Law as performance: theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom ; New York, NY
Oxford University Press
2022
|
| Ausgabe: | First Edition |
| Schriftenreihe: | Law and literature
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiv, 350 Seiten Illustrationen |
| ISBN: | 9780192898494 |
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Contents List of Illustrations Note on Citations, Texts, and Translations xiii xv Introduction 1 Tothill Fields (1571): Law versus Theatre in “the Last Trial by Battel” 1 Law as Performance: Legal Theatricality and Antitheatricality as Idea and Practice 5 Law as Spectatorship: Public Trials, Open Courts, and the “Audience” 11 Performance, Theatricality, Gender, Law, and the Question of Anachronism 17 Representations of Legal Performance versus Legal Performance as Representation 21 Chapter Summaries 23 1. Theatre, Theatrocracy, and the Politics of Pathos in the Athenian Lawcourt 27 Introduction: Aeschines vs. Demosthenes 27 Theatricality and Antitheatricality in the Athenian Lawcourt 30 Trial as Theatre 30 Against Histrionics 35 Plato’s Theatrocracies 36 Theatrocracy and Theatrical Sophism versus the Laws 36 The Law and Its Double: Rival Actors and the Laws as Noble Tragedy 39 Aristotle on Hypokrisis and Pathos 42 The Vulgar Crowd and the Power of Hypokrisis 42 The Poetics о/Hypokrisis and Pathos 46 Catharsis as Judgment and the Mobilizing of Emotion 49 Against Alcibiades·. Theatrical Tears versus Righteous Outrage in the Legal Theatrocracy 51 Conclusion 54 2. The Roman Advocate as Actor: Actio, Pronuntiatio, Prosopopoeia, and Persuasive Empathy in Cicero and Quintilian 56 Introduction: Posing Fonteius The Roman Legal Theatre Courtroom as Theatre The Art of Actio and Pronuntiatio The Actor’s Apprentice: Be Theatrical. But Not Too Theatrical Staging Emotion Universal Languages: Emotion, Gesture, Voice Speaking Scenes: Caesar’s Robe, the Blood-Bespattered Plaintiff, the
Litigant’s Face 56 61 61 65 67 70 70 72
X CONTENTS Prosopopoeia as Impersonation and Ventriloquism: Weeping for Milo in Cicero’s Pro Milone Emotion as Practice Masks and Faces: Personae and the Ethics о/Decorum Training Empathy The Art of the Real Conclusion 77 81 81 83 86 88 3. Courtroom Oratory, Forensic Delivery, and the Wayward Body in Medieval Rhetorical Theory 89 Introduction: Alain de Lille’s Rhetorica (c. 1182-84) in the Courtroom, or How to Win a Lawsuit in the Middle Ages 89 Medieval Courtroom Actors 95 The Lawyer: Robed Vulture with Venal Tongue or Priest of the Laws? 95 Forensic Oratory in Medieval Theory and Practice 99 On Forensic Delivery 103 Four Rhetorical Theorists on Courtroom Delivery 108 Alcuin of York (c.735֊804): Allegorical Insignia, Eschatological Space, and Bodily Decorum in the Carolingian Court 108 Boncompagno da Signa (c.l 165-1240): The Leaky Body as “Organic Instrument” and Courtroom Trickster 124 Guilhem Molinier (fl.1330-50): Delivery According to the Laws of Love 129 Jean de Jandun (c.1285-1328): Signifying the Passions, Warping the Judge, Entertaining the Crowd 134 Conclusion 140 4. Irreverent Performances, Heterodox Subjects, and the Unscripted Crowd from the Medieval Courtroom to the Stocks and Scaffold Introduction: Mooning the Law with Calefurnia and Catharina Arndes Ideals of Order, Scripted Trials, and the Disorderly Crowd The Doge, the Judge, and the Sword: Allegorizing Justice as Terror and Pleasure in Venetian Civic Spectacle (c.1311) Rex as Lex before the Throng in Jean Fouquet’s “Lit de Justice de Vendôme” (1458) Noisy Crowds, Lawyers’ Harangues, and Scripted Trials:
