Byzantine Media Subjects:
Byzantine Media Subjects invites readers into a world replete with images-icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2024]
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| Schriftenreihe: | Medieval Societies, Religions, and Cultures
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| Schlagworte: | |
| Online-Zugang: | DE-Aug4 Volltext |
| Zusammenfassung: | Byzantine Media Subjects invites readers into a world replete with images-icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) |
| Beschreibung: | 1 Online-Ressource (320 Seiten) 41 b&w halftones, 38 color halftones |
| ISBN: | 9781501775031 |
| DOI: | 10.1515/9781501775031 |
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Datensatz im Suchindex
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| author | Peers, Glenn A. |
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| dewey-full | 709.02/14 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.02/14 |
| dewey-search | 709.02/14 |
| dewey-sort | 3709.02 214 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9781501775031 |
| format | Electronic eBook |
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| id | DE-604.BV049859081 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-15T10:05:52Z |
| institution | BVB |
| isbn | 9781501775031 |
| language | English |
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| oclc_num | 1456134776 |
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| physical | 1 Online-Ressource (320 Seiten) 41 b&w halftones, 38 color halftones |
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| publishDate | 2024 |
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| publisher | Cornell University Press |
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| series2 | Medieval Societies, Religions, and Cultures |
| spelling | Peers, Glenn A. Verfasser aut Byzantine Media Subjects Glenn A. Peers Ithaca, NY Cornell University Press [2024] 2024 1 Online-Ressource (320 Seiten) 41 b&w halftones, 38 color halftones txt rdacontent c rdamedia cr rdacarrier Medieval Societies, Religions, and Cultures Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) Byzantine Media Subjects invites readers into a world replete with images-icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves In English Art History Media Studies Medieval & Renaissance Studies HISTORY / Medieval bisacsh Art and philosophy Byzantine Empire Art, Byzantine History Art, Byzantine Philosophy Representation (Philosophy) https://doi.org/10.1515/9781501775031?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Peers, Glenn A. Byzantine Media Subjects Art History Media Studies Medieval & Renaissance Studies HISTORY / Medieval bisacsh Art and philosophy Byzantine Empire Art, Byzantine History Art, Byzantine Philosophy Representation (Philosophy) |
| title | Byzantine Media Subjects |
| title_auth | Byzantine Media Subjects |
| title_exact_search | Byzantine Media Subjects |
| title_full | Byzantine Media Subjects Glenn A. Peers |
| title_fullStr | Byzantine Media Subjects Glenn A. Peers |
| title_full_unstemmed | Byzantine Media Subjects Glenn A. Peers |
| title_short | Byzantine Media Subjects |
| title_sort | byzantine media subjects |
| topic | Art History Media Studies Medieval & Renaissance Studies HISTORY / Medieval bisacsh Art and philosophy Byzantine Empire Art, Byzantine History Art, Byzantine Philosophy Representation (Philosophy) |
| topic_facet | Art History Media Studies Medieval & Renaissance Studies HISTORY / Medieval Art and philosophy Byzantine Empire Art, Byzantine History Art, Byzantine Philosophy Representation (Philosophy) |
| url | https://doi.org/10.1515/9781501775031?locatt=mode:legacy |
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