The Lenaia vases revisited: image, ritual and Dionysian women
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
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Göteborg
Göteborg Univ., Dep. of Archaeology and Ancient History
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Göteborg, Univ., Diss., 2006 |
| Beschreibung: | 252, 49 S. zahlr. Ill. |
Internformat
MARC
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| 245 | 1 | 0 | |a The Lenaia vases revisited |b image, ritual and Dionysian women |c by Viveca Olsson |
| 264 | 1 | |a Göteborg |b Göteborg Univ., Dep. of Archaeology and Ancient History |c 2006 | |
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| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Kunst | |
| 650 | 4 | |a Dionysus (Greek deity) |v Art | |
| 650 | 4 | |a Rites and ceremonies in art | |
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| 650 | 4 | |a Vase-painting, Greek |z Greece |z Athens | |
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Datensatz im Suchindex
| _version_ | 1804135657218506752 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
ACKNOWLEDGMENTS
PARTI
INTRODUCTORY
NOTES
AND
METHODOLOGICAL CONSIDERATIONS
CHAPTER
1
INTRODUCTION
8
1.1
SCIENTIFIC OBJECTIVES
9
1.2
DEFINITIONS AND TERMINOLOGY
-
DIONYSIAN WOMEN
-
MAENADS, NYMPHS, BACCHANTES, REAL WOMEN OR ALL IN ONE?
10
1.2.1
Various modern denominations of Dionysian women
11
1.2.2
Definitions and denominations of Dionysian women used in this study
12
1.3
CONCLUDING REMARKS
13
CHAPTER
2
THE MATERIAL
14
2.1
PRESENTING THE LENAIA VASES
14
2.2
THE IMAGES
15
2.2.1
The selection of the images
- 16
2.2.2
The
А
-side
and the B-side
16
2.2.3
Descriptions of the ritual categorizations of the images
16
Preparation
17
Greeting/Procession
17
Libation
17
Symposium
18
Komos
18
Table
1.
The Lenaia vases
19
2.3
THE BLACK-FIGURE VASES
22
2.3.1
Shapes and number of vases
22
2.3.2
The function of the lekythos
22
2.3.3
The Haimon workshop
23
2.4
THE RED-FIGURE VASES
23
2.4.1
Shapes and numbers of the red-figure vases
23
2.4.2
Made in Greece
-
found in
Etruria
23
2.4.3
Cultural influences
-
production and perception
24
2.4.4
Preservative conditions and missing provenances
25
2.4.5
The function of the vases in
Etruria
26
2.4.6
Images of worship
-
transmission and reception
. 26
2.4.7
The stamnos
-
a ritual vase shape?
27
2.4.8
Other motifs suggesting ritual usage
29
2.4.9
Dionysian and Eleusian motifs
-
an echo of Greek afterlife and cultic life
30
2.5
PREVIOUS RESEARCH ON THE LENAIA VASES
31
2.5.1
A religious festival?
31
2.5.2
Lenaia or Anthesteria?
32
2.5.3
Images of the god as a mask
33
2.5.4
Myth or ritual, fantasy or reality?
34
2.6
CONCLUDING REMARKS
35
CHAPTERS
METHODS
37
3.1
ICONOLOGICAL APPROACH
37
3.1.1
Hofñnann
and the Paris school
37
3.1.2
Vases for the symposium or for the grave?
3 8
3.1.3
The Greek vases: simultaneously wine vessels, grave gifts and ritual
instruments?
39
3.2
SEMIOTIC
PREMISES
39
3.2.1
Interpreting ancient iconography
40
3.2.2
The image as a sign
42
3.2.3
The elements and their referents
„ 42
3.2.4
A theme
-
a unified meaning of images
43
3.2.5
The sender, the medium and the receiver
43
3.2.6
The contexts of the image
43
3.2.7
The
icono
graphical analysis and the
iconologica!
interpretation
44
3.3
RITUAL AND ICONOGRAPHY
45
3.3.1
The ritual elements
■ 46
Table
2.
Renfrew s list of ritual indicators
47
Table
3.
Results of the correspondences between Renfrew s ritual indicators
and the Lenaia vases
50
Table
4.
The correspondences between Renfrew s ritual indicators and the
Lenaia vases in detail
51
3.3.2.
Ritual time and space
55
Time representation in Greek iconography
55
Table
5.
