A close and distant reading of Shakespearean intertextuality: towards a mixed method approach for literary studies
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
München
Universitätsbibliothek Ludwig-Maximilians-Universität
2020
Dortmund readbox publishing |
| Ausgabe: | First published |
| Schriftenreihe: | Open Publishing in the Humanities
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| Online-Zugang: | kostenfrei Inhaltsverzeichnis |
| Beschreibung: | XII, 269 Seiten 24 cm x 17 cm, 482 g |
| ISBN: | 3959251351 9783959251358 9783959251365 |
Internformat
MARC
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| 020 | |a 3959251351 |9 3-95925-135-1 | ||
| 020 | |a 9783959251358 |c : EUR 33.10 (DE), EUR 34.10 (AT) |9 978-3-95925-135-8 | ||
| 020 | |a 9783959251365 |c OnlineVersion |9 978-3-95925-136-5 | ||
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| 100 | 1 | |a Molz, Johannes |d 1982- |e Verfasser |0 (DE-588)1210097265 |4 aut | |
| 245 | 1 | 0 | |a A close and distant reading of Shakespearean intertextuality |b towards a mixed method approach for literary studies |c by Johannes Molz |
| 250 | |a First published | ||
| 264 | 1 | |a München |b Universitätsbibliothek Ludwig-Maximilians-Universität |c 2020 | |
| 264 | 1 | |a Dortmund |b readbox publishing | |
| 300 | |a XII, 269 Seiten |c 24 cm x 17 cm, 482 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Open Publishing in the Humanities | |
| 502 | |b Dissertation |c Ludwig-Maximilians-Universität München |d 2019 | ||
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 2000-2020 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Digital Humanities |0 (DE-588)1038714850 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Intertextualität |0 (DE-588)4114051-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 653 | |a Contemporary British Literature | ||
| 653 | |a Digital Humanities | ||
| 653 | |a Intertextuality | ||
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |D p |
| 689 | 0 | 1 | |a Rezeption |0 (DE-588)4049716-1 |D s |
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| 689 | 0 | 3 | |a Literatur |0 (DE-588)4035964-5 |D s |
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| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |o 10.5282/oph.4 |o urn:nbn:de:bvb:19-254321 |z 978-3-95925-136-5 |
| 787 | 0 | 8 | |i Forschungsdaten |o 10.5282/ubm/data.177 |w (DE-604)BV046724314 |
| 856 | 4 | 1 | |u https://nbn-resolving.org/urn:nbn:de:bvb:19-254321 |x Verlag |z kostenfrei |3 Volltext |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032113947&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 912 | |a ebook | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032113947 | ||
Datensatz im Suchindex
| _version_ | 1804181432308858880 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGEMENTS
......................................................................................................................
IX
SUMMARY
.......................................................................................................................................
XI
1
PRELIMINARY
MATTERS
.................................................................................................
1
1.1
HYPOTHESIS
AND
RESEARCH
QUESTIONS
...............................................................................
3
1.2
CURRENT
STATE
OF
RELATED
RESEARCH
..................................................................................
4
1.2.1
INTERTEXTUALITY
.........................................................................................................
4
1.2.2
SHAKESPEAREAN
INTERTEXTUALITY
...............................................................................
6
1.2.3
INTERTEXTUAL
SHAKESPEARE
.......................................................................................
8
1.3
RELEVANCE...........................................................................................................................
9
2
QUALITATIVE
SHAKESPEAREAN
INTERTEXTUALITY
...........................................................
11
2.1
QUALITATIVE
METHODOLOGY
...............................................................................................
11
2.1.1
THE
TEXTUAL
CORPORA
..............................................................................................
12
2.1.1.1
THE
PROBLEM
OF
REPRESENTATIVENESS
......................................................
12
2.1.1.2
THE
CONTEMPORARY
CORPUS
.....................................................................
14
2.1.1.3
THE
SHAKESPEAREAN
CORPUS
....................................................................
15
2.1.2
METHOD
..................................................................................................................
17
2.1.2.1
GENERAL
TAXONOMY
.................................................................................
17
2.1.2.2
QUOTE
SPOTTING
......................................................................................
18
2.1.2.3
CLASSIFICATION
OF
THE
REFERENCES
............................................................
19
2.1.2.4
DOCUMENTATION
AND
METRICS
................................................................
