Unwatchable /:
We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as...
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| Weitere Verfasser: | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ :
Rutgers University Press,
[2019]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something 2unwatchable3: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the 2unwatchable3 across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture. |
| Beschreibung: | 1 online resource : 51 images |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780813599625 0813599628 9780813599601 0813599601 |
| Findmittel: | Available in electronic full text to members of the University via the Library web catalogue. |
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| 245 | 0 | 0 | |a Unwatchable / |c Nicholas Baer, Maggie Hennefeld, Laura Horak, Gunnar Iversen. |
| 264 | 1 | |a New Brunswick, NJ : |b Rutgers University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction: Envisioning the Unwatchable / |r Baer, Nicholas / Hennefeld, Maggie / Horak, Laura / Iversen, Gunnar -- |t Part I. Violence and Testimony -- |t 1. Theorizing the Unwatchable -- |t Unwatchable / |r Mitchell, W. J. T. -- |t The Gaze from Within / |r Groys, Boris -- |t The Unwatchable and the Unwatchable / |r Harney, Stefano / Moten, Fred -- |t Melting into Visibility / |r Zupančič, Alenka -- |t Pro Forma / |r Sutherland, Meghan -- |t 2. Spectacles of Destruction -- |t Terminal Radiance / |r Crary, Jonathan -- |t Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen / |r Saha, Poulomi -- |t Breakaway / |r Bush, Alex -- |t The Watchability of the Unwatchable: Television Disaster Coverage / |r Wigoder, Meir -- |t 3. Bearing Witness -- |t The Incommensurable / |r Geimer, Peter -- |t Not Seeing Is Believing: The Unwatchable in Advocacy / |r Torchin, Leshu -- |t Even If She Had Been a Criminal: A Past Unwatched / |r Guerin, Frances -- |t Deframing Evidence: A Transmission from Los ingrávidos / |r Windhausen, Federico -- |t Alan Kurdi{u2019}s Body on the Shore / |r Regan Wills, Emily -- |t 4. Visual Regimes of Racial Violence -- |t Held Helpless in the Breach: On American History X / |r Wolukau-Wanambwa, Stanley -- |t The Flash of History: On the Unwatchable in Get Out / |r Sexton, Jared -- |t Nothing Is Unwatchable for All / |r Juhasz, Alexandra -- |t Empathy .Complicity / |r Boyce Gillespie, Michael -- |t 5. Spectacularization and Resistance -- |t Entertainment Value / |r Vaid-Menon, Alok -- |t Holocausts, Hallowe{u2019}en, and Headdresses / |r Butler, Alec -- |t Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence / |r Peers, Danielle -- |t Part II. Histories and Genres -- |t 6. The Tradition of Provocateurs -- |t The Two Unwatchables / |r Grønstad, Asbjørn -- |t Real Horrorshow / |r Mizuta Lippit, Akira -- |t Asymmetries of Desire: Salò, or the 120 Days of Sodom / |r Resmini, Mauro -- |t Unstomachable: Irréversible and the Extreme Cinema Tradition / |r Frey, Mattias -- |t 7. Enduring the Avant-Garde -- |t Unwatchability by Choice: Isou{u2019}s Venom and Eternity / |r Wall-Romana, Christophe -- |t The Refusal of Spectacle: Debord{u2019}s Howls for Sade / |r Berger, Kenneth -- |t Warhol{u2019}s Empire: Unwatched and Unwatchable / |r Hoberman, J. -- |t Warhol{u2019}s Empire / |r Carroll, Noël -- |t Watching Paint Dry / |r Balsom, Erika -- |t 8. Visceral Responses to Horror -- |t 2Peekaboo3: Thoughts on (Maybe Not) Seeing Two Horror Films / |r Sobchack, Vivian -- |t Why I Cannot Watch / |r Rich, B. Ruby -- |t Apotropes / |r Yue, Genevieve -- |t 9. Pornography and the Question of Pleasure -- |t I Am Curious (Butterball) / |r Bright, Susie -- |t At the Threshold to the Void / |r Nichols, Bill -- |t 10. Archives and the Disintegrating Image -- |t Restoring Blood Money / |r Rongen-Kaynakçi, Elif -- |t Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess / |r Olsson, Jan -- |t Twilight of the Dead / |r Stiasny, Philipp / Togler, Bennet -- |t Part III. Spectators and Objects -- |t 11. Passionate Aversions -- |t 2Sad!3: Why I Won{u2019}t Watch Antichrist / |r Rosenbaum, Jonathan -- |t Transforming Nihilism / |r Lee, Nathan -- |t Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant / |r Hanich, Julian -- |t The Biopic Is an Affront to the Cinema / |r Sconce, Jeffrey -- |t 12. Tedious Whiteness -- |t White Men Behaving Sadly / |r Halberstam, Jack -- |t 2You Is Kind, You Is Smart, You Is Important3; or, Why I Can{u2019}t Watch The Help / |r Monk-Payton, Brandy -- |t Two Tables and a Ladder: WCGW? / |r Y. Chen, Mel -- |t 13. Reality Trumpism -- |t TV Trumps / |r Joyrich, Lynne -- |t The Once and Future Hillary: Why I Won{u2019}t Watch a TV Miniseries about the 2016 U.S. Presidential Election / |r De Kosnik, Abigail -- |t 14. Pedagogy and Campus Politics -- |t Why We Can{u2019}t Take a Joke / |r Pérez, Raúl -- |t The Bridge and Unteachable Films / |r Malkowski, Jennifer -- |t Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort / |r Kyrölä, Katariina -- |t 15. The Triggered Spectator -- |t What Is an 2Unwatchable3 Film? (With Reference to Amour and Still Alice) / |r Kaplan, E. Ann -- |t Watch at Your Own Peril / |r Hammer, Barbara -- |t Sects, Fries, and Videotape / |r England, Samuel -- |t Off Watch / |r Schneider, Rebecca -- |t Acknowledgments -- |t Filmography -- |t Bibliography -- |t Notes on Contributors -- |t Index |
