3D :: history, theory and aesthetics of the transplane image /
There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely be...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English German |
| Veröffentlicht: |
London :
Bloomsbury Publishing,
2014.
|
| Schriftenreihe: | International texts in critical media aesthetics ;
v. 6. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely because it can provide more spatial information. And now in the 21st century, television and film are employing the method even more. Appearing for the first time in English, Jens Schroeter's comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Ci. |
| Beschreibung: | 1 online resource (501 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781441129994 1441129995 9781441148162 1441148167 |
Internformat
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| 100 | 1 | |a Schröter, Jens, |d 1970- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJqfFm3Jbwq3YFhYqJFxjC | |
| 240 | 1 | 0 | |a ED. |l English |
| 245 | 1 | 0 | |a 3D : |b history, theory and aesthetics of the transplane image / |c Jens Schröter ; translated by Brigitte Pichon and Dorian Rudnytsky ; revised by Jens Schröter. |
| 246 | 3 | |a History, theory, and aesthetics of the transplane image | |
| 246 | 3 | |a Three D | |
| 264 | 1 | |a London : |b Bloomsbury Publishing, |c 2014. | |
| 300 | |a 1 online resource (501 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a International texts in critical media aesthetics ; |v v. 6 | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication page; CONTENTS; ACKNOWLEDGMENTS; PART ONE Theoretical and Methodological Considerations; CHAPTER ONE Outline; 1.1 Jonathan Crary's Techniques of the Observer; 1.1.1 Contours of Techniques of the Observer; 1.1.1.1 Introducing the rhetorics of ruptures; 1.1.1.2 Rupture around 1820: Embodying vision; 1.1.1.3 The observer as effect: Crary's references to Foucault; 1.1.1.4 From geometrical to physiological optics; 1.1.1.5 The problematic status of photography; 1.1.2 The self-dissolution of Crary's approach. | |
| 505 | 8 | |a 1.2 Outlining an alternative1.2.1 Layering replacing succession; 1.2.2 Discontinuity and continuity: Which Foucault?; 1.2.3 The four optical series; 1.3 Some short remarks on optics and optical media; 1.4 Transplane images and the production of space (Henri Lefebvre): 3D; 1.4.1 First series: Geometrical optics-plane; 1.4.2 Second, third and fourth series: 3D; 1.5 Spatial knowledge and media aesthetics of transplane images; 1.6 Summary and 0utline; Notes; PART TWO Case Studies; CHAPTER TWO 1851: Sir David Brewster and the stereoscopic reproduction of sculptures; Notes. | |
| 505 | 8 | |a CHAPTER THREE Since 1860: Photo sculptureSince 1860: Willème's photo sculpture; Media aesthetics of photo sculpture; Notes; CHAPTER FOUR 1891: Lippmann photography; Notes; CHAPTER FIVE Since 1908: Integral photography/lenticular images; Notes; CHAPTER SIX 1935-1945: 'People without space'-people with spatial images; Notes; CHAPTER SEVEN 1918-1935: Marcel Duchamp: From projection to rotorelief; Notes; CHAPTER EIGHT Since 1948: The volumetric display; Notes; CHAPTER NINE Since 1948: Holography; 9.1 Principles, genesis and theory of holography; 9.2 The spatial knowledge of holo-interferometry. | |
| 505 | 8 | |a 9.3 Wave optics and the 'simulation' of geometrical optics: Holographic- optical elements, optical vs. visual media9.4 Media aesthetics of the transplane image 8-artistic holography: Illusionism, light and achrony; 9.5 Conclusion; Notes; CHAPTER TEN Since 1960: Repetition and difference: The interactive-transplane image; Notes; PART THREE Conclusions; CHAPTER ELEVEN 2013: Resume; 11.1 First conclusion: Layering and not succession in media history; 11.2 Second conclusion: The importance of the seemingly marginal transplane images for the production of space. | |
