That place where you opened your hands /:
"Celebrating the tension between what we imagine and what we know the world to be, Susan Leslie Moore's debut collection moves between certainty and doubt, dead seriousness and determined playfulness. Exploring identity and the exterior and interior selves we create through the natural wor...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amherst :
University of Massachusetts Press,
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Celebrating the tension between what we imagine and what we know the world to be, Susan Leslie Moore's debut collection moves between certainty and doubt, dead seriousness and determined playfulness. Exploring identity and the exterior and interior selves we create through the natural world, language, and relationships, the poems of That Place Where You Opened Your Hands bring the ordinary rhythms of life and motherhood into coexistence with wilder truths. As Moore writes, "If I can't be singular / in purpose, let me be quietly adrift," but these are not quiet poems"-- |
| Beschreibung: | 1 online resource |
| Auszeichnungen: | Juniper Prize in Poetry, 2019. |
| ISBN: | 9781613767580 1613767587 |
Internformat
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| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro -- Title Page -- Copyright -- Dedication -- Contents -- Part I -- Beginning -- Inside Our House is Another House -- I Wanted to Lie Down with you where the Rooftops -- No One Knows Her -- Suburb -- To Take -- She Preferred to Read the Knives -- From the Start -- I Say to the Stars Get Inside Me -- I Have Tried Hard to Have Appropriate Feelings -- Part II -- Diary from the Red House -- Why is Poetry Written in Lines -- From the Naturalist's Notebook: Division -- Bats -- Self-Portrait as Math -- Part III -- Her Unpublished Notebooks -- From the Naturalist's Notebook: Propagation | |
| 505 | 8 | |a Every Day is a New Day -- The Fuchsia, the Orange, and the Dahlias -- Maria -- Hedges -- Prayer -- I Dreamt I was Your Cat and then the Night -- Eat or Be Eaten -- Horizon Means a Line Where the Body -- To Define: Fetch -- It's Me -- For the Newly Cinematic -- Cleaning House While Listening to a Tape of Anne Sexton -- Down at the Heels in the Ditch -- I am Climbing Into Bed with a Stiff Drink -- Part IV -- [O My Mechanical Heart] -- [My Mouth is the Freshest Vegetable] -- [Which Crow Would you Give up] -- [To Say the Sky was Mine] -- [If the Dirt didn't Love the Trees] -- Eve -- Prayer | |
| 505 | 8 | |a Owl Among the Ruins -- Sonnet -- Landscape without Figures -- Sight Comes to Owls Slowly -- Still Life, with Brick -- Once -- Change the House I used to Live in, its Doors and Windows -- Telescope Versus Microscope -- (Surrender) -- Notes -- Acknowledgments -- Back Cover | |
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| adam_text | |
| any_adam_object | |
| author | Moore, Susan Leslie |
| author_facet | Moore, Susan Leslie |
| author_role | aut |
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| bvnumber | localFWS |
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| contents | Intro -- Title Page -- Copyright -- Dedication -- Contents -- Part I -- Beginning -- Inside Our House is Another House -- I Wanted to Lie Down with you where the Rooftops -- No One Knows Her -- Suburb -- To Take -- She Preferred to Read the Knives -- From the Start -- I Say to the Stars Get Inside Me -- I Have Tried Hard to Have Appropriate Feelings -- Part II -- Diary from the Red House -- Why is Poetry Written in Lines -- From the Naturalist's Notebook: Division -- Bats -- Self-Portrait as Math -- Part III -- Her Unpublished Notebooks -- From the Naturalist's Notebook: Propagation Every Day is a New Day -- The Fuchsia, the Orange, and the Dahlias -- Maria -- Hedges -- Prayer -- I Dreamt I was Your Cat and then the Night -- Eat or Be Eaten -- Horizon Means a Line Where the Body -- To Define: Fetch -- It's Me -- For the Newly Cinematic -- Cleaning House While Listening to a Tape of Anne Sexton -- Down at the Heels in the Ditch -- I am Climbing Into Bed with a Stiff Drink -- Part IV -- [O My Mechanical Heart] -- [My Mouth is the Freshest Vegetable] -- [Which Crow Would you Give up] -- [To Say the Sky was Mine] -- [If the Dirt didn't Love the Trees] -- Eve -- Prayer Owl Among the Ruins -- Sonnet -- Landscape without Figures -- Sight Comes to Owls Slowly -- Still Life, with Brick -- Once -- Change the House I used to Live in, its Doors and Windows -- Telescope Versus Microscope -- (Surrender) -- Notes -- Acknowledgments -- Back Cover |
| ctrlnum | (OCoLC)1142098890 |
| dewey-full | 811/.6 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811/.6 |
| dewey-search | 811/.6 |
| dewey-sort | 3811 16 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | 2000-2099 fast |
| era_facet | 2000-2099 |
| format | Electronic eBook |
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| genre_facet | Poetry poetry. Poetry. Poésie. |
| id | ZDB-4-EBA-on1142098890 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-25T15:50:34Z |
| institution | BVB |
| isbn | 9781613767580 1613767587 |
| language | English |
| oclc_num | 1142098890 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Massachusetts Press, |
| record_format | marc |