21
2.1.2.5
DISTINGUISHING
REFERENCES
FROM
IDIOMATIC
ENGLISH
...............................24
2.1.2.6
INTENTION
AND
USE
OF
THE
REFERENCES
....................................................
24
2.1.2.7
QUOTATION
STRATEGIES
.............................................................................
26
2.1.2.8
APPROPRIATIONS
AND
ADAPTATIONS
..........................................................26
2.2
THE
MAGICAL
REALISTS
.......................................................................................................
28
2.2.1
ANGELA
CARTER
(1940-1992)
..................................................................................
29
2.2.1.1
NIGHTS
AT
THE
CIRCUS
................................................................................
30
2.2.1.2
WISE
CHILDREN
.........................................................................................
32
2.2.1.3
SHAKESPEARE
IN
CARTER S
OTHER
NOVELS
...................................................
37
2.2.1.4
BURNING
YOUR
BOATS
.................................................................................
38
2.2.1.5
SHAKING
A
LEG
.........................................................................................
41
2.2.1.1
ANGELA
CARTER S
QUOTATION
STRATEGY
.......................................................
43
2.2.2
ARUNDHATI
ROY
(*1
961)
..........................................................................................
44
2.2.2.1
THE
GOD
OF
SMALL
THINGS
........................................................................
45
2.2.2.2
THE
MINISTRY
OF
UTMOST
HAPPINESS
.......................................................
46
2.2.23
ARUNDHATI
ROY S
QUOTATION
STRATEGY
......................................................47
VI
CONTENTS
2.2.3
SALMAN
RUSHDIE
(*1
947)
........................................................................................
48
2.2.3.1
SHAME
.......................................................................................................
48
2.23.2
THE
SATANIC
VERSES
...................................................................................
49
2.23.3
EAST,
WEST
..................................................................................................
51
2.23.4
THE
MOOR S
LAST
SIGH
................................................................................
54
2.23.5
FURY
............................................................................................................
56
2.23.6
STEP
ACROSS
THIS
LINE
................................................................................
58
2.23.7
JOSEPH
ANTON
...........................................................................................
59
2.23.8
THE
GOLDEN
HOUSE
...................................................................................
61
2.23.9
SHAKESPEARE
IN
THE
REST
OF
RUSHDIE S
CEUVRE
..........................................
62
2.2.3.10
SALMAN
RUSHDIE S
QUOTATION
STRATEGY
....................................................
63
2.2.4
ZADIE
SMITH
(*1
975)
...............................................................................................
65
2.2.4.1
WHITE
TEETH
..............................................................................................
65
2.2.4.2
ON
BEAUTY
.................................................................................................66
2.2.43
THE
AUTOGRAPH
MAN,
NW,
SWING
TIME
..................................................
67
2.2.4.4
ZADIE
SMITH S
QUOTATION
STRATEGY
...........................................................68
2.2.5
RESULTS
AND
QUOTATION
STRATEGIES
OF
THE
MAGICAL
REALISTS
..................................69
2.3
THE
OXBRIDGE
CONNECTION
...............................................................................................
71
2.3.1
DOUGLAS
ADAMS
(1952-2001)
................................................................................
71
2.3.1.1
THE
HITCHHIKER S
GUIDE
TO
THE
GALAXY
....................................................
71
2.3.1.2
DOUGLAS
ADAMS S
QUOTATION
STRATEGY
....................................................
73
2.3.2
JULIAN
BARNES
(*1946)
.............................................................................................
73
23.2.1
TALKING
IT
OVER
..........................................................................................
74
23.2.2
ENGLAND,
ENGLAND
.....................................................................................
74
2.3.23
PULSE
.........................................................................................................
75
23.2.4
THE
NOISE
OF
TIME
....................................................................................
76
23.2.5
SHAKESPEARE
IN
BARNES S
OTHER
PROSE
WORKS
...........................................
77
23.2.6
JULIAN
BARNES S
QUOTATION
STRATEGY
.........................................................
79
2.3.3
STEPHEN
FRY
(*1
957)
...............................................................................................
80
23.3.1
SHAKESPEARE
IN
FRY S
NOVELS
....................................................................
80
23.3.2
SHAKESPEARE
IN
FRY S
NON-FICTION
............................................................
87
23.3.3
STEPHEN
FRY S
QUOTATION
STRATEGY
...........................................................