| 505 | 8 | |a 11.3 Third conclusion: the diff erence of optical and visual media. Anthropomorphic vs. non-anthropomorphic media models11.4 Fourth conclusion: Critique of the planocentric notion of the image; Notes; BIBLIOGRAPHY; TABLE OF IMAGE RIGHTS; INDEX; Plate 1; Plate 2; Plate 3; Plate 4; Plate 5. | |
| 520 | |a There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely because it can provide more spatial information. And now in the 21st century, television and film are employing the method even more. Appearing for the first time in English, Jens Schroeter's comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Ci. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Photography |x Psychological aspects. | |
| 650 | 0 | |a Three-dimensional imaging |x History. | |
| 650 | 0 | |a Imagery (Psychology) |0 http://id.loc.gov/authorities/subjects/sh85064451 | |
| 650 | 0 | |a Aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85001441 | |
| 650 | 2 | |a Imagery, Psychotherapy. | |
| 650 | 6 | |a Photographie |x Aspect psychologique. | |
| 650 | 6 | |a Imagerie tridimensionnelle |x Histoire. | |
| 650 | 6 | |a Imagerie (Psychologie) | |
| 650 | 7 | |a imagery. |2 aat | |
| 650 | 7 | |a History of art / art & design styles. |2 bicssc | |
| 650 | 7 | |a Media studies. |2 bicssc | |
| 650 | 7 | |a PSYCHOLOGY |x Social Psychology. |2 bisacsh | |
| 650 | 7 | |a Aesthetics |2 fast | |
| 650 | 7 | |a Imagery (Psychology) |2 fast | |
| 650 | 7 | |a Photography |x Psychological aspects |2 fast | |
| 650 | 7 | |a Three-dimensional imaging |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Pichon, Brigitte |c (Translator), |e translator. | |
| 700 | 1 | |a Rudnytsky, Dorian, |e translator. | |
| 776 | 0 | 8 | |i Print version: |a Schroeter, Jens. |s 3D. English. |t 3D. |d New York : Bloomsbury, 2014 |z 9781441194084 |w (DLC) 2013034736 |w (OCoLC)857141355 |
| 830 | 0 | |a International texts in critical media aesthetics ; |v v. 6. |0 http://id.loc.gov/authorities/names/no2012041716 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn867928962 |
|---|---|
| _version_ | 1813903631969157120 |
| adam_text | |
| any_adam_object | |
| author | Schröter, Jens, 1970- |
| author2 | Pichon, Brigitte (Translator) Rudnytsky, Dorian |
| author2_role | trl trl |
| author2_variant | b p bp d r dr |
| author_facet | Schröter, Jens, 1970- Pichon, Brigitte (Translator) Rudnytsky, Dorian |
| author_role | aut |
| author_sort | Schröter, Jens, 1970- |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7430 |
| callnumber-raw | N7430.5 .S367 2014 |
| callnumber-search | N7430.5 .S367 2014 |
| callnumber-sort | N 47430.5 S367 42014 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication page; CONTENTS; ACKNOWLEDGMENTS; PART ONE Theoretical and Methodological Considerations; CHAPTER ONE Outline; 1.1 Jonathan Crary's Techniques of the Observer; 1.1.1 Contours of Techniques of the Observer; 1.1.1.1 Introducing the rhetorics of ruptures; 1.1.1.2 Rupture around 1820: Embodying vision; 1.1.1.3 The observer as effect: Crary's references to Foucault; 1.1.1.4 From geometrical to physiological optics; 1.1.1.5 The problematic status of photography; 1.1.2 The self-dissolution of Crary's approach. 1.2 Outlining an alternative1.2.1 Layering replacing succession; 1.2.2 Discontinuity and continuity: Which Foucault?; 1.2.3 The four optical series; 1.3 Some short remarks on optics and optical media; 1.4 Transplane images and the production of space (Henri Lefebvre): 3D; 1.4.1 First series: Geometrical optics-plane; 1.4.2 Second, third and fourth series: 3D; 1.5 Spatial knowledge and media aesthetics of transplane images; 1.6 Summary and 0utline; Notes; PART TWO Case Studies; CHAPTER TWO 1851: Sir David Brewster and the stereoscopic reproduction of sculptures; Notes. CHAPTER THREE Since 1860: Photo sculptureSince 1860: Willème's photo sculpture; Media aesthetics of photo sculpture; Notes; CHAPTER FOUR 1891: Lippmann photography; Notes; CHAPTER FIVE Since 1908: Integral photography/lenticular images; Notes; CHAPTER SIX 1935-1945: 'People without space'-people with spatial images; Notes; CHAPTER SEVEN 1918-1935: Marcel Duchamp: From projection to rotorelief; Notes; CHAPTER EIGHT Since 1948: The volumetric display; Notes; CHAPTER NINE Since 1948: Holography; 9.1 Principles, genesis and theory of holography; 9.2 The spatial knowledge of holo-interferometry. 