Thomas Basin ’s Proposal (1455) Open Courtrooms, Festive “Law-Days,” and the German Rechtstag as Mock Trial Heretics and Witches: Staging Heterodoxy in the Fifteenth-Century Courtroom Performing Radical Theology as Legal Counter-Narrative: The Trial and Defrocking ofJan Hus (1415) Spitting at the Inquisitor: Helena Scheuberin, Heinrich Institoris, and the Innsbruck Witch Trial (1485) The Spectacle of Punishment Beyond the Script Execution as “Sacred Event” and “Theater of Devotion”? Deterrent Terror, Crowd Vengeance, and Going Off-Script 142 142 149 149 150 153 157 165 165 176 185 185 188
CONTENTS Politics and the Heterogeneous Crowd Jeering “Like the Jews [Against] Jesus” Penal Pleasures Conclusion ХІ 190 192 196 198 5. Performing Law in the Age of Theatre (c. 1500-1650) 200 Introduction: The Priest’s Bastard and the Prince’s Grace: Entertaining the Polish Ambassadors in the “Greatest Theatre Ever” (1573) 200 The Rhetorical Tradition and the Figure of Theatre 204 Delivery Handbooks for Lawyers and the Study of “Mute Eloquence” 204 Learning from Roscius 210 Theatre and Lawyers in the Anti-Rhetorical Tradition 216 Humanist Legal Antitheatricality 216 The Forum, the Stage, and the Sewer 222 The Modern Courtroom as “Theatre” 225 The Politics of a Trope 225 The Courtroom as Encyclopedic Anatomy Theatre: Dissecting the Legal Body 232 Pasquier’s Hands 236 The Legal Entertainment Industry 237 Learning from Marino’s Evil Cousin 237 Critical Court-Watchers and the Feverish Crowd 239 Pasquier Defends “the Slaughterer”: The Trial ofJean d’Arconville (1571) 244 6. Legal Performance Education in Early Modern England Introduction: Rehearsing the Revels in St. Dunstan’s Tavern (1628-29) Directions for the Study of Law: Learning to Act Like a Lawyer Rhetorical Education as (Legal) Performance Training Manuals for the English Law Student The Noble Arts and Courtroom Carriage Practicing Performance: Moots and Disputations Rehearsal and Mimesis Public Spectacle, Battle, Theatre, Farce Impersonation, Make-Believe, and the Mise-en-Abîme Theatre in the Temple of Law: What the Revels Taught Defending Academic Theatre: Impersonation and Dissimulation for Lawyers The Trial of the
Sorcerer in Gray’s Inn (1594): The Lawyer as Lord of Misrule Conclusion 251 251 256 256 262 265 267 267 270 273 280 280 286 295 Epilogue 298 Works Cited Primary Sources Secondary Sources Index 303 303 315 341 |
| adam_txt |
Contents List of Illustrations Note on Citations, Texts, and Translations xiii xv Introduction 1 Tothill Fields (1571): Law versus Theatre in “the Last Trial by Battel” 1 Law as Performance: Legal Theatricality and Antitheatricality as Idea and Practice 5 Law as Spectatorship: Public Trials, Open Courts, and the “Audience” 11 Performance, Theatricality, Gender, Law, and the Question of Anachronism 17 Representations of Legal Performance versus Legal Performance as Representation 21 Chapter Summaries 23 1. Theatre, Theatrocracy, and the Politics of Pathos in the Athenian Lawcourt 27 Introduction: Aeschines vs. Demosthenes 27 Theatricality and Antitheatricality in the Athenian Lawcourt 30 Trial as Theatre 30 Against Histrionics 35 Plato’s Theatrocracies 36 Theatrocracy and Theatrical Sophism versus the Laws 36 The Law and Its Double: Rival Actors and the Laws as Noble Tragedy 39 Aristotle on Hypokrisis and Pathos 42 The Vulgar Crowd and the Power of Hypokrisis 42 The Poetics о/Hypokrisis and Pathos 46 Catharsis as Judgment and the Mobilizing of Emotion 49 Against Alcibiades·. Theatrical Tears versus Righteous Outrage in the Legal Theatrocracy 51 Conclusion 54 2. The Roman Advocate as Actor: Actio, Pronuntiatio, Prosopopoeia, and Persuasive Empathy in Cicero and Quintilian 56 Introduction: Posing Fonteius The Roman Legal Theatre Courtroom as Theatre The Art of Actio and Pronuntiatio The Actor’s Apprentice: Be Theatrical. But Not Too Theatrical Staging Emotion Universal Languages: Emotion, Gesture, Voice Speaking Scenes: Caesar’s Robe, the Blood-Bespattered Plaintiff, the