| 520 | |a We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something 2unwatchable3: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the 2unwatchable3 across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture. | ||
| 546 | |a In English. | ||
| 555 | 0 | |a Available in electronic full text to members of the University via the Library web catalogue. | |
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Sep 2019). | |
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Image (Philosophy) |0 http://id.loc.gov/authorities/subjects/sh91002569 | |
| 650 | 0 | |a Visual communication |x Psychological aspects. | |
| 650 | 0 | |a Representation (Philosophy) |0 http://id.loc.gov/authorities/subjects/sh85112936 | |
| 650 | 0 | |a Visual perception |x Philosophy. | |
| 650 | 0 | |a Mass media and the arts. |0 http://id.loc.gov/authorities/subjects/sh85081890 | |
| 650 | 6 | |a Image (Philosophie) | |
| 650 | 6 | |a Communication visuelle |x Aspect psychologique. | |
| 650 | 6 | |a Représentation (Philosophie) | |
| 650 | 6 | |a Perception visuelle |x Philosophie. | |
| 650 | 6 | |a Médias et arts. | |
| 650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
| 650 | 7 | |a Image (Philosophy) |2 fast | |
| 650 | 7 | |a Mass media and the arts |2 fast | |
| 650 | 7 | |a Representation (Philosophy) |2 fast | |
| 650 | 7 | |a Visual communication |x Psychological aspects |2 fast | |
| 650 | 7 | |a Visual perception |x Philosophy |2 fast | |
| 700 | 1 | |a Baer, Nicholas, |e editor. | |
| 700 | 1 | |a Hennefeld, Maggie, |e editor. | |
| 700 | 1 | |a Horak, Laura, |e editor. |0 http://id.loc.gov/authorities/names/n2013075258 | |
| 700 | 1 | |a Iversen, Gunnar, |e editor. | |
| 700 | 1 | |a Lippit, Akira. | |
| 700 | 1 | |a Malkowski, Jennifer. | |
| 700 | 1 | |a Mitchell, W.J.T. | |
| 700 | 1 | |a Monk-Payton, Brandy. | |
| 700 | 1 | |a Moten, Fred. | |
| 700 | 1 | |a Nichols, Bill. | |
| 700 | 1 | |a Olsson, Jan. | |
| 700 | 1 | |a Peers, Danielle. | |
| 700 | 1 | |a Perez, Raul. | |
| 700 | 1 | |a Resmini, Mauro. | |
| 700 | 1 | |a Rich, B. Ruby. | |
| 700 | 1 | |a Rongen-Kaynakçi, Elif. | |
| 700 | 1 | |a Rosenbaum, Jonathan. | |
| 700 | 1 | |a Saha, Poulomi. | |
| 700 | 1 | |a Schneider, Rebecca. | |
| 700 | 1 | |a Sconce, Jeffrey. | |
| 700 | 1 | |a Sexton, Jared |c (Associate Professor) |0 http://id.loc.gov/authorities/names/n2022010818 | |
| 700 | 1 | |a Sobchack, Vivian. | |
| 700 | 1 | |a Stiasny, Philipp. | |
| 700 | 1 | |a Sutherland, Meghan. | |
| 700 | 1 | |a Togler, Bennet. | |
| 700 | 1 | |a Torchin, Leshu. | |
| 700 | 1 | |a Vaid-Menon, Alok. | |
| 700 | 1 | |a Wall-Romana, Christophe. | |
| 700 | 1 | |a Wigoder, Meir. | |
| 700 | 1 | |a Wills, Emily. | |
| 700 | 1 | |a Windhausen, Federico. | |
| 700 | 1 | |a Wolukau-Wanambwa, Stanley. | |
| 700 | 1 | |a Yue, Genevieve. | |
| 700 | 1 | |a Zupancic, Alenka. | |
| 758 | |i has work: |a Unwatchable (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG7w9fXRvcVT8cFpXgXgXd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Unwatchable. |d New Brunswick : Rutgers University Press, 2019 |w (DLC) 2018009950 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1782069 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH40528803 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH35890293 | ||
| 938 | |a De Gruyter |b DEGR |n 9780813599625 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5962971 | ||
| 938 | |a EBSCOhost |b EBSC |n 1782069 | ||
| 938 | |a YBP Library Services |b YANK |n 16118691 | ||
| 938 | |a YBP Library Services |b YANK |n 300913646 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1166370837 |
|---|---|
| _version_ | 1816882524879585280 |
| adam_text | |
| any_adam_object | |
| author2 | Baer, Nicholas Hennefeld, Maggie Horak, Laura Iversen, Gunnar Lippit, Akira Malkowski, Jennifer Mitchell, W.J.T Monk-Payton, Brandy Moten, Fred Nichols, Bill Olsson, Jan Peers, Danielle Perez, Raul Resmini, Mauro Rich, B. Ruby Rongen-Kaynakçi, Elif Rosenbaum, Jonathan Saha, Poulomi Schneider, Rebecca Sconce, Jeffrey Sexton, Jared (Associate Professor) Sobchack, Vivian Stiasny, Philipp Sutherland, Meghan Togler, Bennet Torchin, Leshu Vaid-Menon, Alok Wall-Romana, Christophe Wigoder, Meir Wills, Emily Windhausen, Federico Wolukau-Wanambwa, Stanley Yue, Genevieve Zupancic, Alenka |
| author2_role | edt edt edt edt |
| author2_variant | n b nb m h mh l h lh g i gi a l al j m jm w m wm b m p bmp f m fm b n bn j o jo d p dp r p rp m r mr b r r br brr e r k erk j r jr p s ps r s rs j s js j s js v s vs p s ps m s ms b t bt l t lt a v m avm c w r cwr m w mw e w ew f w fw s w w sww g y gy a z az |
| author_GND | http://id.loc.gov/authorities/names/n2013075258 http://id.loc.gov/authorities/names/n2022010818 |