9.3 Wave optics and the 'simulation' of geometrical optics: Holographic- optical elements, optical vs. visual media9.4 Media aesthetics of the transplane image 8-artistic holography: Illusionism, light and achrony; 9.5 Conclusion; Notes; CHAPTER TEN Since 1960: Repetition and difference: The interactive-transplane image; Notes; PART THREE Conclusions; CHAPTER ELEVEN 2013: Resume; 11.1 First conclusion: Layering and not succession in media history; 11.2 Second conclusion: The importance of the seemingly marginal transplane images for the production of space. 11.3 Third conclusion: the diff erence of optical and visual media. Anthropomorphic vs. non-anthropomorphic media models11.4 Fourth conclusion: Critique of the planocentric notion of the image; Notes; BIBLIOGRAPHY; TABLE OF IMAGE RIGHTS; INDEX; Plate 1; Plate 2; Plate 3; Plate 4; Plate 5. |
| ctrlnum | (OCoLC)867928962 |
| dewey-full | 302.2301 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.2301 |
| dewey-search | 302.2301 |
| dewey-sort | 3302.2301 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-ocn867928962 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T16:21:46Z |
| institution | BVB |
| isbn | 9781441129994 1441129995 9781441148162 1441148167 |
| language | English German |
| oclc_num | 867928962 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (501 pages) : illustrations. |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Bloomsbury Publishing, |
| record_format | marc |
| series | International texts in critical media aesthetics ; |
| series2 | International texts in critical media aesthetics ; |
| spelling | Schröter, Jens, 1970- author. https://id.oclc.org/worldcat/entity/E39PBJqfFm3Jbwq3YFhYqJFxjC ED. English 3D : history, theory and aesthetics of the transplane image / Jens Schröter ; translated by Brigitte Pichon and Dorian Rudnytsky ; revised by Jens Schröter. History, theory, and aesthetics of the transplane image Three D London : Bloomsbury Publishing, 2014. 1 online resource (501 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier International texts in critical media aesthetics ; v. 6 Print version record. Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication page; CONTENTS; ACKNOWLEDGMENTS; PART ONE Theoretical and Methodological Considerations; CHAPTER ONE Outline; 1.1 Jonathan Crary's Techniques of the Observer; 1.1.1 Contours of Techniques of the Observer; 1.1.1.1 Introducing the rhetorics of ruptures; 1.1.1.2 Rupture around 1820: Embodying vision; 1.1.1.3 The observer as effect: Crary's references to Foucault; 1.1.1.4 From geometrical to physiological optics; 1.1.1.5 The problematic status of photography; 1.1.2 The self-dissolution of Crary's approach. 1.2 Outlining an alternative1.2.1 Layering replacing succession; 1.2.2 Discontinuity and continuity: Which Foucault?; 1.2.3 The four optical series; 1.3 Some short remarks on optics and optical media; 1.4 Transplane images and the production of space (Henri Lefebvre): 3D; 1.4.1 First series: Geometrical optics-plane; 1.4.2 Second, third and fourth series: 3D; 1.5 Spatial knowledge and media aesthetics of transplane images; 1.6 Summary and 0utline; Notes; PART TWO Case Studies; CHAPTER TWO 1851: Sir David Brewster and the stereoscopic reproduction of sculptures; Notes. CHAPTER THREE Since 1860: Photo sculptureSince 1860: Willème's photo sculpture; Media aesthetics of photo sculpture; Notes; CHAPTER FOUR 1891: Lippmann photography; Notes; CHAPTER FIVE Since 1908: Integral photography/lenticular images; Notes; CHAPTER SIX 1935-1945: 'People without space'-people with spatial images; Notes; CHAPTER SEVEN 1918-1935: Marcel Duchamp: From projection to rotorelief; Notes; CHAPTER EIGHT Since 1948: The volumetric display; Notes; CHAPTER NINE Since 1948: Holography; 9.1 Principles, genesis and theory of holography; 9.2 The spatial knowledge of holo-interferometry. 