97
2.3.4
HUGH
LAURIE
(*1
959)
*
THE
GUN
SELLER
..................................................................98
2.3.5
RESULTS
AND
QUOTATION
STRATEGIES
IN
THE
OXBRIDGE
CONNECTION
.........................99
2.4
THE
CONTEMPORARY
FANTASISTS
.......................................................................................
100
2.4.1
JASPER
FFORDE
(*1961)
..........................................................................................
102
2.4.1.3
THURSDAY
NEXT
SERIES
.............................................................................
103
2.4.1.2
SHAKESPEARE
IN
FFORDE S
OTHER
NOVELS
..................................................
130
2.4.1.3
JASPER
FFORDE S
QUOTATION
STRATEGY
......................................................
134
CONTENTS
VII
2.4.2
NEIL
CAIMAN
(*1960)
............................................................................................
136
2.4.2.1
SHAKESPEARE
IN
CAIMAN S
NOVELS
AND
FURTHER
PROSE
...........................
136
2.4.2.2
THE
SANDMAN
.......................................................................................
141
2.4.23
NEIL
CAIMAN S
QUOTATION
STRATEGY
.......................................................
151
2.4.3
TERRY
PRATCHETT
(1948-2015)
...............................................................................
152
2.4.3.1
WYRD
SISTERS
..........................................................................................
153
2.43.2
LORDS
AND
LADIES
..................................................................................
158
2.4.33
THE
SCIENCE
OF
DISCWORLD
I
*
IV
.............................................................
160
2.43.4
UNSEEN
ACADEMICALS
............................................................................
163
2.43.5
SHAKESPEARE
IN
THE
REST
OF
PRATCHETT S
NOVELS
....................................
164
2.43.6
TERRY
PRATCHETT S
QUOTATION
STRATEGY
...................................................
167
2.4.4
RESULTS
AND
QUOTATION
STRATEGIES
IN
CONTEMPORARY
FANTASY
...........................
171
2.5
QUALITATIVE
RESULTS
.......................................................................................................
174
2.5.1
QUOTATION
STRATEGIES
BY
GENRE
.........................................................................
175
2.5.2
QUOTATION
STRATEGIES
BY
NUMBERS
....................................................................
176
2.5.3
SHAKESPEARE S
PLAYS
RANKED
BY
QUOTATIONS
.....................................................
178
2.5.4
SUMMING
UP
THE
QUALITATIVE
RESULTS
.................................................................
180
3
QUANTITATIVE
SHAKESPEAREAN
INTERTEXTUALITY
......................................................
183
3.1
QUANTITATIVE
METHODOLOGY
...........................................................................................
184
3.1.1
DIGITAL
HUMANITIES
..............................................................................................
184
3.1.2
DISTANT
READING
...................................................................................................
185
3.1.3
MIXED
METHODS
................................................................................................
187
3.1.4
RELATED
RESEARCH.................................................................................................
190
3.1.4.1
RELATED
RESEARCH
IN
TEXT
REUSE...........................................................
190
3.1.4.2
RELATED
RESEARCH
IN
DIGITAL
SHAKESPEARE
STUDIES
...............................
191
3.2
THE
QUANTITATIVE
STUDY
.................................................................................................
192
3.2.1
STEP
I:
CHOICE
OF
TOOLS
AND
CORPORA
..................................................................
194
3.2.2
STEP
II:
DIGITALISATION
...........................................................................................
195
3.2.3
STEP
III:
PRE-PROCESSING........................................................................................
196
3.2.4
STEP
IV:
SEGMENTATION
INTO
N-GRAMS
..................................................................
197
3.2.5
STEP
V:
ALIGNMENT/SMITH-WATERMAN
ALGORITHM
.............................................
198
3.2.6
STEP
VI:
EXPORT
OF
THE
RESULTS
............................................................................200
3.2.7
STEP
VII:
INTERPRETATION
OF
THE
RESULTS
...............................................................
201
3.2.8
STEP
VIII:
THE
KEYWORD
LIST
.................................................................................
204
3.2.9
DIVISION
OF
LABOUR
..............................................................................................
204
VIII
CONTENTS
3.3
COMPARISON
OF
THE
METHODS
........................................................................................
205
3.3.1
A
DISTANT
READING
OF
THE
NUMBERS
...................................................................
205
3.3.2
QUOTATIONS:
SMITH-WATERMAN
VS.