| author_additional | Baer, Nicholas / Hennefeld, Maggie / Horak, Laura / Iversen, Gunnar -- Mitchell, W. J. T. -- Groys, Boris -- Harney, Stefano / Moten, Fred -- Zupančič, Alenka -- Sutherland, Meghan -- Crary, Jonathan -- Saha, Poulomi -- Bush, Alex -- Wigoder, Meir -- Geimer, Peter -- Torchin, Leshu -- Guerin, Frances -- Windhausen, Federico -- Regan Wills, Emily -- Wolukau-Wanambwa, Stanley -- Sexton, Jared -- Juhasz, Alexandra -- Boyce Gillespie, Michael -- Vaid-Menon, Alok -- Butler, Alec -- Peers, Danielle -- Grønstad, Asbjørn -- Mizuta Lippit, Akira -- Resmini, Mauro -- Frey, Mattias -- Wall-Romana, Christophe -- Berger, Kenneth -- Hoberman, J. -- Carroll, Noël -- Balsom, Erika -- Sobchack, Vivian -- Rich, B. Ruby -- Yue, Genevieve -- Bright, Susie -- Nichols, Bill -- Rongen-Kaynakçi, Elif -- Olsson, Jan -- Stiasny, Philipp / Togler, Bennet -- Rosenbaum, Jonathan -- Lee, Nathan -- Hanich, Julian -- Sconce, Jeffrey -- Halberstam, Jack -- Monk-Payton, Brandy -- Y. Chen, Mel -- Joyrich, Lynne -- De Kosnik, Abigail -- Pérez, Raúl -- Malkowski, Jennifer -- Kyrölä, Katariina -- Kaplan, E. Ann -- Hammer, Barbara -- England, Samuel -- Schneider, Rebecca -- |
| author_facet | Baer, Nicholas Hennefeld, Maggie Horak, Laura Iversen, Gunnar Lippit, Akira Malkowski, Jennifer Mitchell, W.J.T Monk-Payton, Brandy Moten, Fred Nichols, Bill Olsson, Jan Peers, Danielle Perez, Raul Resmini, Mauro Rich, B. Ruby Rongen-Kaynakçi, Elif Rosenbaum, Jonathan Saha, Poulomi Schneider, Rebecca Sconce, Jeffrey Sexton, Jared (Associate Professor) Sobchack, Vivian Stiasny, Philipp Sutherland, Meghan Togler, Bennet Torchin, Leshu Vaid-Menon, Alok Wall-Romana, Christophe Wigoder, Meir Wills, Emily Windhausen, Federico Wolukau-Wanambwa, Stanley Yue, Genevieve Zupancic, Alenka |
| author_sort | Lippit, Akira |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | B105 |
| callnumber-raw | B105.I47 U59 2019 |
| callnumber-search | B105.I47 U59 2019 |
| callnumber-sort | B 3105 I47 U59 42019 |
| callnumber-subject | B - Philosophy |
| collection | ZDB-4-EBA |
| contents | Frontmatter -- Contents -- Introduction: Envisioning the Unwatchable / Part I. Violence and Testimony -- 1. Theorizing the Unwatchable -- Unwatchable / The Gaze from Within / The Unwatchable and the Unwatchable / Melting into Visibility / Pro Forma / 2. Spectacles of Destruction -- Terminal Radiance / Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen / Breakaway / The Watchability of the Unwatchable: Television Disaster Coverage / 3. Bearing Witness -- The Incommensurable / Not Seeing Is Believing: The Unwatchable in Advocacy / Even If She Had Been a Criminal: A Past Unwatched / Deframing Evidence: A Transmission from Los ingrávidos / Alan Kurdi{u2019}s Body on the Shore / 4. Visual Regimes of Racial Violence -- Held Helpless in the Breach: On American History X / The Flash of History: On the Unwatchable in Get Out / Nothing Is Unwatchable for All / Empathy .Complicity / 5. Spectacularization and Resistance -- Entertainment Value / Holocausts, Hallowe{u2019}en, and Headdresses / Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence / Part II. Histories and Genres -- 6. The Tradition of Provocateurs -- The Two Unwatchables / Real Horrorshow / Asymmetries of Desire: Salò, or the 120 Days of Sodom / Unstomachable: Irréversible and the Extreme Cinema Tradition / 7. Enduring the Avant-Garde -- Unwatchability by Choice: Isou{u2019}s Venom and Eternity / The Refusal of Spectacle: Debord{u2019}s Howls for Sade / Warhol{u2019}s Empire: Unwatched and Unwatchable / Warhol{u2019}s Empire / Watching Paint Dry / 8. Visceral Responses to Horror -- 2Peekaboo3: Thoughts on (Maybe Not) Seeing Two Horror Films / Why I Cannot Watch / Apotropes / 9. Pornography and the Question of Pleasure -- I Am Curious (Butterball) / At the Threshold to the Void / 10. Archives and the Disintegrating Image -- Restoring Blood Money / Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess / Twilight of the Dead / Part III. Spectators and Objects -- 11. Passionate Aversions -- 2Sad!3: Why I Won{u2019}t Watch Antichrist / Transforming Nihilism / Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant / The Biopic Is an Affront to the Cinema / 12. Tedious Whiteness -- White Men Behaving Sadly / 2You Is Kind, You Is Smart, You Is Important3; or, Why I Can{u2019}t Watch The Help / Two Tables and a Ladder: WCGW? / 13. Reality Trumpism -- TV Trumps / The Once and Future Hillary: Why I Won{u2019}t Watch a TV Miniseries about the 2016 U.S. Presidential Election / 14. Pedagogy and Campus Politics -- Why We Can{u2019}t Take a Joke / The Bridge and Unteachable Films / Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort / 15. The Triggered Spectator -- What Is an 2Unwatchable3 Film? (With Reference to Amour and Still Alice) / Watch at Your Own Peril / Sects, Fries, and Videotape / Off Watch / Acknowledgments -- Filmography -- Bibliography -- Notes on Contributors -- Index |
| ctrlnum | (OCoLC)1166370837 |
| dewey-full | 153.32 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 153 - Conscious mental processes & intelligence |
| dewey-raw | 153.32 |
| dewey-search | 153.32 |
| dewey-sort | 3153.32 |
| dewey-tens | 150 - Psychology |
| discipline | Psychologie |
| format | Electronic eBook |
