Commemorating the Athlete von Nicholson, Nigel James ca. 20./21. Jh

The rhetoric of medicine lessons on professionalism from ancient Greece von Nicholson, Nigel James ca. 20./21. Jh, Selden, Nathan R.

The poetics of victory in the Greek West Epinician, oral tradition, and the Deinomenid Empire von Nicholson, Nigel James ca. 20./21. Jh

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The poetics of victory in the Greek West epinician, oral tradition, and the Deinomenid empire von Nicholson, Nigel James ca. 20./21. Jh

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Cultural Studies, Oral Tradition, and the Promise of Intertextuality von Nicholson, Nigel James ca. 20./21. Jh

Doctors, Trainers and Athletes in Bacchylides Ode 1 von Nicholson, Nigel James ca. 20./21. Jh, Gutierrez, Arien

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Aristocratic Victory Memorials and the Absent Charioteer von Nicholson, Nigel James ca. 20./21. Jh

Polysemy and ideology in Pindar Pythian 4. 229 - 230 von Nicholson, Nigel James ca. 20./21. Jh

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[Rezension von: Charles Segal, Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna. Lanham: Rowman & Littlefield, 1997. Pp. xx, 352. ISBN 0-8476-8616-7] von Nicholson, Nigel James ca. 20./21. Jh

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Greek Hippic Contests von Nicholson, Nigel James ca. 20./21. Jh

When athletic victory and fatherhood did mix the commemoration of Diagoras of Rhodes von Nicholson, Nigel James ca. 20./21. Jh

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Four Reasons not to have an Epinician von Nicholson, Nigel James ca. 20./21. Jh

[Rezension von: Pindar's Verbal Art. An Ethnographical Study of Epinician Style / James Bradley Wells. - Cambridge MA; London: Harvard UP, 2009] von Nicholson, Nigel James ca. 20./21. Jh

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Pindar 's Olympian 4: Psaumis and Camarina after the Deinomenids von Nicholson, Nigel James ca. 20./21. Jh

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Aging, Athletics and Epinician von Nicholson, Nigel James ca. 20./21. Jh, Heintges, Elizabeth

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Pindar Nemean 4. 57 - 58 and the Arts of Poets, Trainers, and Wrestlers von Nicholson, Nigel James ca. 20./21. Jh

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Bodies Without Names, Names Without Bodies: Propertius 1.21-22 von Nicholson, Nigel James ca. 20./21. Jh

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Pederastic poets and adult patrons in late archaic lyric von Nicholson, Nigel James ca. 20./21. Jh

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