Shot on location : postwar American cinema and the exploration of real place / von Palmer, R. Barton, 1946-

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Deadline - U.S.A. (1952) a Fox Film of fact von Palmer, R. Barton 1946-

Allegory and the poetic self first-person narration in late Medieval literature von Palmer, R. Barton 1946-

Inhaltsverzeichnis

Jerry Schatzberg's downfall portraits his cinema of loneliness von Palmer, R. Barton 1946-

From the eternal sea he rises, creating armies on either shore the antichristology of the omen franchise von Palmer, R. Barton 1946-

The many cinemas of Michael Curtiz Introduction von Palmer, R. Barton 1946-, Pomerance, Murray 1946-

Michael Curtiz's political cinema of sorts von Palmer, R. Barton 1946-

Screening Death of a Salesman Arthur Miller's cinema and its discontents von Palmer, R. Barton 1946-

Homeric laughter in The Treasure of the Sierra Madre von Palmer, R. Barton 1946-

Some thoughts on New Hollywood multiplicity Sofia Coppola's young girls trilogy von Palmer, R. Barton 1946-

Andre de Toth von Palmer, R. Barton 1946-

Henry Hathaway von Palmer, R. Barton 1946-

Why don't you pass the time by playing a Little Solitaire ? Introduction von Palmer, R. Barton 1946-, Pomerance, Murray 1946-

The Fixer a Jew who could be any Man, any time, anywhere von Palmer, R. Barton 1946-

In the wings von Palmer, R. Barton 1946-

Harper Lee's To kill a mockingbird the relationship between text and film von Palmer, R. Barton 1946-

Dragnet, film noir, and postwar realism von Palmer, R. Barton 1946-

Thinking beyond the failed community Blood Simple and The Man who wasn't there von Palmer, R. Barton 1946-

The British new wave a modernist cinema von Palmer, R. Barton 1946-

Introduction von Palmer, R. Barton 1946-, Pettey, Homer B. 1954-