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Gunnar Iversen.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Brunswick, NJ :</subfield><subfield code="b">Rutgers University Press,</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource :</subfield><subfield code="b">51 images</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter --</subfield><subfield code="t">Contents --</subfield><subfield code="t">Introduction: Envisioning the Unwatchable /</subfield><subfield code="r">Baer, Nicholas / Hennefeld, Maggie / Horak, Laura / Iversen, Gunnar --</subfield><subfield code="t">Part I. Violence and Testimony --</subfield><subfield code="t">1. Theorizing the Unwatchable --</subfield><subfield code="t">Unwatchable /</subfield><subfield code="r">Mitchell, W. J. T. --</subfield><subfield code="t">The Gaze from Within /</subfield><subfield code="r">Groys, Boris --</subfield><subfield code="t">The Unwatchable and the Unwatchable /</subfield><subfield code="r">Harney, Stefano / Moten, Fred --</subfield><subfield code="t">Melting into Visibility /</subfield><subfield code="r">Zupančič, Alenka --</subfield><subfield code="t">Pro Forma /</subfield><subfield code="r">Sutherland, Meghan --</subfield><subfield code="t">2. Spectacles of Destruction --</subfield><subfield code="t">Terminal Radiance /</subfield><subfield code="r">Crary, Jonathan --</subfield><subfield code="t">Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen /</subfield><subfield code="r">Saha, Poulomi --</subfield><subfield code="t">Breakaway /</subfield><subfield code="r">Bush, Alex --</subfield><subfield code="t">The Watchability of the Unwatchable: Television Disaster Coverage /</subfield><subfield code="r">Wigoder, Meir --</subfield><subfield code="t">3. Bearing Witness --</subfield><subfield code="t">The Incommensurable /</subfield><subfield code="r">Geimer, Peter --</subfield><subfield code="t">Not Seeing Is Believing: The Unwatchable in Advocacy /</subfield><subfield code="r">Torchin, Leshu --</subfield><subfield code="t">Even If She Had Been a Criminal: A Past Unwatched /</subfield><subfield code="r">Guerin, Frances --</subfield><subfield code="t">Deframing Evidence: A Transmission from Los ingrávidos /</subfield><subfield code="r">Windhausen, Federico --</subfield><subfield code="t">Alan Kurdi{u2019}s Body on the Shore /</subfield><subfield code="r">Regan Wills, Emily --</subfield><subfield code="t">4. Visual Regimes of Racial Violence --</subfield><subfield code="t">Held Helpless in the Breach: On American History X /</subfield><subfield code="r">Wolukau-Wanambwa, Stanley --</subfield><subfield code="t">The Flash of History: On the Unwatchable in Get Out /</subfield><subfield code="r">Sexton, Jared --</subfield><subfield code="t">Nothing Is Unwatchable for All /</subfield><subfield code="r">Juhasz, Alexandra --</subfield><subfield code="t">Empathy .Complicity /</subfield><subfield code="r">Boyce Gillespie, Michael --</subfield><subfield code="t">5. Spectacularization and Resistance --</subfield><subfield code="t">Entertainment Value /</subfield><subfield code="r">Vaid-Menon, Alok --</subfield><subfield code="t">Holocausts, Hallowe{u2019}en, and Headdresses /</subfield><subfield code="r">Butler, Alec --</subfield><subfield code="t">Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence /</subfield><subfield code="r">Peers, Danielle --</subfield><subfield code="t">Part II. Histories and Genres --</subfield><subfield code="t">6. The Tradition of Provocateurs --</subfield><subfield code="t">The Two Unwatchables /</subfield><subfield code="r">Grønstad, Asbjørn --</subfield><subfield code="t">Real Horrorshow /</subfield><subfield code="r">Mizuta Lippit, Akira --</subfield><subfield code="t">Asymmetries of Desire: Salò, or the 120 Days of Sodom /</subfield><subfield code="r">Resmini, Mauro --</subfield><subfield code="t">Unstomachable: Irréversible and the Extreme Cinema Tradition /</subfield><subfield code="r">Frey, Mattias --</subfield><subfield code="t">7. Enduring the Avant-Garde --</subfield><subfield code="t">Unwatchability by Choice: Isou{u2019}s Venom and Eternity /</subfield><subfield code="r">Wall-Romana, Christophe --</subfield><subfield code="t">The Refusal of Spectacle: Debord{u2019}s Howls for Sade /</subfield><subfield code="r">Berger, Kenneth --</subfield><subfield code="t">Warhol{u2019}s Empire: Unwatched and Unwatchable /</subfield><subfield code="r">Hoberman, J. --</subfield><subfield code="t">Warhol{u2019}s Empire /</subfield><subfield code="r">Carroll, Noël --</subfield><subfield code="t">Watching Paint Dry /</subfield><subfield code="r">Balsom, Erika --</subfield><subfield code="t">8. Visceral Responses to Horror --</subfield><subfield code="t">2Peekaboo3: Thoughts on (Maybe Not) Seeing Two Horror Films /</subfield><subfield code="r">Sobchack, Vivian --</subfield><subfield code="t">Why I Cannot Watch /</subfield><subfield code="r">Rich, B. Ruby --</subfield><subfield code="t">Apotropes /</subfield><subfield code="r">Yue, Genevieve --</subfield><subfield code="t">9. Pornography and the Question of Pleasure --</subfield><subfield code="t">I Am Curious (Butterball) /</subfield><subfield code="r">Bright, Susie --</subfield><subfield code="t">At the Threshold to the Void /</subfield><subfield code="r">Nichols, Bill --</subfield><subfield code="t">10. Archives and the Disintegrating Image --</subfield><subfield code="t">Restoring Blood Money /</subfield><subfield