Representations of time according to Stansbury-O Donnel
56
Monoscenic
56
Synoptic
56
Unified/Panoramic
57
Serial
57
Progressive
57
Cyclic
57
Continuous
57
Other types of narration
5 8
Time and space in ritual iconography
59
The language of the ritual
59
The narration and the ritual focal points
59
The sequence of animal sacrifice
60
The ritual phases and their thematic associations
60
Time-representation and the moment of climax
61
A general idea of a specific ritual?
61
3.3.3
The structure of a ritual
62
Rites of passage
63
The liminality and the tripartite structure of rituals
64
Calendrical rituals and life-crisis rituals
64
Revealing the ritual structure and the type of ritual
65
3.4
CONCLUDING REMARKS
66
PARTII
ICONOGRAPHIC ANALYSIS
CHAPTER
4
PRESENTATION OF THE INVESTIGATION
69
4.1
THE ICONOGRAPHICAL ANALYSIS
69
The paradigmatic analysis: the elements and the
concepts presented in the scenes
69
The syntagmatic analysis: the sequence of the elements and
the perception of time
70
4.2
THE ICONOLOGICAL INTERPRETATION: THE REFERENT OF THE IMAGES
71
CHAPTERS
THE CULT IMAGE
72
Invoking the presence of a god
72
Semi-anthropomorphic phenomena: the Lenaia-cult-image and the
herm
73
5.1
THE MASK
74
The Dionysian mask-an instrument for transformation
74
The perspective of the mask in the Lenaia scenes
75
Table
6.
The perspective of the mask
75
The mask and the black figure conventions
76
The mask and the red-figure conventions
76
5.1.1
The mask represented
ířontally
77
Masks and eyes in vase-iconography
77
Seeing the
god
-а
ritual utilization of vases?
78
Facing the mask on the Lenaia vases
79
5.1.2
The mask represented in profile
80
The meaning of the double mask
80
Watching worshippers facing the mask
81
5.2
THE CLOTH/VEIL
81
The clothing of Dionysus
81
The practical functions of the veil/cloth
82
The symbolical meaning of the veil/cloth
82
5.3
THE COLUMN/POLE
83
The
iconographie
meaning of the column
83
The environmental implications of the column and the pole
84
5.4
THE BRANCHES
85
The species of the branches
85
The function of the branches
86
Indicators of ritual practices and location
86
Vegetation symbolism and environmental aspects
87
5.5
BREAD
88
The type, quantity and placement of the bread
88
Table
7.
The type and quantity of the bread
88
The sacrificial function of the bread
89
5.6
CONCLUDING REMARKS
90
CHAPTER
6
THE PARTICIPANTS
92
The constellations and numbers of the participants
92
Table
8.
Represented figures in the Lenaia scenes.
Constellations, quantity and category
94
Women in a group
95
The performance
-
a practicable, visual and audible experience
95
6.1
THE RITUAL COSTUME: CLOTHING AND OTHER RITUAL GEAR
96
The components of the costume in the Lenaia scenes
96
Costume and attributes
97
Table
9.
The frequency of the components of the costume in the Lenaia scenes
98
Table
10.
The components of the costume in the respective Lenaia scenes
99
6.1.1
The nebris
100
6.1.2
The thyrsos
100
The introduction of the thyrsos-a sign of new ritual practices?
100
A connection to libation?
101
6.1.3
The torch
102
6.1.4
The headdress
-
the
mitra
and the
sakkos
103
6.1.5
The himation-veil
105
6.2
STATUS INDICATORS
108
Table
11.
The frequency of the status indicators in the Lenaia vases.
108
Table
12.
The status indicators in the respective Lenaia scenes.
109
6.2.1
Loose hair and bare feet
110
6.2.2
The parasol 111
6.2.3
Tiara and wreath
113
6.3
THE DANCE
113
The dance with wing-sleeves
114
The back-flung head
115
Ritualized collective trance?
115
A dance with foreign origin
116
The function of the dance in the Lenaia scenes
117
6.4
THE MUSIC
· 117
The effect of the aulos and the percussion instruments
118
6.5
GESTURES OF ADORATION
119
6.6
THE ATTITUDE
120
The serenity
121
The livelier scenes
121
6.7
CONCLUDING REMARKS
121
CHAPTER
7
ADDITIONAL FIGURES AND DIONYSIAN REFERENCES
124
Table
13.
The additional figures.
124
7.1
SATYRS
124
7.2
MEN
130
7.3
ANIMALS
131
7.4.1
Doe and Fawn
133
7.4.2
Goat
134
7.4.3
Donkey
136
7.5
CONCLUDING REMARKS
138
CHAPTER
8
THE ITEMS AND PROCEDURES REPRESENTED IN THE SCENES
140
Table
14.