MANUAL
SEARCH
..............................................
212
3.3.2.1
STEPHEN
FRY
...........................................................................................
213
33.2.2
TERRY
PRATCHETT
.......................................................................................
220
33.2.3
SALMAN
RUSHDIE
.....................................................................................227
33.2.4
ALGORITHM
OVERFLOW
...............................................................................
233
3.3.3
THE
KEYWORD
SEARCH
...........................................................................................
234
3.3.4
RE-EVALUATION
OF
THE
QUOTATION
STRATEGIES
.......................................................239
33.4.1 REPERCUSSIONS
ON
FRY S
QUOTATION
STRATEGY
.........................................
239
33.4.2
REPERCUSSIONS
ON
RUSHDIE S
QUOTATION
STRATEGY
.................................239
3.3.43
REPERCUSSIONS
ON
PRATCHETT S
QUOTATION
STRATEGY
..............................240
33.5
SUMMING
UP
THE
COMPARISON
..........................................................................
242
33.5.1
ADVANTAGES
AND
PROBLEMS
OF
THE
MANUAL
SEARCH
................................
243
33.5.2
ADVANTAGES
AND
PROBLEMS
OF
THE
SMITH-WATERMAN
ALGORITHM
........
244
33.5.3
SUMMARY
OF
THE
COMPARISON
...............................................................
244
4
POSTLUDIUM
.............................................................................................................
247
4.1
DM:
THE
END
OF
LITERARY
STUDIES?
...................................................................................
247
4.2
DESIDERATA
.......................................................................................................................248
4.3
FINAL
WORDS
.....................................................................................................................249
LIST
OF
ABBREVIATIONS
.................................................................................................
251
LIST
OF
IMAGES
............................................................................................................
251
LIST
OF
FIGURES
............................................................................................................
252
REFERENCES
.................................................................................................................
254
|
| adam_txt |
CONTENTS
ACKNOWLEDGEMENTS
.
IX
SUMMARY
.
XI
1
PRELIMINARY
MATTERS
.
1
1.1
HYPOTHESIS
AND
RESEARCH
QUESTIONS
.
3
1.2
CURRENT
STATE
OF
RELATED
RESEARCH
.
4
1.2.1
INTERTEXTUALITY
.
4
1.2.2
SHAKESPEAREAN
INTERTEXTUALITY
.
6
1.2.3
INTERTEXTUAL
SHAKESPEARE
.
8
1.3
RELEVANCE.
9
2
QUALITATIVE
SHAKESPEAREAN
INTERTEXTUALITY
.
11
2.1
QUALITATIVE
METHODOLOGY
.
11
2.1.1
THE
TEXTUAL
CORPORA
.
12
2.1.1.1
THE
PROBLEM
OF
REPRESENTATIVENESS
.
12
2.1.1.2
THE
CONTEMPORARY
CORPUS
.
14
2.1.1.3
THE
SHAKESPEAREAN
CORPUS
.
15
2.1.2
METHOD
.
17
2.1.2.1
GENERAL
TAXONOMY
.
17
2.1.2.2
QUOTE
SPOTTING
.
18
2.1.2.3
CLASSIFICATION
OF
THE
REFERENCES
.
19
2.1.2.4
DOCUMENTATION
AND
METRICS
.
21
2.1.2.5
DISTINGUISHING
REFERENCES
FROM
IDIOMATIC
ENGLISH
.24
2.1.2.6
INTENTION
AND
USE
OF
THE
REFERENCES
.
24
2.1.2.7
QUOTATION
STRATEGIES
.
26
2.1.2.8
APPROPRIATIONS
AND
ADAPTATIONS
.26
2.2
THE
MAGICAL
REALISTS
.
28
2.2.1
ANGELA
CARTER
(1940-1992)
.
29
2.2.1.1
NIGHTS
AT
THE
CIRCUS
.
30
2.2.1.2
WISE
CHILDREN
.
32
2.2.1.3
SHAKESPEARE
IN
CARTER'S
OTHER
NOVELS
.
37
2.2.1.4
BURNING
YOUR
BOATS
.
38
2.2.1.5
SHAKING
A
LEG
.
41
2.2.1.1
ANGELA
CARTER'S
QUOTATION
STRATEGY
.
43
2.2.2
ARUNDHATI
ROY
(*1
961)
.