code="r">Rongen-Kaynakçi, Elif --</subfield><subfield code="t">Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess /</subfield><subfield code="r">Olsson, Jan --</subfield><subfield code="t">Twilight of the Dead /</subfield><subfield code="r">Stiasny, Philipp / Togler, Bennet --</subfield><subfield code="t">Part III. Spectators and Objects --</subfield><subfield code="t">11. Passionate Aversions --</subfield><subfield code="t">2Sad!3: Why I Won{u2019}t Watch Antichrist /</subfield><subfield code="r">Rosenbaum, Jonathan --</subfield><subfield code="t">Transforming Nihilism /</subfield><subfield code="r">Lee, Nathan --</subfield><subfield code="t">Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant /</subfield><subfield code="r">Hanich, Julian --</subfield><subfield code="t">The Biopic Is an Affront to the Cinema /</subfield><subfield code="r">Sconce, Jeffrey --</subfield><subfield code="t">12. Tedious Whiteness --</subfield><subfield code="t">White Men Behaving Sadly /</subfield><subfield code="r">Halberstam, Jack --</subfield><subfield code="t">2You Is Kind, You Is Smart, You Is Important3; or, Why I Can{u2019}t Watch The Help /</subfield><subfield code="r">Monk-Payton, Brandy --</subfield><subfield code="t">Two Tables and a Ladder: WCGW? /</subfield><subfield code="r">Y. Chen, Mel --</subfield><subfield code="t">13. Reality Trumpism --</subfield><subfield code="t">TV Trumps /</subfield><subfield code="r">Joyrich, Lynne --</subfield><subfield code="t">The Once and Future Hillary: Why I Won{u2019}t Watch a TV Miniseries about the 2016 U.S. Presidential Election /</subfield><subfield code="r">De Kosnik, Abigail --</subfield><subfield code="t">14. Pedagogy and Campus Politics --</subfield><subfield code="t">Why We Can{u2019}t Take a Joke /</subfield><subfield code="r">Pérez, Raúl --</subfield><subfield code="t">The Bridge and Unteachable Films /</subfield><subfield code="r">Malkowski, Jennifer --</subfield><subfield code="t">Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort /</subfield><subfield code="r">Kyrölä, Katariina --</subfield><subfield code="t">15. The Triggered Spectator --</subfield><subfield code="t">What Is an 2Unwatchable3 Film? (With Reference to Amour and Still Alice) /</subfield><subfield code="r">Kaplan, E. Ann --</subfield><subfield code="t">Watch at Your Own Peril /</subfield><subfield code="r">Hammer, Barbara --</subfield><subfield code="t">Sects, Fries, and Videotape /</subfield><subfield code="r">England, Samuel --</subfield><subfield code="t">Off Watch /</subfield><subfield code="r">Schneider, Rebecca --</subfield><subfield code="t">Acknowledgments --</subfield><subfield code="t">Filmography --</subfield><subfield code="t">Bibliography --</subfield><subfield code="t">Notes on Contributors --</subfield><subfield code="t">Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something 2unwatchable3: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the 2unwatchable3 across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="555" ind1="0" ind2=" "><subfield code="a">Available in electronic full text to members of the University via the Library web catalogue.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Sep 2019).</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Image (Philosophy)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh91002569</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Visual communication</subfield><subfield code="x">Psychological aspects.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Representation (Philosophy)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85112936</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Visual perception</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Mass media and the arts.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85081890</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Image (Philosophie)</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Communication visuelle</subfield><subfield code="x">Aspect psychologique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Représentation (Philosophie)</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Perception visuelle</subfield><subfield code="x">Philosophie.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Médias et arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Image (Philosophy)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Mass media and the arts</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Representation (Philosophy)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Visual communication</subfield><subfield code="x">Psychological aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Visual perception</subfield><subfield code="x">Philosophy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baer, Nicholas,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hennefeld, Maggie,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Horak, Laura,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2013075258</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Iversen, Gunnar,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lippit, Akira.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Malkowski, Jennifer.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mitchell, W.J.T.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Monk-Payton, Brandy.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Moten, Fred.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nichols, Bill.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Olsson, Jan.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Peers, Danielle.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Perez, Raul.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Resmini, Mauro.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rich, B. 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| id | ZDB-4-EBA-on1166370837 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:59Z |