The represented items indicating ritual activity
140
Table
15.
The ritual procedures indicated by the items represented in the scenes
143
8.1
THE INITIAL CARRYING OF BASKETS
144
8.1.1
The kanoun
144
8.1.2
The liknon
144
8.2
THE RITUAL BANQUET
147
8.2.1
The libation
148
8.2.2.
The banquet table and the chair
150
8.2.3.
The meat and the bloody sacrifice
152
8.2.4
The bread
154
8.2.5
The theoxenia
155
8.2.6
The wine consumption
156
Theskyphos
158
The
krater
159
8.2.7.
Consumption and offerings
162
8.3
THE SETTING
162
8.4
CONCLUDING REMARKS
164
CHAPTER
9
THE SEQUENCE OF THE ELEMENTS AND THE PHASES OF THE RITUAL
166
9.1
THE TRANSPORTATION AND CONSTRUCTION OF CULTIC
IMPLEMENTS
166
9.2
THE GREETING AND ANOINTMENT OF THE CULT IMAGE
168
9.3
THE LIBATION
169
9.4
THE SEQUENCE OF THE BLOODY SACRIFICE
170
9.5
THE WINE CONSUMPTION
172
9.6
THE DECONSTRUCTION OF THE CULT IMAGE
173
9.7
CONCLUDING REMARKS/THE RECONSTRUCTION
173
CHAPTER
10
THE MYTHICAL BACKGROUND
176
10.1
THE BIRTH OF DIONYSUS
176
10.2
THE DEATH OF PENTHEUS
179
10.3
THE RITUAL PERFORMANCE AND THE RISE AND FALL OF
DIONYSUS
181
10.5
CONCLUDING REMARKS
183
PARTIU
ICONOLOGICAL INTERPRETATION
-
ESTABLISHING THE TYPE OF
THE RITUAL
CHAPTER
11
THE DEMONSTATIVE FUNCTION OF THE VASES
-
A RITUAL MANUAL
? 186
CHAPTER
12
THE LIMINAL FEATURES
-
THE SACRIFICES AND THE DIONYSIAN WOMEN
188
12.1
THE DIONYSIAN WOMEN AND WINE
188
12.2.
THE DIONYSIAN WOMEN AND MEAT
192
12.3
THE DIONYSIAN WOMEN AND THE MADNESS
195
12.4
CONCLUDING REMARKS
199
CHAPTER
13
THE CEREMONIAL CIRCUMSTANCES AND SURROUNDINGS
201
13.1
A LIFE CRISIS OR CALENDRICAL RITUAL?
201
Table
16.
Life-crisis rituals and calendarical rituals
202
13.2
CALENDRICAL RITUALS DURING THE CLASSICAL PERIOD FOR WOMEN
ONLY
204
13.3
A CULTIC FEMALE SOCIETY DURING THE CLASSICAL PERIOD?
205
13.4
THE THYIADES AND THE DIONYSIAN WOMEN
208
13.5
THE TRANSMISSION AND THE INSTALMENT OF THE DIONYSIAN
CULT IMAGE
211
CHAPTER
14
GENERAL CONCLUSION
215
REFERENCES
219
LIST OF ILLUSTRATIONS
247
ILLUSTRATIONS
253
|
| adam_txt |
TABLE
OF
CONTENTS
ACKNOWLEDGMENTS
PARTI
INTRODUCTORY
NOTES
AND
METHODOLOGICAL CONSIDERATIONS
CHAPTER
1
INTRODUCTION
8
1.1
SCIENTIFIC OBJECTIVES
9
1.2
DEFINITIONS AND TERMINOLOGY
-
DIONYSIAN WOMEN
-
MAENADS, NYMPHS, BACCHANTES, REAL WOMEN OR ALL IN ONE?
10
1.2.1
Various modern denominations of Dionysian women
11
1.2.2
Definitions and denominations of Dionysian women used in this study
12
1.3
CONCLUDING REMARKS
13
CHAPTER
2
THE MATERIAL
14
2.1
PRESENTING THE LENAIA VASES
14
2.2
THE IMAGES
15
2.2.1
The selection of the images
- 16
2.2.2
The
А
-side
and the B-side
16
2.2.3
Descriptions of the ritual categorizations of the images
16
Preparation
17
Greeting/Procession
17
Libation
17
Symposium
18
Komos
18
Table
1.
