Subtitling Jia Zhangke's films: intermediality, digital technology, and the varieties of foreignness in global cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2011
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| Beschreibung: | Part III. Digital mediations in the global era |
| ISBN: | 978-0-415-87790-9 |
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| spelling | Moura, Hudson aut Subtitling Jia Zhangke's films intermediality, digital technology, and the varieties of foreignness in global cinema Hudson Moura 2011 txt rdacontent n rdamedia nc rdacarrier Part III. Digital mediations in the global era pages:188-202 Global media, culture, and identity / ed. by Rohit Chopra and Radhika Gajjala 1. publ. New York [u.a.], 2011 Seiten 188-202 (DE-604)BV036679562 978-0-415-87790-9 |
| spellingShingle | Moura, Hudson Subtitling Jia Zhangke's films intermediality, digital technology, and the varieties of foreignness in global cinema |
| title | Subtitling Jia Zhangke's films intermediality, digital technology, and the varieties of foreignness in global cinema |
| title_auth | Subtitling Jia Zhangke's films intermediality, digital technology, and the varieties of foreignness in global cinema |
| title_exact_search | Subtitling Jia Zhangke's films intermediality, digital technology, and the varieties of foreignness in global cinema |
| title_exact_search_txtP | Subtitling Jia Zhangke's films intermediality, digital technology, and the varieties of foreignness in global cinema |
| title_full | Subtitling Jia Zhangke's films intermediality, digital technology, and the varieties of foreignness in global cinema Hudson Moura |
| title_fullStr | Subtitling Jia Zhangke's films intermediality, digital technology, and the varieties of foreignness in global cinema Hudson Moura |
| title_full_unstemmed | Subtitling Jia Zhangke's films intermediality, digital technology, and the varieties of foreignness in global cinema Hudson Moura |
| title_short | Subtitling Jia Zhangke's films |
| title_sort | subtitling jia zhangke s films intermediality digital technology and the varieties of foreignness in global cinema |
| title_sub | intermediality, digital technology, and the varieties of foreignness in global cinema |
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