The polyphonic performer: a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | Norwegian |
| Veröffentlicht: |
Oslo
Norwegian Acad. of Music
2014
|
| Schriftenreihe: | NMH-publikasjoner
2014,4 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 377 S. Ill., Notenbeisp. DVD (12 cm) |
| ISBN: | 9788278530917 |
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Datensatz im Suchindex
| _version_ | 1804152719281225728 |
|---|---|
| adam_text | Contents
Abstract
і
Acknowledgements
¡и
ι
Introduction
ι
li
The polyphonic performer
з
1.2
Research questions and aims
4
1.3
Selected works
6
7.3.7
Projection I
(1950)
and Intersection IV
(1953) 7
7.3.2 Pression (1969) 8
7.3.3
Opus breve
(1987) 9
7.3.4
Studies for String instrument
#7-3
(2007,
2009
and 2011)
10
1.4
Departure from the Romantic performance ideal
11
1.4.1
The cello
12
1.4.2
Cellistic performance practice
13
1.4.3
Twentieth century
15
1.4.4
What is new in New Music?
18
1.5
Performance practice
25
1.5.1
Four major themes
26
1.5.2
Notation
27
1.5.3 Werktreue 32
1.5.4
Idiomaticism
33
1.5.5
Body
38
TANJA
ÖKNING:
THE POLYPHONIC PERFORMER
1.6
Theoretical and methodological perspectives
44
1.6.1
Researching practice
44
1.6.2
Research on my own practice
45
1.6.3
Artistic research
46
1.6.4
Action research
49
1.6.5
Reflection-in-action and reflection-on-action
49
1.6.6
Tacit knowledge
51
1.6.7
Wittgenstein s language-game
53
1.6.8
Music as research and performance as text
55
1.7
Previous research in the field
55
1.8
Outline of the dissertation
60
1.9
Performance activity during the project
64
2
Project/on I and Intersection
í
V—performance practice
in Morton Feldman s early graphic score music
65
2.1
Introduction
65
2.2
New York and Morton Feldman
1950 68
2.3
Project/on
ƒ
and intersection IV: a brief introduction
69
2.3-1
Graphic notation
71
2.3.2
Interpretative challenges
74
2.4
Authorial intention in literature and music
76
2.4.1
Authorial intention in contemporary music:
the composer as oracle?
76
2.4.2
Authorial intention in literary criticism: the death of the author?
78
2.4.3
How can these theories be relevant for music?
80
2.5
Two performance approaches:
Texttreue
and
Werktreue 88
2.5.7
Projection I:
Texttreue
interpretation
90
2.5-2
Projection I:
Werktreue
interpretation
91
2.53
Analysis?
95
2.5.4
Between painting and music
99
2.5.5
A nonfigurative
sound—music without instruments?
4 01
2.5.6
Performative implications of the acoustic reality in8
2.5.7
Intersection IV:
Texttreue
interpretation
11°
2.5.8
Intersection IV:
Werktreue
interpretation
112
2.6
Performance practice 116
2.6.1
Notation as emancipation? 116
2.6.2
Introverted virtuosity and virtuoso listening 121
2.7
Conclusion 124
VI
CONTENTS
3
Pression
131
зл
Pression—a Performance
Study 131
3-1-1
Introduction
131
3.1-2
Pression
132
3.1.3
Helmut
Lachenmann
and musique concrète instrumentale
133
31-4
Work and performance
within the performative turn
137
ЗЛ-5
Werktreue 140
3.1.6
Performing
Pression 143
3.1.7
Coda
157
3.2 Pression
revised: Anatomy of sound, notated energy
and performance practice
158
3-2.1
Introduction
158
3.2.2
Notated energy
159
32.3
Looking at the revised score of
Pression 161
3.2.4
Looking in more detail
164
3.2.5
Towards a more normative notation
169
3.2.6
Performance practice and freedom
171
32.7
Persona! reflections
172
4
Radically idiomatic
instrumentalism
in Opus breve
by Klaus K.