9.3 Wave optics and the 'simulation' of geometrical optics: Holographic- optical elements, optical vs. visual media9.4 Media aesthetics of the transplane image 8-artistic holography: Illusionism, light and achrony; 9.5 Conclusion; Notes; CHAPTER TEN Since 1960: Repetition and difference: The interactive-transplane image; Notes; PART THREE Conclusions; CHAPTER ELEVEN 2013: Resume; 11.1 First conclusion: Layering and not succession in media history; 11.2 Second conclusion: The importance of the seemingly marginal transplane images for the production of space. 11.3 Third conclusion: the diff erence of optical and visual media. Anthropomorphic vs. non-anthropomorphic media models11.4 Fourth conclusion: Critique of the planocentric notion of the image; Notes; BIBLIOGRAPHY; TABLE OF IMAGE RIGHTS; INDEX; Plate 1; Plate 2; Plate 3; Plate 4; Plate 5. There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely because it can provide more spatial information. And now in the 21st century, television and film are employing the method even more. Appearing for the first time in English, Jens Schroeter's comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Ci. Includes bibliographical references and index. Photography Psychological aspects. Three-dimensional imaging History. Imagery (Psychology) http://id.loc.gov/authorities/subjects/sh85064451 Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Imagery, Psychotherapy. Photographie Aspect psychologique. Imagerie tridimensionnelle Histoire. Imagerie (Psychologie) imagery. aat History of art / art & design styles. bicssc Media studies. bicssc PSYCHOLOGY Social Psychology. bisacsh Aesthetics fast Imagery (Psychology) fast Photography Psychological aspects fast Three-dimensional imaging fast History fast Pichon, Brigitte (Translator), translator. Rudnytsky, Dorian, translator. Print version: Schroeter, Jens. 3D. English. 3D. New York : Bloomsbury, 2014 9781441194084 (DLC) 2013034736 (OCoLC)857141355 International texts in critical media aesthetics ; v. 6. http://id.loc.gov/authorities/names/no2012041716 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=689804 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=689804 Volltext |
| spellingShingle | Schröter, Jens, 1970- 3D : history, theory and aesthetics of the transplane image / International texts in critical media aesthetics ; Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication page; CONTENTS; ACKNOWLEDGMENTS; PART ONE Theoretical and Methodological Considerations; CHAPTER ONE Outline; 1.1 Jonathan Crary's Techniques of the Observer; 1.1.1 Contours of Techniques of the Observer; 1.1.1.1 Introducing the rhetorics of ruptures; 1.1.1.2 Rupture around 1820: Embodying vision; 1.1.1.3 The observer as effect: Crary's references to Foucault; 1.1.1.4 From geometrical to physiological optics; 1.1.1.5 The problematic status of photography; 1.1.2 The self-dissolution of Crary's approach. 1.2 Outlining an alternative1.2.1 Layering replacing succession; 1.2.2 Discontinuity and continuity: Which Foucault?; 1.2.3 The four optical series; 1.3 Some short remarks on optics and optical media; 1.4 Transplane images and the production of space (Henri Lefebvre): 3D; 1.4.1 First series: Geometrical optics-plane; 1.4.2 Second, third and fourth series: 3D; 1.5 Spatial knowledge and media aesthetics of transplane images; 1.6 Summary and 0utline; Notes; PART TWO Case Studies; CHAPTER TWO 1851: Sir David Brewster and the stereoscopic reproduction of sculptures; Notes. CHAPTER THREE Since 1860: Photo sculptureSince 1860: Willème's photo sculpture; Media aesthetics of photo sculpture; Notes; CHAPTER FOUR 1891: Lippmann photography; Notes; CHAPTER FIVE Since 1908: Integral photography/lenticular images; Notes; CHAPTER SIX 1935-1945: 'People without space'-people with spatial images; Notes; CHAPTER SEVEN 1918-1935: Marcel Duchamp: From projection to rotorelief; Notes; CHAPTER EIGHT Since 1948: The volumetric display; Notes; CHAPTER NINE Since 1948: Holography; 9.1 Principles, genesis and theory of holography; 9.2 The spatial knowledge of holo-interferometry. 