| spelling | Moore, Susan Leslie, author. That place where you opened your hands / Susan Leslie Moore. Amherst : University of Massachusetts Press, [2020] ©2020 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Juniper Prize in Poetry, 2019. "Celebrating the tension between what we imagine and what we know the world to be, Susan Leslie Moore's debut collection moves between certainty and doubt, dead seriousness and determined playfulness. Exploring identity and the exterior and interior selves we create through the natural world, language, and relationships, the poems of That Place Where You Opened Your Hands bring the ordinary rhythms of life and motherhood into coexistence with wilder truths. As Moore writes, "If I can't be singular / in purpose, let me be quietly adrift," but these are not quiet poems"-- Provided by publisher Print version record. Intro -- Title Page -- Copyright -- Dedication -- Contents -- Part I -- Beginning -- Inside Our House is Another House -- I Wanted to Lie Down with you where the Rooftops -- No One Knows Her -- Suburb -- To Take -- She Preferred to Read the Knives -- From the Start -- I Say to the Stars Get Inside Me -- I Have Tried Hard to Have Appropriate Feelings -- Part II -- Diary from the Red House -- Why is Poetry Written in Lines -- From the Naturalist's Notebook: Division -- Bats -- Self-Portrait as Math -- Part III -- Her Unpublished Notebooks -- From the Naturalist's Notebook: Propagation Every Day is a New Day -- The Fuchsia, the Orange, and the Dahlias -- Maria -- Hedges -- Prayer -- I Dreamt I was Your Cat and then the Night -- Eat or Be Eaten -- Horizon Means a Line Where the Body -- To Define: Fetch -- It's Me -- For the Newly Cinematic -- Cleaning House While Listening to a Tape of Anne Sexton -- Down at the Heels in the Ditch -- I am Climbing Into Bed with a Stiff Drink -- Part IV -- [O My Mechanical Heart] -- [My Mouth is the Freshest Vegetable] -- [Which Crow Would you Give up] -- [To Say the Sky was Mine] -- [If the Dirt didn't Love the Trees] -- Eve -- Prayer Owl Among the Ruins -- Sonnet -- Landscape without Figures -- Sight Comes to Owls Slowly -- Still Life, with Brick -- Once -- Change the House I used to Live in, its Doors and Windows -- Telescope Versus Microscope -- (Surrender) -- Notes -- Acknowledgments -- Back Cover American poetry 21st century. http://id.loc.gov/authorities/subjects/sh2007100768 POETRY General. bisacsh American poetry fast 2000-2099 fast Poetry https://id.nlm.nih.gov/mesh/D055821 poetry. aat Poetry fast Poetry. lcgft http://id.loc.gov/authorities/genreForms/gf2014026481 Poésie. rvmgf has work: That place where you opened your hands (Text) https://id.oclc.org/worldcat/entity/E39PCGgtw6qjfKh39YJ6xH9rWP https://id.oclc.org/worldcat/ontology/hasWork Print version: Moore, Susan Leslie. That place where you opened your hands. Amherst : University of Massachusetts Press, [2020] 9781625345103 (DLC) 2019044558 (OCoLC)1122694669 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2380057 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2380057 Volltext |
| spellingShingle | Moore, Susan Leslie That place where you opened your hands / Intro -- Title Page -- Copyright -- Dedication -- Contents -- Part I -- Beginning -- Inside Our House is Another House -- I Wanted to Lie Down with you where the Rooftops -- No One Knows Her -- Suburb -- To Take -- She Preferred to Read the Knives -- From the Start -- I Say to the Stars Get Inside Me -- I Have Tried Hard to Have Appropriate Feelings -- Part II -- Diary from the Red House -- Why is Poetry Written in Lines -- From the Naturalist's Notebook: Division -- Bats -- Self-Portrait as Math -- Part III -- Her Unpublished Notebooks -- From the Naturalist's Notebook: Propagation Every Day is a New Day -- The Fuchsia, the Orange, and the Dahlias -- Maria -- Hedges -- Prayer -- I Dreamt I was Your Cat and then the Night -- Eat or Be Eaten -- Horizon Means a Line Where the Body -- To Define: Fetch -- It's Me -- For the Newly Cinematic -- Cleaning House While Listening to a Tape of Anne Sexton -- Down at the Heels in the Ditch -- I am Climbing Into Bed with a Stiff Drink -- Part IV -- [O My Mechanical Heart] -- [My Mouth is the Freshest Vegetable] -- [Which Crow Would you Give up] -- [To Say the Sky was Mine] -- [If the Dirt didn't Love the Trees] -- Eve -- Prayer Owl Among the Ruins -- Sonnet -- Landscape without Figures -- Sight Comes to Owls Slowly -- Still Life, with Brick -- Once -- Change the House I used to Live in, its Doors and Windows -- Telescope Versus Microscope -- (Surrender) -- Notes -- Acknowledgments -- Back Cover American poetry 21st century. http://id.loc.gov/authorities/subjects/sh2007100768 POETRY General. bisacsh American poetry fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2007100768 https://id.nlm.nih.gov/mesh/D055821 http://id.loc.gov/authorities/genreForms/gf2014026481 |
| title | That place where you opened your hands / |
| title_auth | That place where you opened your hands / |
| title_exact_search | That place where you opened your hands / |
| title_full | That place where you opened your hands / Susan Leslie Moore. |
| title_fullStr | That place where you opened your hands / Susan Leslie Moore. |
| title_full_unstemmed | That place where you opened your hands / Susan Leslie Moore. |
| title_short | That place where you opened your hands / |
| title_sort | that place where you opened your hands |
| topic | American poetry 21st century. http://id.loc.gov/authorities/subjects/sh2007100768 POETRY General. bisacsh American poetry fast |
| topic_facet | American poetry 21st century. POETRY General. American poetry Poetry poetry. Poetry. Poésie. |
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