You call that music?!: Korean popular music through the generations
You Call That Music?!: Korean Popular Music Through the Generations provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. First published in Korean in 2017 by one of the best-known critics, Lee Young-Mee, this book is a t...
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Weitere Verfasser: | , , |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge
[2022]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | You Call That Music?!: Korean Popular Music Through the Generations provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. First published in Korean in 2017 by one of the best-known critics, Lee Young-Mee, this book is a timely and much-needed source of information on Korean popular music of the past hundred years. Through this English translation, readers are able to make meaningful connections between specific forms of Korean popular music of various periods and the contemporaneous Korean social and political circumstances. Structured around the central theme of generational conflict, the book provides readers with an accessible way to engage with Korea’s social history and a greater understanding of how specific musical works, genres and styles fit into that history. Its strong narrative force helps illuminate the connections between modern Korean social history and the particular trends of musical production and their reception through the decades.You Call That Music?! is an invaluable resource for those researching and studying Korean popular music specifically as well as Korea’s cultural and social history |
Beschreibung: | xvii, 124 Seiten |
ISBN: | 9781032149011 9781032149028 |
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Datensatz im Suchindex
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adam_text |
Contents Foreword Introduction Author’s Preface 1 Generational Unity: Cause for Celebration? ix xii xvi 1 Songs the Whole Family Can Enjoy 1 Generational Conflicts Promote Creativity! 2 The Ebb and Flow of Generational Conflict 3 Notes 4 Reference 4 2 Grownups in the 1930s: Shocked by the New Pop Music 5 What ’s Your Groupchat Profile Pic? 5 When Did Koreans Start Making Pop Music? 6 The New Trends Appall the Adults 7 How Old Was the Generation that Disliked Trot? 9 Super Junior on Gayo Stage? 10 Notes 11 References 14 3 Was Trot Really for Teens? Grownups Disliked Trot 15 Trot and Enka 17 It’s Greek to Me: Grownups and the New Music 18 The Generation Educated in Japanese 19 Twenty-somethings: A Subversive Force in the Popular Arts 21 15
vi Contents New and Refined Trot to Share with Young People in Tokyo 22 Notes 23 References 24 4 Mambo Dancing in Mambo Pants: In the Aftermath of the Korean War 25 The Trot Generation Grows Old 25 Trot Eases Generational Conflicts 26 The Infiltration of “Vulgar" Music 28 Mambo Fever Brings Mambo Pants 29 “Après-Girls" and “Madame Freedom” 31 Middle-Aged People Swept Up in Postwar Fashions 32 Notes 32 References 33 5 American Standard Pop Patches Up Generational Differences: The Early 1960s 34 Is “Odong-dong Ballad” Really Less Vulgar Than “Yellow Shirt”? 34 The Scales Tip Toward Standard Pop 36 Could “Yellow Shirt” Be an International Hit? 37 Standard Pop: Modern, but not Decadent 39 Note 40 References 40 6 The Late 1960s: The Period of Easing Generational Conflict 41 The Age of Standard Pop 41 Youthful, but Still Familiar 42 Standard Pop: Wholesome and Modern 43 Notes 44 Reference 44 7 Trot Lifts the Spirits—But Wait, Is It Japanese?! Singing Japanese Songs on Independence Day? 45 The Remnants of Japanese Imperialism, Trot, and the 1965 Korea-Japan Treaty 47 45
Contents vii Why Did the Middle-Aged Troi Generation Accept Standard Pop? 47 Does the Younger Generation Have “Superior” Taste? 49 References 50 8 The Explosion of Generational Conflict: Youth Culture 51 A New Kind of Youth: Cheongchun vx Cheongnyeon 51 The “Strong” Generation Becomes Middle-Aged 54 An Even "Stronger” Generation Comes of Age 57 Being a Student: A New Youth Identity 59 Notes 60 References 61 9 Decadent Acoustic Guitars and “Backwards” Ppongjjak Collide 62 1971: A Pivotal Moment for Folk 62 “Wearing a Flower Ring” Corrupts Young Girls? 63 Unfounded Fears about Folk 66 “Backwards” Ppongjjak: Why Pponjjak Was Considered “Backwards” 67 Hnti-Folk՜ The Fear of Corrupting Students 71 Notes 73 References 75 10 Cho Yong-pil Brings Generations Together 76 A Fusion о/Trot and Rock? 76 Cho Yong-pil, a Superstar for All Ages 77 The Fusion of New Rock and Good Old Standard Pop 79 Raise That Familiar Melody an Octave and Shout It! 80 Notes 82 Reference 85 11 The Seoul Olympics, Globalization, and “Underground” Music Would “Morning Dew” Have Been as Popular in 1981? 86 “Underground” and Minjung Songs Go into Hiding 87 Korean Popular Music Catches Up to Sophisticated Western Pop 89 86