44
2.2.2.1
THE
GOD
OF
SMALL
THINGS
.
45
2.2.2.2
THE
MINISTRY
OF
UTMOST
HAPPINESS
.
46
2.2.23
ARUNDHATI
ROY'S
QUOTATION
STRATEGY
.47
VI
CONTENTS
2.2.3
SALMAN
RUSHDIE
(*1
947)
.
48
2.2.3.1
SHAME
.
48
2.23.2
THE
SATANIC
VERSES
.
49
2.23.3
EAST,
WEST
.
51
2.23.4
THE
MOOR'S
LAST
SIGH
.
54
2.23.5
FURY
.
56
2.23.6
STEP
ACROSS
THIS
LINE
.
58
2.23.7
JOSEPH
ANTON
.
59
2.23.8
THE
GOLDEN
HOUSE
.
61
2.23.9
SHAKESPEARE
IN
THE
REST
OF
RUSHDIE'S
CEUVRE
.
62
2.2.3.10
SALMAN
RUSHDIE'S
QUOTATION
STRATEGY
.
63
2.2.4
ZADIE
SMITH
(*1
975)
.
65
2.2.4.1
WHITE
TEETH
.
65
2.2.4.2
ON
BEAUTY
.66
2.2.43
THE
AUTOGRAPH
MAN,
NW,
SWING
TIME
.
67
2.2.4.4
ZADIE
SMITH'S
QUOTATION
STRATEGY
.68
2.2.5
RESULTS
AND
QUOTATION
STRATEGIES
OF
THE
MAGICAL
REALISTS
.69
2.3
THE
OXBRIDGE
CONNECTION
.
71
2.3.1
DOUGLAS
ADAMS
(1952-2001)
.
71
2.3.1.1
THE
HITCHHIKER'S
GUIDE
TO
THE
GALAXY
.
71
2.3.1.2
DOUGLAS
ADAMS'S
QUOTATION
STRATEGY
.
73
2.3.2
JULIAN
BARNES
(*1946)
.
73
23.2.1
TALKING
IT
OVER
.
74
23.2.2
ENGLAND,
ENGLAND
.
74
2.3.23
PULSE
.
75
23.2.4
THE
NOISE
OF
TIME
.
76
23.2.5
SHAKESPEARE
IN
BARNES'S
OTHER
PROSE
WORKS
.
77
23.2.6
JULIAN
BARNES'S
QUOTATION
STRATEGY
.
79
2.3.3
STEPHEN
FRY
(*1
957)
.
80
23.3.1
SHAKESPEARE
IN
FRY'S
NOVELS
.
80
23.3.2
SHAKESPEARE
IN
FRY'S
NON-FICTION
.
87
23.3.3
STEPHEN
FRY'S
QUOTATION
STRATEGY
.
97
2.3.4
HUGH
LAURIE
(*1
959)
*
THE
GUN
SELLER
.98
2.3.5
RESULTS
AND
QUOTATION
STRATEGIES
IN
THE
OXBRIDGE
CONNECTION
.99
2.4
THE
CONTEMPORARY
FANTASISTS
.
100
2.4.1
JASPER
FFORDE
(*1961)
.
102
2.4.1.3
THURSDAY
NEXT
SERIES
.
103
2.4.1.2
SHAKESPEARE
IN
FFORDE'S
OTHER
NOVELS
.
130
2.4.1.3
JASPER
FFORDE'S
QUOTATION
STRATEGY
.
134
CONTENTS
VII
2.4.2
NEIL
CAIMAN
(*1960)
.
136
2.4.2.1
SHAKESPEARE
IN
CAIMAN'S
NOVELS
AND
FURTHER
PROSE
.
136
2.4.2.2
THE
SANDMAN
.
141
2.4.23
NEIL
CAIMAN'S
QUOTATION
STRATEGY
.
151
2.4.3
TERRY
PRATCHETT
(1948-2015)
.
152
2.4.3.1
WYRD
SISTERS
.
153
2.43.2
LORDS
AND
LADIES
.
158
2.4.33
THE
SCIENCE
OF
DISCWORLD
I
*
IV
.
160
2.43.4
UNSEEN
ACADEMICALS
.
163
2.43.5
SHAKESPEARE
IN
THE
REST
OF
PRATCHETT'S
NOVELS
.
164
2.43.6
TERRY
PRATCHETT'S
QUOTATION
STRATEGY
.