9.3 Wave optics and the 'simulation' of geometrical optics: Holographic- optical elements, optical vs. visual media9.4 Media aesthetics of the transplane image 8-artistic holography: Illusionism, light and achrony; 9.5 Conclusion; Notes; CHAPTER TEN Since 1960: Repetition and difference: The interactive-transplane image; Notes; PART THREE Conclusions; CHAPTER ELEVEN 2013: Resume; 11.1 First conclusion: Layering and not succession in media history; 11.2 Second conclusion: The importance of the seemingly marginal transplane images for the production of space. 11.3 Third conclusion: the diff erence of optical and visual media. Anthropomorphic vs. non-anthropomorphic media models11.4 Fourth conclusion: Critique of the planocentric notion of the image; Notes; BIBLIOGRAPHY; TABLE OF IMAGE RIGHTS; INDEX; Plate 1; Plate 2; Plate 3; Plate 4; Plate 5. Photography Psychological aspects. Three-dimensional imaging History. Imagery (Psychology) http://id.loc.gov/authorities/subjects/sh85064451 Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Imagery, Psychotherapy. Photographie Aspect psychologique. Imagerie tridimensionnelle Histoire. Imagerie (Psychologie) imagery. aat History of art / art & design styles. bicssc Media studies. bicssc PSYCHOLOGY Social Psychology. bisacsh Aesthetics fast Imagery (Psychology) fast Photography Psychological aspects fast Three-dimensional imaging fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85064451 http://id.loc.gov/authorities/subjects/sh85001441 |
| title | 3D : history, theory and aesthetics of the transplane image / |
| title_alt | ED. History, theory, and aesthetics of the transplane image Three D |
| title_auth | 3D : history, theory and aesthetics of the transplane image / |
| title_exact_search | 3D : history, theory and aesthetics of the transplane image / |
| title_full | 3D : history, theory and aesthetics of the transplane image / Jens Schröter ; translated by Brigitte Pichon and Dorian Rudnytsky ; revised by Jens Schröter. |
| title_fullStr | 3D : history, theory and aesthetics of the transplane image / Jens Schröter ; translated by Brigitte Pichon and Dorian Rudnytsky ; revised by Jens Schröter. |
| title_full_unstemmed | 3D : history, theory and aesthetics of the transplane image / Jens Schröter ; translated by Brigitte Pichon and Dorian Rudnytsky ; revised by Jens Schröter. |
| title_short | 3D : |
| title_sort | 3d history theory and aesthetics of the transplane image |
| title_sub | history, theory and aesthetics of the transplane image / |
| topic | Photography Psychological aspects. Three-dimensional imaging History. Imagery (Psychology) http://id.loc.gov/authorities/subjects/sh85064451 Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Imagery, Psychotherapy. Photographie Aspect psychologique. Imagerie tridimensionnelle Histoire. Imagerie (Psychologie) imagery. aat History of art / art & design styles. bicssc Media studies. bicssc PSYCHOLOGY Social Psychology. bisacsh Aesthetics fast Imagery (Psychology) fast Photography Psychological aspects fast Three-dimensional imaging fast |
| topic_facet | Photography Psychological aspects. Three-dimensional imaging History. Imagery (Psychology) Aesthetics. Imagery, Psychotherapy. Photographie Aspect psychologique. Imagerie tridimensionnelle Histoire. Imagerie (Psychologie) imagery. History of art / art & design styles. Media studies. PSYCHOLOGY Social Psychology. Aesthetics Photography Psychological aspects Three-dimensional imaging History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=689804 |
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