viii Contents Skilled Artistry and a Sense of Stability 91 Notes 92 Reference 95 12 The 1990s: The Era of Seo Taiji and Generational Conflict 96 Everyone ’s Talking About “the Generation” Again 96 The “Apgujeong Orange Youth” Emerges as the New Generation 97 What on Earth Is a Rock Café? 98 Hard to Dance Hip-Hop if You’re Over Thirty 101 Notes 103 References 104 13 Reversal, Resistance, and .? 105 History Doesn’t Always Repeat Itself Exactly 105 Satanism in a Seo Taiji Song? 106 The Youth Refuse to Conform 108 The New Generation: Resistance and Subversion 110 Still, History Continues . 113 Notes 113 References 114 14 Epilogue: When Will an Age of Conflict Come Again? 116 The Importance of Knowing History 116 Toward Generational Harmony Again 116 When Will the Time of Generational Conflict Return? 118 Notes 119 Index 121 |
adam_txt |
Contents Foreword Introduction Author’s Preface 1 Generational Unity: Cause for Celebration? ix xii xvi 1 Songs the Whole Family Can Enjoy 1 Generational Conflicts Promote Creativity! 2 The Ebb and Flow of Generational Conflict 3 Notes 4 Reference 4 2 Grownups in the 1930s: Shocked by the New Pop Music 5 What ’s Your Groupchat Profile Pic? 5 When Did Koreans Start Making Pop Music? 6 The New Trends Appall the Adults 7 How Old Was the Generation that Disliked Trot? 9 Super Junior on Gayo Stage? 10 Notes 11 References 14 3 Was Trot Really for Teens? Grownups Disliked Trot 15 Trot and Enka 17 It’s Greek to Me: Grownups and the New Music 18 The Generation Educated in Japanese 19 Twenty-somethings: A Subversive Force in the Popular Arts 21 15
vi Contents New and Refined Trot to Share with Young People in Tokyo 22 Notes 23 References 24 4 Mambo Dancing in Mambo Pants: In the Aftermath of the Korean War 25 The Trot Generation Grows Old 25 Trot Eases Generational Conflicts 26 The Infiltration of “Vulgar" Music 28 Mambo Fever Brings Mambo Pants 29 “Après-Girls" and “Madame Freedom” 31 Middle-Aged People Swept Up in Postwar Fashions 32 Notes 32 References 33 5 American Standard Pop Patches Up Generational Differences: The Early 1960s 34 Is “Odong-dong Ballad” Really Less Vulgar Than “Yellow Shirt”? 34 The Scales Tip Toward Standard Pop 36 Could “Yellow Shirt” Be an International Hit? 37 Standard Pop: Modern, but not Decadent 39 Note 40 References 40 6 The Late 1960s: The Period of Easing Generational Conflict 41 The Age of Standard Pop 41 Youthful, but Still Familiar 42 Standard Pop: Wholesome and Modern 43 Notes 44 Reference 44 7 Trot Lifts the Spirits—But Wait, Is It Japanese?! Singing Japanese Songs on Independence Day? 45 The Remnants of Japanese Imperialism, Trot, and the 1965 Korea-Japan Treaty 47 45
Contents vii Why Did the Middle-Aged Troi Generation Accept Standard Pop? 47 Does the Younger Generation Have “Superior” Taste? 49 References 50 8 The Explosion of Generational Conflict: Youth Culture 51 A New Kind of Youth: Cheongchun vx Cheongnyeon 51 The “Strong” Generation Becomes Middle-Aged 54 An Even "Stronger” Generation Comes of Age 57 Being a Student: A New Youth Identity 59 Notes 60 References 61 9 Decadent Acoustic Guitars and “Backwards” Ppongjjak Collide 62 1971: A Pivotal Moment for Folk 62 “Wearing a Flower Ring” Corrupts Young Girls? 63 Unfounded Fears about Folk 66 “Backwards” Ppongjjak: Why Pponjjak Was Considered “Backwards” 67 Hnti-Folk՜ The Fear of Corrupting Students 71 Notes 73 References 75 10 Cho Yong-pil Brings Generations Together 76 A Fusion о/Trot and Rock? 76 Cho Yong-pil, a Superstar for All Ages 77 The Fusion of New Rock and Good Old Standard Pop 79 Raise That Familiar Melody an Octave and Shout It! 80 Notes 82 Reference 85 11 The Seoul Olympics, Globalization, and “Underground” Music Would “Morning Dew” Have Been as Popular in 1981? 86 “Underground” and Minjung Songs Go into Hiding 87 Korean Popular Music Catches Up to Sophisticated Western Pop 89 86