| institution | BVB |
| isbn | 9780813599625 0813599628 9780813599601 0813599601 |
| language | English |
| oclc_num | 1166370837 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource : 51 images |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Rutgers University Press, |
| record_format | marc |
| spelling | Unwatchable / Nicholas Baer, Maggie Hennefeld, Laura Horak, Gunnar Iversen. New Brunswick, NJ : Rutgers University Press, [2019] ©2019 1 online resource : 51 images text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Introduction: Envisioning the Unwatchable / Baer, Nicholas / Hennefeld, Maggie / Horak, Laura / Iversen, Gunnar -- Part I. Violence and Testimony -- 1. Theorizing the Unwatchable -- Unwatchable / Mitchell, W. J. T. -- The Gaze from Within / Groys, Boris -- The Unwatchable and the Unwatchable / Harney, Stefano / Moten, Fred -- Melting into Visibility / Zupančič, Alenka -- Pro Forma / Sutherland, Meghan -- 2. Spectacles of Destruction -- Terminal Radiance / Crary, Jonathan -- Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen / Saha, Poulomi -- Breakaway / Bush, Alex -- The Watchability of the Unwatchable: Television Disaster Coverage / Wigoder, Meir -- 3. Bearing Witness -- The Incommensurable / Geimer, Peter -- Not Seeing Is Believing: The Unwatchable in Advocacy / Torchin, Leshu -- Even If She Had Been a Criminal: A Past Unwatched / Guerin, Frances -- Deframing Evidence: A Transmission from Los ingrávidos / Windhausen, Federico -- Alan Kurdi{u2019}s Body on the Shore / Regan Wills, Emily -- 4. Visual Regimes of Racial Violence -- Held Helpless in the Breach: On American History X / Wolukau-Wanambwa, Stanley -- The Flash of History: On the Unwatchable in Get Out / Sexton, Jared -- Nothing Is Unwatchable for All / Juhasz, Alexandra -- Empathy .Complicity / Boyce Gillespie, Michael -- 5. Spectacularization and Resistance -- Entertainment Value / Vaid-Menon, Alok -- Holocausts, Hallowe{u2019}en, and Headdresses / Butler, Alec -- Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence / Peers, Danielle -- Part II. Histories and Genres -- 6. The Tradition of Provocateurs -- The Two Unwatchables / Grønstad, Asbjørn -- Real Horrorshow / Mizuta Lippit, Akira -- Asymmetries of Desire: Salò, or the 120 Days of Sodom / Resmini, Mauro -- Unstomachable: Irréversible and the Extreme Cinema Tradition / Frey, Mattias -- 7. Enduring the Avant-Garde -- Unwatchability by Choice: Isou{u2019}s Venom and Eternity / Wall-Romana, Christophe -- The Refusal of Spectacle: Debord{u2019}s Howls for Sade / Berger, Kenneth -- Warhol{u2019}s Empire: Unwatched and Unwatchable / Hoberman, J. -- Warhol{u2019}s Empire / Carroll, Noël -- Watching Paint Dry / Balsom, Erika -- 8. Visceral Responses to Horror -- 2Peekaboo3: Thoughts on (Maybe Not) Seeing Two Horror Films / Sobchack, Vivian -- Why I Cannot Watch / Rich, B. Ruby -- Apotropes / Yue, Genevieve -- 9. Pornography and the Question of Pleasure -- I Am Curious (Butterball) / Bright, Susie -- At the Threshold to the Void / Nichols, Bill -- 10. Archives and the Disintegrating Image -- Restoring Blood Money / Rongen-Kaynakçi, Elif -- Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess / Olsson, Jan -- Twilight of the Dead / Stiasny, Philipp / Togler, Bennet -- Part III. Spectators and Objects -- 11. Passionate Aversions -- 2Sad!3: Why I Won{u2019}t Watch Antichrist / Rosenbaum, Jonathan -- Transforming Nihilism / Lee, Nathan -- Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant / Hanich, Julian -- The Biopic Is an Affront to the Cinema / Sconce, Jeffrey -- 12. Tedious Whiteness -- White Men Behaving Sadly / Halberstam, Jack -- 2You Is Kind, You Is Smart, You Is Important3; or, Why I Can{u2019}t Watch The Help / Monk-Payton, Brandy -- Two Tables and a Ladder: WCGW? / Y. Chen, Mel -- 13. Reality Trumpism -- TV Trumps / Joyrich, Lynne -- The Once and Future Hillary: Why I Won{u2019}t Watch a TV Miniseries about the 2016 U.S. Presidential Election / De Kosnik, Abigail -- 14. Pedagogy and Campus Politics -- Why We Can{u2019}t Take a Joke / Pérez, Raúl -- The Bridge and Unteachable Films / Malkowski, Jennifer -- Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort / Kyrölä, Katariina -- 15. The Triggered Spectator -- What Is an 2Unwatchable3 Film? (With Reference to Amour and Still Alice) / Kaplan, E. Ann -- Watch at Your Own Peril / Hammer, Barbara -- Sects, Fries, and Videotape / England, Samuel -- Off Watch / Schneider, Rebecca -- Acknowledgments -- Filmography -- Bibliography -- Notes on Contributors -- Index We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something 2unwatchable3: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the 2unwatchable3 across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture. In English. Available in electronic full text to members of the University via the Library web catalogue. Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Sep 2019). Includes bibliographical references and index. Image (Philosophy) http://id.loc.gov/authorities/subjects/sh91002569 Visual communication Psychological aspects. Representation (Philosophy) http://id.loc.gov/authorities/subjects/sh85112936 Visual perception Philosophy. Mass media and the arts. http://id.loc.gov/authorities/subjects/sh85081890 Image (Philosophie) Communication visuelle Aspect psychologique. Représentation (Philosophie) Perception visuelle Philosophie. Médias et arts. PERFORMING ARTS / General. bisacsh Image (Philosophy) fast Mass media and the arts fast Representation (Philosophy) fast Visual communication Psychological aspects fast Visual perception Philosophy fast Baer, Nicholas, editor. Hennefeld, Maggie, editor. Horak, Laura, editor. http://id.loc.gov/authorities/names/n2013075258 Iversen, Gunnar, editor. Lippit, Akira. Malkowski, Jennifer. Mitchell, W.J.T. Monk-Payton, Brandy. Moten, Fred. Nichols, Bill. Olsson, Jan. Peers, Danielle. Perez, Raul. Resmini, Mauro. Rich, B. Ruby. Rongen-Kaynakçi, Elif. Rosenbaum, Jonathan. Saha, Poulomi. Schneider, Rebecca. Sconce, Jeffrey. Sexton, Jared (Associate Professor) http://id.loc.gov/authorities/names/n2022010818 Sobchack, Vivian. Stiasny, Philipp. Sutherland, Meghan. Togler, Bennet. Torchin, Leshu. Vaid-Menon, Alok. Wall-Romana, Christophe. Wigoder, Meir. Wills, Emily. Windhausen, Federico. Wolukau-Wanambwa, Stanley. Yue, Genevieve. Zupancic, Alenka. has work: Unwatchable (Text) https://id.oclc.org/worldcat/entity/E39PCG7w9fXRvcVT8cFpXgXgXd https://id.oclc.org/worldcat/ontology/hasWork Print version: Unwatchable. New Brunswick : Rutgers University Press, 2019 (DLC) 2018009950 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1782069 Volltext |
| spellingShingle | Unwatchable / Frontmatter -- Contents -- Introduction: Envisioning the Unwatchable / Part I. Violence and Testimony -- 1. Theorizing the Unwatchable -- Unwatchable / The Gaze from Within / The Unwatchable and the Unwatchable / Melting into Visibility / Pro Forma / 2. Spectacles of Destruction -- Terminal Radiance / Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen / Breakaway / The Watchability of the Unwatchable: Television Disaster Coverage / 3. Bearing Witness -- The Incommensurable / Not Seeing Is Believing: The Unwatchable in Advocacy / Even If She Had Been a Criminal: A Past Unwatched / Deframing Evidence: A Transmission from Los ingrávidos / Alan Kurdi{u2019}s Body on the Shore / 4. Visual Regimes of Racial Violence -- Held Helpless in the Breach: On American History X / The Flash of History: On the Unwatchable in Get Out / Nothing Is Unwatchable for All / Empathy .Complicity / 5. Spectacularization and Resistance -- Entertainment Value / Holocausts, Hallowe{u2019}en, and Headdresses / Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence / Part II. Histories and Genres -- 6. The Tradition of Provocateurs -- The Two Unwatchables / Real Horrorshow / Asymmetries of Desire: Salò, or the 120 Days of Sodom / Unstomachable: Irréversible and the Extreme Cinema Tradition / 7. Enduring the Avant-Garde -- Unwatchability by Choice: Isou{u2019}s Venom and Eternity / The Refusal of Spectacle: Debord{u2019}s Howls for Sade / Warhol{u2019}s Empire: Unwatched and Unwatchable / Warhol{u2019}s Empire / Watching Paint Dry / 8. Visceral Responses to Horror -- 2Peekaboo3: Thoughts on (Maybe Not) Seeing Two Horror Films / Why I Cannot Watch / Apotropes / 9. Pornography and the Question of Pleasure -- I Am Curious (Butterball) / At the Threshold to the Void / 10. Archives and the Disintegrating Image -- Restoring Blood Money / Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess / Twilight of the Dead / Part III. Spectators and Objects -- 11. Passionate Aversions -- 2Sad!3: Why I Won{u2019}t Watch Antichrist / Transforming Nihilism / Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant / The Biopic Is an Affront to the Cinema / 12. Tedious Whiteness -- White Men Behaving Sadly / 2You Is Kind, You Is Smart, You Is Important3; or, Why I Can{u2019}t Watch The Help / Two Tables and a Ladder: WCGW? / 13. Reality Trumpism -- TV Trumps / The Once and Future Hillary: Why I Won{u2019}t Watch a TV Miniseries about the 2016 U.S. Presidential Election / 14. Pedagogy and Campus Politics -- Why We Can{u2019}t Take a Joke / The Bridge and Unteachable Films / Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort / 15. The Triggered Spectator -- What Is an 2Unwatchable3 Film? (With Reference to Amour and Still Alice) / Watch at Your Own Peril / Sects, Fries, and Videotape / Off Watch / Acknowledgments -- Filmography -- Bibliography -- Notes on Contributors -- Index Image (Philosophy) http://id.loc.gov/authorities/subjects/sh91002569 Visual communication Psychological aspects. Representation (Philosophy) http://id.loc.gov/authorities/subjects/sh85112936 Visual perception Philosophy. Mass media and the arts. http://id.loc.gov/authorities/subjects/sh85081890 Image (Philosophie) Communication visuelle Aspect psychologique. Représentation (Philosophie) Perception visuelle Philosophie. Médias et arts. PERFORMING ARTS / General. bisacsh Image (Philosophy) fast Mass media and the arts fast Representation (Philosophy) fast Visual communication Psychological aspects fast Visual perception Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh91002569 http://id.loc.gov/authorities/subjects/sh85112936 http://id.loc.gov/authorities/subjects/sh85081890 |