The Lenaia vases
19
2.3
THE BLACK-FIGURE VASES
22
2.3.1
Shapes and number of vases
22
2.3.2
The function of the lekythos
22
2.3.3
The Haimon workshop
23
2.4
THE RED-FIGURE VASES
23
2.4.1
Shapes and numbers of the red-figure vases
23
2.4.2
Made in Greece
-
found in
Etruria
23
2.4.3
Cultural influences
-
production and perception
24
2.4.4
Preservative conditions and missing provenances
25
2.4.5
The function of the vases in
Etruria
26
2.4.6
Images of worship
-
transmission and reception
. 26
2.4.7
The stamnos
-
a ritual vase shape?
27
2.4.8
Other motifs suggesting ritual usage
29
2.4.9
Dionysian and Eleusian motifs
-
an echo of Greek afterlife and cultic life
30
2.5
PREVIOUS RESEARCH ON THE LENAIA VASES
31
2.5.1
A religious festival?
31
2.5.2
Lenaia or Anthesteria?
32
2.5.3
Images of the god as a mask
33
2.5.4
Myth or ritual, fantasy or reality?
34
2.6
CONCLUDING REMARKS
35
CHAPTERS
METHODS
37
3.1
ICONOLOGICAL APPROACH
37
3.1.1
Hofñnann
and the "Paris school"
37
3.1.2
Vases for the symposium or for the grave?
3 8
3.1.3
The Greek vases: simultaneously wine vessels, grave gifts and ritual
instruments?
39
3.2
SEMIOTIC
PREMISES
39
3.2.1
Interpreting ancient iconography
40
3.2.2
The image as a sign
42
3.2.3
The elements and their referents
„ 42
3.2.4
A theme
-
a unified meaning of images
43
3.2.5
The sender, the medium and the receiver
43
3.2.6
The contexts of the image
43
3.2.7
The
icono
graphical analysis and the
iconologica!
interpretation
44
3.3
RITUAL AND ICONOGRAPHY
45
3.3.1
The ritual elements
■ 46
Table
2.
Renfrew's list of ritual indicators
47
Table
3.
Results of the correspondences between Renfrew's ritual indicators
and the Lenaia vases
50
Table
4.
The correspondences between Renfrew's ritual indicators and the
Lenaia vases in detail
51
3.3.2.
Ritual time and space
55
Time representation in Greek iconography
55
Table
5.
Representations of time according to Stansbury-O'Donnel
56
Monoscenic
56
Synoptic
56
Unified/Panoramic
57
Serial
57
Progressive
57
Cyclic
57
Continuous
57
Other types of narration
5 8
Time and space in ritual iconography
59
The language of the ritual
59
The narration and the ritual focal points
59
The sequence of animal sacrifice
60
The ritual phases and their thematic associations
60
Time-representation and the moment of climax
61
A general idea of a specific ritual?
61
3.3.3
The structure of a ritual
62
Rites of passage
63
The liminality and the tripartite structure of rituals
64
Calendrical rituals and life-crisis rituals
64
Revealing the ritual structure and the type of ritual
65
3.4
CONCLUDING REMARKS
66
PARTII
ICONOGRAPHIC ANALYSIS
CHAPTER
4
PRESENTATION OF THE INVESTIGATION
69
4.1
THE ICONOGRAPHICAL ANALYSIS
69
The paradigmatic analysis: the elements and the
concepts presented in the scenes
69
The syntagmatic analysis: the sequence of the elements and
the perception of time
70
4.2
THE ICONOLOGICAL INTERPRETATION: THE REFERENT OF THE IMAGES
71
CHAPTERS
THE CULT IMAGE
72
Invoking the presence of a god
72
Semi-anthropomorphic phenomena: the "Lenaia-cult-image" and the
herm
73
5.1
THE MASK
74
The Dionysian mask-an instrument for transformation
74
The perspective of the mask in the Lenaia scenes
75
Table
6.
The perspective of the mask
75
The mask and the black figure conventions
76
The mask and the red-figure conventions
76
5.1.1
The mask represented
ířontally
77
Masks and eyes in vase-iconography
77
Seeing the
god
-а
ritual utilization of vases?
