Virtual Voyages: Cinema and Travel
Virtual Voyages illuminates the pivotal role of travelogues within the history of cinema. The travelogue dominated the early cinema period from 1895 to 1905, was central to the consolidation of documentary in the 1910s and 1920s, proliferated in the postwar era of 16mm distribution, and today contin...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2006]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Virtual Voyages illuminates the pivotal role of travelogues within the history of cinema. The travelogue dominated the early cinema period from 1895 to 1905, was central to the consolidation of documentary in the 1910s and 1920s, proliferated in the postwar era of 16mm distribution, and today continues to flourish in IMAX theaters and a host of non-theatrical venues. It is not only the first chapter in the history of documentary but also a key element of ethnographic film, home movies, and fiction films. In this collection, leading film scholars trace the intersection of technology and ideology in representations of travel across a wide variety of cinematic forms. In so doing, they demonstrate how attention to the role of travel imagery in film blurs distinctions between genres and heightens awareness of cinema as a technology for moving through space and time, of cinema itself as a mode of travel.Some contributors take a broad view of travelogues by examining the colonial and imperial perspectives embodied in early travel films, the sensation of movement that those films evoked, and the role of live presentations such as lectures in our understanding of travelogues. Other essays are focused on specific films, figures, and technologies, including early travelogues encouraging Americans to move to the West; the making and reception of the documentary Grass (1925), shot on location in Turkey, Syria, Iraq, and Iran; the role of travel imagery in 1930s Hollywood cinema; the late-twentieth-century 16mm illustrated-lecture industry; and the panoramic possibilities presented by IMAX technologies. Together the essays provide a nuanced appreciation of how, through their representations of travel, filmmakers actively produce the worlds they depict.Contributors. Rick Altman, Paula Amad, Dana Benelli, Peter J. Bloom, Alison Griffiths, Tom Gunning, Hamid Naficy, Jennifer Lynn Peterson, Lauren Rabinovitz, Jeffrey Ruoff, Alexandra Schneider, Amy J. Staples |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (312 pages) 41 b&w photographs |
| ISBN: | 9780822387947 |
| DOI: | 10.1515/9780822387947 |
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| spelling | Virtual Voyages Cinema and Travel Jeffrey Ruoff Durham Duke University Press [2006] © 2006 1 online resource (312 pages) 41 b&w photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Virtual Voyages illuminates the pivotal role of travelogues within the history of cinema. The travelogue dominated the early cinema period from 1895 to 1905, was central to the consolidation of documentary in the 1910s and 1920s, proliferated in the postwar era of 16mm distribution, and today continues to flourish in IMAX theaters and a host of non-theatrical venues. It is not only the first chapter in the history of documentary but also a key element of ethnographic film, home movies, and fiction films. In this collection, leading film scholars trace the intersection of technology and ideology in representations of travel across a wide variety of cinematic forms. In so doing, they demonstrate how attention to the role of travel imagery in film blurs distinctions between genres and heightens awareness of cinema as a technology for moving through space and time, of cinema itself as a mode of travel.Some contributors take a broad view of travelogues by examining the colonial and imperial perspectives embodied in early travel films, the sensation of movement that those films evoked, and the role of live presentations such as lectures in our understanding of travelogues. Other essays are focused on specific films, figures, and technologies, including early travelogues encouraging Americans to move to the West; the making and reception of the documentary Grass (1925), shot on location in Turkey, Syria, Iraq, and Iran; the role of travel imagery in 1930s Hollywood cinema; the late-twentieth-century 16mm illustrated-lecture industry; and the panoramic possibilities presented by IMAX technologies. Together the essays provide a nuanced appreciation of how, through their representations of travel, filmmakers actively produce the worlds they depict.Contributors. Rick Altman, Paula Amad, Dana Benelli, Peter J. Bloom, Alison Griffiths, Tom Gunning, Hamid Naficy, Jennifer Lynn Peterson, Lauren Rabinovitz, Jeffrey Ruoff, Alexandra Schneider, Amy J. Staples In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Alexandra, Schneider ctb Alison, Griffiths ctb Altman, Rick Sonstige oth Amy J., Staples ctb Dana, Benelli ctb Gunning, Tom Sonstige oth Hamid, Naficy ctb Jeffrey, Ruoff ctb Jennifer, Lynn Peterson ctb Lauren, Rabinovitz ctb Paula, Amad ctb Peter J., Bloom ctb Peterson, Jennifer Lynn Sonstige oth Rabinovitz, Lauren Sonstige oth Rick, Altman ctb Ruoff, Jeffrey edt Tom, Gunning ctb https://doi.org/10.1515/9780822387947 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Virtual Voyages Cinema and Travel PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| title | Virtual Voyages Cinema and Travel |
| title_auth | Virtual Voyages Cinema and Travel |
| title_exact_search | Virtual Voyages Cinema and Travel |
| title_exact_search_txtP | Virtual Voyages Cinema and Travel |
| title_full | Virtual Voyages Cinema and Travel Jeffrey Ruoff |
| title_fullStr | Virtual Voyages Cinema and Travel Jeffrey Ruoff |
| title_full_unstemmed | Virtual Voyages Cinema and Travel Jeffrey Ruoff |
| title_short | Virtual Voyages |
| title_sort | virtual voyages cinema and travel |
| title_sub | Cinema and Travel |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism |
| url | https://doi.org/10.1515/9780822387947 |
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