Litigant’s Face 56 61 61 65 67 70 70 72
X CONTENTS Prosopopoeia as Impersonation and Ventriloquism: Weeping for Milo in Cicero’s Pro Milone Emotion as Practice Masks and Faces: Personae and the Ethics о/Decorum Training Empathy The Art of the Real Conclusion 77 81 81 83 86 88 3. Courtroom Oratory, Forensic Delivery, and the Wayward Body in Medieval Rhetorical Theory 89 Introduction: Alain de Lille’s Rhetorica (c. 1182-84) in the Courtroom, or How to Win a Lawsuit in the Middle Ages 89 Medieval Courtroom Actors 95 The Lawyer: Robed Vulture with Venal Tongue or Priest of the Laws? 95 Forensic Oratory in Medieval Theory and Practice 99 On Forensic Delivery 103 Four Rhetorical Theorists on Courtroom Delivery 108 Alcuin of York (c.735֊804): Allegorical Insignia, Eschatological Space, and Bodily Decorum in the Carolingian Court 108 Boncompagno da Signa (c.l 165-1240): The Leaky Body as “Organic Instrument” and Courtroom Trickster 124 Guilhem Molinier (fl.1330-50): Delivery According to the Laws of Love 129 Jean de Jandun (c.1285-1328): Signifying the Passions, Warping the Judge, Entertaining the Crowd 134 Conclusion 140 4. Irreverent Performances, Heterodox Subjects, and the Unscripted Crowd from the Medieval Courtroom to the Stocks and Scaffold Introduction: Mooning the Law with Calefurnia and Catharina Arndes Ideals of Order, Scripted Trials, and the Disorderly Crowd The Doge, the Judge, and the Sword: Allegorizing Justice as Terror and Pleasure in Venetian Civic Spectacle (c.1311) Rex as Lex before the Throng in Jean Fouquet’s “Lit de Justice de Vendôme” (1458) Noisy Crowds, Lawyers’ Harangues, and Scripted Trials:
Thomas Basin ’s Proposal (1455) Open Courtrooms, Festive “Law-Days,” and the German Rechtstag as Mock Trial Heretics and Witches: Staging Heterodoxy in the Fifteenth-Century Courtroom Performing Radical Theology as Legal Counter-Narrative: The Trial and Defrocking ofJan Hus (1415) Spitting at the Inquisitor: Helena Scheuberin, Heinrich Institoris, and the Innsbruck Witch Trial (1485) The Spectacle of Punishment Beyond the Script Execution as “Sacred Event” and “Theater of Devotion”? Deterrent Terror, Crowd Vengeance, and Going Off-Script 142 142 149 149 150 153 157 165 165 176 185 185 188
CONTENTS Politics and the Heterogeneous Crowd Jeering “Like the Jews [Against] Jesus” Penal Pleasures Conclusion ХІ 190 192 196 198 5. Performing Law in the Age of Theatre (c. 1500-1650) 200 Introduction: The Priest’s Bastard and the Prince’s Grace: Entertaining the Polish Ambassadors in the “Greatest Theatre Ever” (1573) 200 The Rhetorical Tradition and the Figure of Theatre 204 Delivery Handbooks for Lawyers and the Study of “Mute Eloquence” 204 Learning from Roscius 210 Theatre and Lawyers in the Anti-Rhetorical Tradition 216 Humanist Legal Antitheatricality 216 The Forum, the Stage, and the Sewer 222 The Modern Courtroom as “Theatre” 225 The Politics of a Trope 225 The Courtroom as Encyclopedic Anatomy Theatre: Dissecting the Legal Body 232 Pasquier’s Hands 236 The Legal Entertainment Industry 237 Learning from Marino’s Evil Cousin 237 Critical Court-Watchers and the Feverish Crowd 239 Pasquier Defends “the Slaughterer”: The Trial ofJean d’Arconville (1571) 244 6. Legal Performance Education in Early Modern England Introduction: Rehearsing the Revels in St. Dunstan’s Tavern (1628-29) Directions for the Study of Law: Learning to Act Like a Lawyer Rhetorical Education as (Legal) Performance Training Manuals for the English Law Student The Noble Arts and Courtroom Carriage Practicing Performance: Moots and Disputations Rehearsal and Mimesis Public Spectacle, Battle, Theatre, Farce Impersonation, Make-Believe, and the Mise-en-Abîme Theatre in the Temple of Law: What the Revels Taught Defending Academic Theatre: Impersonation and Dissimulation for Lawyers The Trial of the