78
Facing the mask on the Lenaia vases
79
5.1.2
The mask represented in profile
80
The meaning of the double mask
80
Watching worshippers facing the mask
81
5.2
THE CLOTH/VEIL
81
The clothing of Dionysus
81
The practical functions of the veil/cloth
82
The symbolical meaning of the veil/cloth
82
5.3
THE COLUMN/POLE
83
The
iconographie
meaning of the column
83
The environmental implications of the column and the pole
84
5.4
THE BRANCHES
85
The species of the branches
85
The function of the branches
86
Indicators of ritual practices and location
86
Vegetation symbolism and environmental aspects
87
5.5
BREAD
88
The type, quantity and placement of the bread
88
Table
7.
The type and quantity of the bread
88
The sacrificial function of the bread
89
5.6
CONCLUDING REMARKS
90
CHAPTER
6
THE PARTICIPANTS
92
The constellations and numbers of the participants
92
Table
8.
Represented figures in the Lenaia scenes.
Constellations, quantity and category
94
Women in a group
95
The performance
-
a practicable, visual and audible experience
95
6.1
THE RITUAL COSTUME: CLOTHING AND OTHER RITUAL GEAR
96
The components of the costume in the Lenaia scenes
96
Costume and attributes
97
Table
9.
The frequency of the components of the costume in the Lenaia scenes
98
Table
10.
The components of the costume in the respective Lenaia scenes
99
6.1.1
The nebris
100
6.1.2
The thyrsos
100
The introduction of the thyrsos-a sign of new ritual practices?
100
A connection to libation?
101
6.1.3
The torch
102
6.1.4
The headdress
-
the
mitra
and the
sakkos
103
6.1.5
The himation-veil
105
6.2
STATUS INDICATORS
108
Table
11.
The frequency of the status indicators in the Lenaia vases.
108
Table
12.
The status indicators in the respective Lenaia scenes.
109
6.2.1
Loose hair and bare feet
110
6.2.2
The parasol 111
6.2.3
Tiara and wreath
113
6.3
THE DANCE
113
The dance with wing-sleeves
114
The back-flung head
115
Ritualized collective trance?
115
A dance with foreign origin
116
The function of the dance in the Lenaia scenes
117
6.4
THE MUSIC
· 117
The effect of the aulos and the percussion instruments
118
6.5
GESTURES OF ADORATION
119
6.6
THE ATTITUDE
120
The serenity
121
The livelier scenes
121
6.7
CONCLUDING REMARKS
121
CHAPTER
7
ADDITIONAL FIGURES AND DIONYSIAN REFERENCES
124
Table
13.
The additional figures.
124
7.1
SATYRS
124
7.2
MEN
130
7.3
ANIMALS
131
7.4.1
Doe and Fawn
133
7.4.2
Goat
134
7.4.3
Donkey
136
7.5
CONCLUDING REMARKS
138
CHAPTER
8
THE ITEMS AND PROCEDURES REPRESENTED IN THE SCENES
140
Table
14.
The represented items indicating ritual activity
140
Table
15.
The ritual procedures indicated by the items represented in the scenes
143
8.1
THE INITIAL CARRYING OF BASKETS
144
8.1.1
The kanoun
144
8.1.2
The liknon
144
8.2
THE RITUAL BANQUET
147
8.2.1
The libation
148
8.2.2.
The banquet table and the chair
150
8.2.3.
The meat and the bloody sacrifice
152
8.2.4
The bread
154
8.2.5
The theoxenia
155
8.2.6
The wine consumption
156
Theskyphos
158
The
krater
159
8.2.7.
Consumption and offerings
162
8.3
THE SETTING
162
8.4
CONCLUDING REMARKS
164
CHAPTER
9
THE SEQUENCE OF THE ELEMENTS AND THE PHASES OF THE RITUAL
166
9.1
THE TRANSPORTATION AND CONSTRUCTION OF CULTIC
IMPLEMENTS
166
9.2
THE GREETING AND ANOINTMENT OF THE CULT IMAGE
168
9.3
THE LIBATION
169
9.4
THE SEQUENCE OF THE BLOODY SACRIFICE
170
9.5
THE WINE CONSUMPTION
172
9.6
THE DECONSTRUCTION OF THE CULT IMAGE
173
9.7
CONCLUDING REMARKS/THE RECONSTRUCTION
173
CHAPTER
10
THE MYTHICAL BACKGROUND
176
10.1
THE BIRTH OF DIONYSUS
176
10.2
THE DEATH OF PENTHEUS
179
10.3
THE RITUAL PERFORMANCE AND THE RISE AND FALL OF
DIONYSUS
181
10.5
CONCLUDING REMARKS
183
PARTIU
ICONOLOGICAL INTERPRETATION
-
ESTABLISHING THE TYPE OF
THE RITUAL
CHAPTER
11
THE DEMONSTATIVE FUNCTION OF THE VASES
-
A RITUAL MANUAL
? 186
CHAPTER
12
THE LIMINAL FEATURES
-
THE SACRIFICES AND THE DIONYSIAN WOMEN
188
12.1
THE DIONYSIAN WOMEN AND WINE
188
12.2.