167
2.4.4
RESULTS
AND
QUOTATION
STRATEGIES
IN
CONTEMPORARY
FANTASY
.
171
2.5
QUALITATIVE
RESULTS
.
174
2.5.1
QUOTATION
STRATEGIES
BY
GENRE
.
175
2.5.2
QUOTATION
STRATEGIES
BY
NUMBERS
.
176
2.5.3
SHAKESPEARE'S
PLAYS
RANKED
BY
QUOTATIONS
.
178
2.5.4
SUMMING
UP
THE
QUALITATIVE
RESULTS
.
180
3
QUANTITATIVE
SHAKESPEAREAN
INTERTEXTUALITY
.
183
3.1
QUANTITATIVE
METHODOLOGY
.
184
3.1.1
DIGITAL
HUMANITIES
.
184
3.1.2
DISTANT
READING
.
185
3.1.3
"MIXED"
METHODS
.
187
3.1.4
RELATED
RESEARCH.
190
3.1.4.1
RELATED
RESEARCH
IN
TEXT
REUSE.
190
3.1.4.2
RELATED
RESEARCH
IN
DIGITAL
SHAKESPEARE
STUDIES
.
191
3.2
THE
QUANTITATIVE
STUDY
.
192
3.2.1
STEP
I:
CHOICE
OF
TOOLS
AND
CORPORA
.
194
3.2.2
STEP
II:
DIGITALISATION
.
195
3.2.3
STEP
III:
PRE-PROCESSING.
196
3.2.4
STEP
IV:
SEGMENTATION
INTO
N-GRAMS
.
197
3.2.5
STEP
V:
ALIGNMENT/SMITH-WATERMAN
ALGORITHM
.
198
3.2.6
STEP
VI:
EXPORT
OF
THE
RESULTS
.200
3.2.7
STEP
VII:
INTERPRETATION
OF
THE
RESULTS
.
201
3.2.8
STEP
VIII:
THE
KEYWORD
LIST
.
204
3.2.9
DIVISION
OF
LABOUR
.
204
VIII
CONTENTS
3.3
COMPARISON
OF
THE
METHODS
.
205
3.3.1
A
DISTANT
READING
OF
THE
NUMBERS
.
205
3.3.2
QUOTATIONS:
SMITH-WATERMAN
VS.
MANUAL
SEARCH
.
212
3.3.2.1
STEPHEN
FRY
.
213
33.2.2
TERRY
PRATCHETT
.
220
33.2.3
SALMAN
RUSHDIE
.227
33.2.4
ALGORITHM
OVERFLOW
.
233
3.3.3
THE
KEYWORD
SEARCH
.
234
3.3.4
RE-EVALUATION
OF
THE
QUOTATION
STRATEGIES
.239
33.4.1 REPERCUSSIONS
ON
FRY'S
QUOTATION
STRATEGY
.
239
33.4.2
REPERCUSSIONS
ON
RUSHDIE'S
QUOTATION
STRATEGY
.239
3.3.43
REPERCUSSIONS
ON
PRATCHETT'S
QUOTATION
STRATEGY
.240
33.5
SUMMING
UP
THE
COMPARISON
.
242
33.5.1
ADVANTAGES
AND
PROBLEMS
OF
THE
MANUAL
SEARCH
.
243
33.5.2
ADVANTAGES
AND
PROBLEMS
OF
THE
SMITH-WATERMAN
ALGORITHM
.
244
33.5.3
SUMMARY
OF
THE
COMPARISON
.
244
4
POSTLUDIUM
.
247
4.1
DM:
THE
END
OF
LITERARY
STUDIES?
.
247
4.2
DESIDERATA
.248
4.3
FINAL
WORDS
.249
LIST
OF
ABBREVIATIONS
.
251
LIST
OF
IMAGES
.
251
LIST
OF
FIGURES
.
252
REFERENCES
.
