Lived Aesthetics and the Inner Narrative von Peponi, Anastasia-Erasmia 1959-

Lyric Vision: An Introduction von Peponi, Anastasia-Erasmia 1959-

Frontiers of pleasure models of aesthetic response in archaic and classical Greek thought von Peponi, Anastasia-Erasmia 1959-

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Initiating the Viewer: Deixis and Visual Perception in Alcman's Lyric Drama von Peponi, Anastasia-Erasmia 1959-

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Lyric Atmospheres Plato and Mimetic Evanescence von Peponi, Anastasia-Erasmia 1959-

Dance and Aesthetic Perception von Peponi, Anastasia-Erasmia 1959-

Theorizing the Chorus in Greece von Peponi, Anastasia-Erasmia 1959-

Mixed Pleasures, Blended Discourses: Poetry, Medicine, and the Body in Plato's Philebus 46 - 47c von Peponi, Anastasia-Erasmia 1959-

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Against Aesthetic Distance Ovid, Proust and the Hedonic Impulse von Peponi, Anastasia-Erasmia 1959-

Aristotle's definition of dance von Peponi, Anastasia-Erasmia 1959-

Sappho and the Mythopoetics of the Domestic von Peponi, Anastasia-Erasmia 1959-

Greek Poetics [Rezension von: Between Ecstasy and Truth: Interpretations of Greek Poetics from Homer to Longinus / S. Halliwell. - Oxford: Oxford University Press, 2011] von Peponi, Anastasia-Erasmia 1959-

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Introduction von Peponi, Anastasia-Erasmia 1959-

Choral anti-Aesthetics von Peponi, Anastasia-Erasmia 1959-

Frontiers of pleasure models of aesthetic response in archaic and classical Greek thought von Peponi, Anastasia-Erasmia 1959-

Inhaltsverzeichnis

[Rezension von: James I. Porter, The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience. Cambridge, UK: Cambridge University Press, 2010. Pp. xvii, 6... von Peponi, Anastasia-Erasmia 1959-

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Sparta's prima ballerina: Choreia in Alcman's second Partheneion (3 PMGF) von Peponi, Anastasia-Erasmia 1959-

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Fantasizing lyric: Horace, Epistles I.19 von Peponi, Anastasia-Erasmia 1959-