| title | Unwatchable / |
| title_alt | Frontmatter -- Contents -- Introduction: Envisioning the Unwatchable / Part I. Violence and Testimony -- 1. Theorizing the Unwatchable -- Unwatchable / The Gaze from Within / The Unwatchable and the Unwatchable / Melting into Visibility / Pro Forma / 2. Spectacles of Destruction -- Terminal Radiance / Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen / Breakaway / The Watchability of the Unwatchable: Television Disaster Coverage / 3. Bearing Witness -- The Incommensurable / Not Seeing Is Believing: The Unwatchable in Advocacy / Even If She Had Been a Criminal: A Past Unwatched / Deframing Evidence: A Transmission from Los ingrávidos / Alan Kurdi{u2019}s Body on the Shore / 4. Visual Regimes of Racial Violence -- Held Helpless in the Breach: On American History X / The Flash of History: On the Unwatchable in Get Out / Nothing Is Unwatchable for All / Empathy .Complicity / 5. Spectacularization and Resistance -- Entertainment Value / Holocausts, Hallowe{u2019}en, and Headdresses / Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence / Part II. Histories and Genres -- 6. The Tradition of Provocateurs -- The Two Unwatchables / Real Horrorshow / Asymmetries of Desire: Salò, or the 120 Days of Sodom / Unstomachable: Irréversible and the Extreme Cinema Tradition / 7. Enduring the Avant-Garde -- Unwatchability by Choice: Isou{u2019}s Venom and Eternity / The Refusal of Spectacle: Debord{u2019}s Howls for Sade / Warhol{u2019}s Empire: Unwatched and Unwatchable / Warhol{u2019}s Empire / Watching Paint Dry / 8. Visceral Responses to Horror -- 2Peekaboo3: Thoughts on (Maybe Not) Seeing Two Horror Films / Why I Cannot Watch / Apotropes / 9. Pornography and the Question of Pleasure -- I Am Curious (Butterball) / At the Threshold to the Void / 10. Archives and the Disintegrating Image -- Restoring Blood Money / Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess / Twilight of the Dead / Part III. Spectators and Objects -- 11. Passionate Aversions -- 2Sad!3: Why I Won{u2019}t Watch Antichrist / Transforming Nihilism / Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant / The Biopic Is an Affront to the Cinema / 12. Tedious Whiteness -- White Men Behaving Sadly / 2You Is Kind, You Is Smart, You Is Important3; or, Why I Can{u2019}t Watch The Help / Two Tables and a Ladder: WCGW? / 13. Reality Trumpism -- TV Trumps / The Once and Future Hillary: Why I Won{u2019}t Watch a TV Miniseries about the 2016 U.S. Presidential Election / 14. Pedagogy and Campus Politics -- Why We Can{u2019}t Take a Joke / The Bridge and Unteachable Films / Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort / 15. The Triggered Spectator -- What Is an 2Unwatchable3 Film? (With Reference to Amour and Still Alice) / Watch at Your Own Peril / Sects, Fries, and Videotape / Off Watch / Acknowledgments -- Filmography -- Bibliography -- Notes on Contributors -- Index |
| title_auth | Unwatchable / |
| title_exact_search | Unwatchable / |
| title_full | Unwatchable / Nicholas Baer, Maggie Hennefeld, Laura Horak, Gunnar Iversen. |
| title_fullStr | Unwatchable / Nicholas Baer, Maggie Hennefeld, Laura Horak, Gunnar Iversen. |
| title_full_unstemmed | Unwatchable / Nicholas Baer, Maggie Hennefeld, Laura Horak, Gunnar Iversen. |
| title_short | Unwatchable / |
| title_sort | unwatchable |
| topic | Image (Philosophy) http://id.loc.gov/authorities/subjects/sh91002569 Visual communication Psychological aspects. Representation (Philosophy) http://id.loc.gov/authorities/subjects/sh85112936 Visual perception Philosophy. Mass media and the arts. http://id.loc.gov/authorities/subjects/sh85081890 Image (Philosophie) Communication visuelle Aspect psychologique. Représentation (Philosophie) Perception visuelle Philosophie. Médias et arts. PERFORMING ARTS / General. bisacsh Image (Philosophy) fast Mass media and the arts fast Representation (Philosophy) fast Visual communication Psychological aspects fast Visual perception Philosophy fast |
| topic_facet | Image (Philosophy) Visual communication Psychological aspects. Representation (Philosophy) Visual perception Philosophy. Mass media and the arts. Image (Philosophie) Communication visuelle Aspect psychologique. Représentation (Philosophie) Perception visuelle Philosophie. Médias et arts. PERFORMING ARTS / General. Mass media and the arts Visual communication Psychological aspects Visual perception Philosophy |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1782069 |
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