Hübler 175
4.1
Introduction
175
4.2
Klaus
Karl Hübler 178
4.3
Opus breve
180
43.1
Notation
180
4.3.2
Approaching the score
183
4.3.3
Practicing Opus breve
191
4.3.4
Transcribing Opus breve
201
4.3-5
Music on the margins
203
43.6 Augenmusik 205
44
Radically idiomatic
instrumentalism 206
44.1
Radical idiomaticism in composed and improvised music
210
4.4.2
Improvising Opus breve
212
45
Modernist Music Performance practice and
Werktreue 213
4.5.1
The struggle idiom
219
452
A battle between performance ethics and the work s aesthetic
222
453
Virtuosity versus resistance
224
46
Toward a new performance practice
225
4.6.1
A new emphasis of the role of the body
226
VII
TANJA ORNING:
THE POLYPHONIC PERFORMER
4.6.2
From
Werktreue
to ambiguity in radical idiomatic
instrumentalism
229
4.6.3
The critical and self-reflective performer
231
4.7
Conclusion
233 ;
4.7.1
The spirit of the instrument
234
5
The hyper-idiomatic cello—a kinetic game of
action and sounds
237
5-і
Introduction
237
5.2
Simon Steen-Andersen and the three Studies for String
Instrument
240
5-3
Study for String instrument
#1:
Movement of the Sound or Sound of the Movement?
241
5.3.1
Performing Study
#1 245
5.4
Study for String Instrument
#2;
A duo making a solo or a failed attempt
250
5.4.1
Performing Study
#2 254
5-5
Study for String Instrument
#3 - Doppelgänger 256
5-5-1
Projected images in musical works
260
5-5.2
Performing Study
#3 262
5-6
Performance practice
262
5-6.1
Two main challenges
263
5-6.2
Interpretation?
265
5.7
The hyper-idiomatic composition
266
5.7.1
Concrete instrumental practice
272
5.7.2
Positive complexity
275
5.8
Conclusion
276
6
The polyphonic performer
279
279
280
280
283
290
293
296
298
6.1
Introduction
6.1.1
Selection
6.2
Notation
6.2.1
Prescriptive notation and action notation
6.3
Werktreue
6.3.1
The Death of the Author
6.4
Body
6.4-1
Focal and subsidiary awareness
VIII
CONTENTS
6.5 Idiomaticism
302
6.5-1
New music
—
new cello
—
new cellist?
304
6.6
The polyphonic performer
307
6.6.1
Practicing
309
6.6.2
Specialization and de-specialization
310
6.6.3
Performance practice in a state of becoming
311
6.6.4
Musician as artist or artisan?
313
6.7
Conclusion
314
6.7.1
The birth of the performer
315
6.7-2
Knowledge and knowing
316
6-7-3
Future research
319
Bibliography
323
Scores
341
Appendix I
343
Appendix II
373
Appendix III
377
IX
|
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| spelling | Orning, Tanja 1969- Verfasser (DE-588)1036723097 aut The polyphonic performer a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen Tanja Orning Oslo Norwegian Acad. of Music 2014 X, 377 S. Ill., Notenbeisp. DVD (12 cm) txt rdacontent n rdamedia nc rdacarrier NMH-publikasjoner 2014,4 Zugl.: Oslo, Norwegian Academy of Music, Diss., 2014 Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Violoncellomusik (DE-588)4121875-9 gnd rswk-swf Neue Musik (DE-588)4428235-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Neue Musik (DE-588)4428235-7 s Violoncellomusik (DE-588)4121875-9 s Musikalische Aufführungspraxis (DE-588)4170800-3 s DE-604 NMH-publikasjoner 2014,4 (DE-604)BV000010710 2014,4 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027640710&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Orning, Tanja 1969- The polyphonic performer a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen NMH-publikasjoner Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Violoncellomusik (DE-588)4121875-9 gnd Neue Musik (DE-588)4428235-7 gnd |
| subject_GND | (DE-588)4170800-3 (DE-588)4121875-9 (DE-588)4428235-7 (DE-588)4113937-9 |
| title | The polyphonic performer a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen |
| title_auth | The polyphonic performer a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen |
| title_exact_search | The polyphonic performer a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen |
| title_full | The polyphonic performer a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen Tanja Orning |
| title_fullStr | The polyphonic performer a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen Tanja Orning |
| title_full_unstemmed | The polyphonic performer a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen Tanja Orning |
| title_short | The polyphonic performer |
| title_sort | the polyphonic performer a study of performance practice in music for solo cello by morton feldman helmut lachenmann klaus k hubler and simon steen andersen |
| title_sub | a study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen |
| topic | Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Violoncellomusik (DE-588)4121875-9 gnd Neue Musik (DE-588)4428235-7 gnd |
| topic_facet | Musikalische Aufführungspraxis Violoncellomusik Neue Musik Hochschulschrift |
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