254 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Molz, Johannes 1982- |
| author_GND | (DE-588)1210097265 |
| author_facet | Molz, Johannes 1982- |
| author_role | aut |
| author_sort | Molz, Johannes 1982- |
| author_variant | j m jm |
| building | Verbundindex |
| bvnumber | BV046703449 |
| collection | ebook |
| ctrlnum | (OCoLC)1164620412 (DE-599)DNB1207488151 |
| discipline | Sprachwissenschaft |
| discipline_str_mv | Sprachwissenschaft |
| edition | First published |
| era | Geschichte 2000-2020 gnd |
| era_facet | Geschichte 2000-2020 |
| format | Thesis Book |
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| id | DE-604.BV046703449 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:28:58Z |
| indexdate | 2024-07-10T08:51:34Z |
| institution | BVB |
| isbn | 3959251351 9783959251358 9783959251365 |
| language | English |
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| oclc_num | 1164620412 |
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| owner | DE-29 DE-384 DE-473 DE-BY-UBG DE-703 DE-1051 DE-824 DE-12 DE-91 DE-BY-TUM DE-19 DE-BY-UBM DE-1049 DE-92 DE-739 DE-898 DE-BY-UBR DE-355 DE-BY-UBR DE-706 DE-20 DE-1102 DE-860 DE-2174 |
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| physical | XII, 269 Seiten 24 cm x 17 cm, 482 g |
| psigel | ebook |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Universitätsbibliothek Ludwig-Maximilians-Universität readbox publishing |
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| spelling | Molz, Johannes 1982- Verfasser (DE-588)1210097265 aut A close and distant reading of Shakespearean intertextuality towards a mixed method approach for literary studies by Johannes Molz First published München Universitätsbibliothek Ludwig-Maximilians-Universität 2020 Dortmund readbox publishing XII, 269 Seiten 24 cm x 17 cm, 482 g txt rdacontent n rdamedia nc rdacarrier Open Publishing in the Humanities Dissertation Ludwig-Maximilians-Universität München 2019 Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 2000-2020 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Digital Humanities (DE-588)1038714850 gnd rswk-swf Intertextualität (DE-588)4114051-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Contemporary British Literature Digital Humanities Intertextuality (DE-588)4113937-9 Hochschulschrift gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Rezeption (DE-588)4049716-1 s Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Intertextualität (DE-588)4114051-5 s Digital Humanities (DE-588)1038714850 s Geschichte 2000-2020 z DE-604 Erscheint auch als Online-Ausgabe 10.5282/oph.4 urn:nbn:de:bvb:19-254321 978-3-95925-136-5 Forschungsdaten 10.5282/ubm/data.177 (DE-604)BV046724314 https://nbn-resolving.org/urn:nbn:de:bvb:19-254321 Verlag kostenfrei Volltext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032113947&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Molz, Johannes 1982- A close and distant reading of Shakespearean intertextuality towards a mixed method approach for literary studies Shakespeare, William 1564-1616 (DE-588)118613723 gnd Literatur (DE-588)4035964-5 gnd Digital Humanities (DE-588)1038714850 gnd Intertextualität (DE-588)4114051-5 gnd Englisch (DE-588)4014777-0 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4035964-5 (DE-588)1038714850 (DE-588)4114051-5 (DE-588)4014777-0 (DE-588)4049716-1 (DE-588)4113937-9 |
| title | A close and distant reading of Shakespearean intertextuality towards a mixed method approach for literary studies |
| title_auth | A close and distant reading of Shakespearean intertextuality towards a mixed method approach for literary studies |
| title_exact_search | A close and distant reading of Shakespearean intertextuality towards a mixed method approach for literary studies |
| title_exact_search_txtP | A close and distant reading of Shakespearean intertextuality towards a mixed method approach for literary studies |
| title_full | A close and distant reading of Shakespearean intertextuality towards a mixed method approach for literary studies by Johannes Molz |
| title_fullStr | A close and distant reading of Shakespearean intertextuality towards a mixed method approach for literary studies by Johannes Molz |
| title_full_unstemmed | A close and distant reading of Shakespearean intertextuality towards a mixed method approach for literary studies by Johannes Molz |
| title_short | A close and distant reading of Shakespearean intertextuality |
| title_sort | a close and distant reading of shakespearean intertextuality towards a mixed method approach for literary studies |
| title_sub | towards a mixed method approach for literary studies |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Literatur (DE-588)4035964-5 gnd Digital Humanities (DE-588)1038714850 gnd Intertextualität (DE-588)4114051-5 gnd Englisch (DE-588)4014777-0 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Shakespeare, William 1564-1616 Literatur Digital Humanities Intertextualität Englisch Rezeption Hochschulschrift |
| url | https://nbn-resolving.org/urn:nbn:de:bvb:19-254321 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032113947&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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