Sorcerer in Gray’s Inn (1594): The Lawyer as Lord of Misrule Conclusion 251 251 256 256 262 265 267 267 270 273 280 280 286 295 Epilogue 298 Works Cited Primary Sources Secondary Sources Index 303 303 315 341 |
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| series2 | Law and literature |
| spelling | Peters, Julie Stone 1959- Verfasser (DE-588)172305721 aut Law as performance theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe Julie Stone Peters First Edition Oxford, United Kingdom ; New York, NY Oxford University Press 2022 xiv, 350 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Law and literature Justitia Fiktive Gestalt (DE-588)118714368 gnd rswk-swf Geschichte gnd rswk-swf Theatralik (DE-588)4375533-1 gnd rswk-swf Recht (DE-588)4048737-4 gnd rswk-swf Buchmalerei (DE-588)4008650-1 gnd rswk-swf Recht Motiv (DE-588)4121561-8 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Gericht Motiv (DE-588)4156813-8 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Rechtsgeschichte (DE-2581)TH000006701 gbd Performanz (DE-2581)TH000005222 gbd Europa (DE-588)4015701-5 g Recht (DE-588)4048737-4 s Theatralik (DE-588)4375533-1 s Geschichte z DE-604 Malerei (DE-588)4037220-0 s Buchmalerei (DE-588)4008650-1 s Recht Motiv (DE-588)4121561-8 s Gericht Motiv (DE-588)4156813-8 s Justitia Fiktive Gestalt (DE-588)118714368 p Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033671031&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Peters, Julie Stone 1959- Law as performance theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe Justitia Fiktive Gestalt (DE-588)118714368 gnd Theatralik (DE-588)4375533-1 gnd Recht (DE-588)4048737-4 gnd Buchmalerei (DE-588)4008650-1 gnd Recht Motiv (DE-588)4121561-8 gnd Malerei (DE-588)4037220-0 gnd Gericht Motiv (DE-588)4156813-8 gnd |
| subject_GND | (DE-588)118714368 (DE-588)4375533-1 (DE-588)4048737-4 (DE-588)4008650-1 (DE-588)4121561-8 (DE-588)4037220-0 (DE-588)4156813-8 (DE-588)4015701-5 |
| title | Law as performance theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe |
| title_auth | Law as performance theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe |
| title_exact_search | Law as performance theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe |
| title_exact_search_txtP | Law as performance theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe |
| title_full | Law as performance theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe Julie Stone Peters |
| title_fullStr | Law as performance theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe Julie Stone Peters |
| title_full_unstemmed | Law as performance theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe Julie Stone Peters |
| title_short | Law as performance |
| title_sort | law as performance theatricality spectatorship and the making of law in ancient medieval and early modern europe |
| title_sub | theatricality, spectatorship, and the making of law in ancient, medieval, and early modern Europe |
| topic | Justitia Fiktive Gestalt (DE-588)118714368 gnd Theatralik (DE-588)4375533-1 gnd Recht (DE-588)4048737-4 gnd Buchmalerei (DE-588)4008650-1 gnd Recht Motiv (DE-588)4121561-8 gnd Malerei (DE-588)4037220-0 gnd Gericht Motiv (DE-588)4156813-8 gnd |
| topic_facet | Justitia Fiktive Gestalt Theatralik Recht Buchmalerei Recht Motiv Malerei Gericht Motiv Europa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033671031&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT petersjuliestone lawasperformancetheatricalityspectatorshipandthemakingoflawinancientmedievalandearlymoderneurope |