / Political aspects / History / 18th century Music / Social aspects / History / 19th century Music / Political aspects / History / 19th century Radicalism in music Politische Kultur (DE-588)4046540-8 gnd Gesellschaft (DE-588)4020588-5 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4046540-8 (DE-588)4020588-5 (DE-588)4040802-4 (DE-588)4113441-2 |
| title | Sounds of liberty music, radicalism and reform in the Anglophone world, 1790-1914 |
| title_auth | Sounds of liberty music, radicalism and reform in the Anglophone world, 1790-1914 |
| title_exact_search | Sounds of liberty music, radicalism and reform in the Anglophone world, 1790-1914 |
| title_full | Sounds of liberty music, radicalism and reform in the Anglophone world, 1790-1914 Kate Bowan and Paul A. Pickering |
| title_fullStr | Sounds of liberty music, radicalism and reform in the Anglophone world, 1790-1914 Kate Bowan and Paul A. Pickering |
| title_full_unstemmed | Sounds of liberty music, radicalism and reform in the Anglophone world, 1790-1914 Kate Bowan and Paul A. Pickering |
| title_short | Sounds of liberty |
| title_sort | sounds of liberty music radicalism and reform in the anglophone world 1790 1914 |
| title_sub | music, radicalism and reform in the Anglophone world, 1790-1914 |
| topic | History / bicssc Humanities / History / bicssc HISTORY / General / bisach History of music / thema Music / Social aspects / History / 18th century Music / Political aspects / History / 18th century Music / Social aspects / History / 19th century Music / Political aspects / History / 19th century Radicalism in music Politische Kultur (DE-588)4046540-8 gnd Gesellschaft (DE-588)4020588-5 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | History / bicssc Humanities / History / bicssc HISTORY / General / bisach History of music / thema Music / Social aspects / History / 18th century Music / Political aspects / History / 18th century Music / Social aspects / History / 19th century Music / Political aspects / History / 19th century Radicalism in music Politische Kultur Gesellschaft Musik Englisches Sprachgebiet |
| url | https://doi.org/10.7765/9781526106223 |
| work_keys_str_mv | AT bowankate soundsoflibertymusicradicalismandreformintheanglophoneworld17901914 AT pickeringpaula soundsoflibertymusicradicalismandreformintheanglophoneworld17901914 |