viii Contents Skilled Artistry and a Sense of Stability 91 Notes 92 Reference 95 12 The 1990s: The Era of Seo Taiji and Generational Conflict 96 Everyone ’s Talking About “the Generation” Again 96 The “Apgujeong Orange Youth” Emerges as the New Generation 97 What on Earth Is a Rock Café? 98 Hard to Dance Hip-Hop if You’re Over Thirty 101 Notes 103 References 104 13 Reversal, Resistance, and .? 105 History Doesn’t Always Repeat Itself Exactly 105 Satanism in a Seo Taiji Song? 106 The Youth Refuse to Conform 108 The New Generation: Resistance and Subversion 110 Still, History Continues . 113 Notes 113 References 114 14 Epilogue: When Will an Age of Conflict Come Again? 116 The Importance of Knowing History 116 Toward Generational Harmony Again 116 When Will the Time of Generational Conflict Return? 118 Notes 119 Index 121 |
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publisher | Routledge |
record_format | marc |
spelling | I, Yeong mi 1961- Verfasser (DE-588)1274106680 aut You call that music?! Korean popular music through the generations Young-mee Lee ; translated by Young-mee Yu Cho, Brandon J. Park and Jean Yoon London ; New York Routledge [2022] ©2022 xvii, 124 Seiten txt rdacontent n rdamedia nc rdacarrier You Call That Music?!: Korean Popular Music Through the Generations provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. First published in Korean in 2017 by one of the best-known critics, Lee Young-Mee, this book is a timely and much-needed source of information on Korean popular music of the past hundred years. Through this English translation, readers are able to make meaningful connections between specific forms of Korean popular music of various periods and the contemporaneous Korean social and political circumstances. Structured around the central theme of generational conflict, the book provides readers with an accessible way to engage with Korea’s social history and a greater understanding of how specific musical works, genres and styles fit into that history. Its strong narrative force helps illuminate the connections between modern Korean social history and the particular trends of musical production and their reception through the decades.You Call That Music?! is an invaluable resource for those researching and studying Korean popular music specifically as well as Korea’s cultural and social history Geschichte 1920- gnd rswk-swf Generationskonflikt (DE-588)4071703-3 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Korea (DE-588)4032466-7 gnd rswk-swf Korea (DE-588)4032466-7 g Popmusik (DE-588)4046781-8 s Generationskonflikt (DE-588)4071703-3 s Sozialer Wandel (DE-588)4077587-2 s Geschichte 1920- z DE-604 Cho, Young-Mee Yu 1956- (DE-588)1127614606 trl Park, Brandon J. (DE-588)1274106044 trl Yoon, Jean 1962- (DE-588)140793283 trl Äquivalent Druck-Ausgabe, Paperback 978-1-032-14902-8 Erscheint auch als Online-Ausgabe 978-1-003-24165-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033752756&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | I, Yeong mi 1961- You call that music?! Korean popular music through the generations Generationskonflikt (DE-588)4071703-3 gnd Sozialer Wandel (DE-588)4077587-2 gnd Popmusik (DE-588)4046781-8 gnd |
subject_GND | (DE-588)4071703-3 (DE-588)4077587-2 (DE-588)4046781-8 (DE-588)4032466-7 |
title | You call that music?! Korean popular music through the generations |
title_auth | You call that music?! Korean popular music through the generations |
title_exact_search | You call that music?! Korean popular music through the generations |
title_exact_search_txtP | You call that music?! Korean popular music through the generations |
title_full | You call that music?! Korean popular music through the generations Young-mee Lee ; translated by Young-mee Yu Cho, Brandon J. Park and Jean Yoon |
title_fullStr | You call that music?! Korean popular music through the generations Young-mee Lee ; translated by Young-mee Yu Cho, Brandon J. Park and Jean Yoon |
title_full_unstemmed | You call that music?! Korean popular music through the generations Young-mee Lee ; translated by Young-mee Yu Cho, Brandon J. Park and Jean Yoon |
title_short | You call that music?! |
title_sort | you call that music korean popular music through the generations |
title_sub | Korean popular music through the generations |
topic | Generationskonflikt (DE-588)4071703-3 gnd Sozialer Wandel (DE-588)4077587-2 gnd Popmusik (DE-588)4046781-8 gnd |
topic_facet | Generationskonflikt Sozialer Wandel Popmusik Korea |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033752756&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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