THE DIONYSIAN WOMEN AND MEAT
192
12.3
THE DIONYSIAN WOMEN AND THE MADNESS
195
12.4
CONCLUDING REMARKS
199
CHAPTER
13
THE CEREMONIAL CIRCUMSTANCES AND SURROUNDINGS
201
13.1
A LIFE CRISIS OR CALENDRICAL RITUAL?
201
Table
16.
Life-crisis rituals and calendarical rituals
202
13.2
CALENDRICAL RITUALS DURING THE CLASSICAL PERIOD FOR WOMEN
ONLY
204
13.3
A CULTIC FEMALE SOCIETY DURING THE CLASSICAL PERIOD?
205
13.4
THE THYIADES AND THE DIONYSIAN WOMEN
208
13.5
THE TRANSMISSION AND THE INSTALMENT OF THE DIONYSIAN
CULT IMAGE
211
CHAPTER
14
GENERAL CONCLUSION
215
REFERENCES
219
LIST OF ILLUSTRATIONS
247
ILLUSTRATIONS
253 |
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| spelling | Olsson, Viveca Verfasser aut The Lenaia vases revisited image, ritual and Dionysian women by Viveca Olsson Göteborg Göteborg Univ., Dep. of Archaeology and Ancient History 2006 252, 49 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Zugl.: Göteborg, Univ., Diss., 2006 Geschichte 490 v. Chr.-420 v. Chr. gnd rswk-swf Geschichte Kunst Dionysus (Greek deity) Art Rites and ceremonies in art Rites and ceremonies Greece Athens History Vase-painting, Greek Greece Athens Women in art Mänade Motiv (DE-588)4506577-9 gnd rswk-swf Vasenmalerei (DE-588)4062377-4 gnd rswk-swf Griechenland Greece Religion Athen (DE-588)4003366-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Athen (DE-588)4003366-1 g Vasenmalerei (DE-588)4062377-4 s Mänade Motiv (DE-588)4506577-9 s Geschichte 490 v. Chr.-420 v. Chr. z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014995970&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Olsson, Viveca The Lenaia vases revisited image, ritual and Dionysian women Geschichte Kunst Dionysus (Greek deity) Art Rites and ceremonies in art Rites and ceremonies Greece Athens History Vase-painting, Greek Greece Athens Women in art Mänade Motiv (DE-588)4506577-9 gnd Vasenmalerei (DE-588)4062377-4 gnd |
| subject_GND | (DE-588)4506577-9 (DE-588)4062377-4 (DE-588)4003366-1 (DE-588)4113937-9 |
| title | The Lenaia vases revisited image, ritual and Dionysian women |
| title_auth | The Lenaia vases revisited image, ritual and Dionysian women |
| title_exact_search | The Lenaia vases revisited image, ritual and Dionysian women |
| title_exact_search_txtP | The Lenaia vases revisited image, ritual and Dionysian women |
| title_full | The Lenaia vases revisited image, ritual and Dionysian women by Viveca Olsson |
| title_fullStr | The Lenaia vases revisited image, ritual and Dionysian women by Viveca Olsson |
| title_full_unstemmed | The Lenaia vases revisited image, ritual and Dionysian women by Viveca Olsson |
| title_short | The Lenaia vases revisited |
| title_sort | the lenaia vases revisited image ritual and dionysian women |
| title_sub | image, ritual and Dionysian women |
| topic | Geschichte Kunst Dionysus (Greek deity) Art Rites and ceremonies in art Rites and ceremonies Greece Athens History Vase-painting, Greek Greece Athens Women in art Mänade Motiv (DE-588)4506577-9 gnd Vasenmalerei (DE-588)4062377-4 gnd |
| topic_facet | Geschichte Kunst Dionysus (Greek deity) Art Rites and ceremonies in art Rites and ceremonies Greece Athens History Vase-painting, Greek Greece Athens Women in art Mänade Motiv Vasenmalerei Griechenland Greece Religion Athen Hochschulschrift |
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