Improvising across abilities: Pauline Oliveros and the Adaptive Use Musical Instrument
"Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to collectively recount years of personal experiences, research, and perspectives on the societal and community impa...
Gespeichert in:
| Weitere Verfasser: | , , , , , , , , , , , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
University of Michigan Press
2024
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| Schriftenreihe: | Music and social justice
|
| Schlagworte: | |
| Online-Zugang: | https://library.oapen.org/handle/20.500.12657/86015 |
| Zusammenfassung: | "Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to collectively recount years of personal experiences, research, and perspectives on the societal and community impact of inclusive musical improvisation. One of the lesser-known projects of composer, improviser, and humanitarian, Pauline Oliveros (1932-2016), the AUMI was designed as a liberating and affordable alternative to the constraints of instruments created only for normative bodies, thus opening a doorway for people of all ages, genders, abilities, races, and socioeconomic backgrounds to access artistic practice with others. More than a book about AUMI, this book is an invitation to readers to use AUMI in their own communities. This book, which contains wisdom from many who have been affected by their work with the instrument and the people who use it, is a representation of how music and extemporized performance have touched the lives and minds of scholars and families alike. Not only has AUMI provided the opportunity to grow in listening to others who may speak differently (or not at all), but it has been used as an avenue for a diverse set of people to build friendships with others whom they may have never otherwise even glanced at in the street. By providing a space for every person who comes across AUMI to perform, listen, improvise, and collaborate, the continuing development of this instrument contributes to a world in which every person is heard, welcomed, and celebrated."--Publisher's description |
| Beschreibung: | "The AUMI Editorial Collective"--Cover |
| Beschreibung: | xiv, 390 Seiten Illustrationen, Porträts 23 cm |
| ISBN: | 9780472055739 0472055739 9780472075737 047207573X |
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| 245 | 1 | 0 | |a Improvising across abilities |b Pauline Oliveros and the Adaptive Use Musical Instrument |c editorial collective: Thomas Ciufo, Abbey Dvorak, Kip Haaheim, Jennifer Hurst, IONE, Grace Shih-en Leu, Leaf Miller, Ray Mizumura-Pence, Nicola Oddy, Jesse Stewart, John Sullivan, Sherrie Tucker, Ellen Waterman, Ranita Wilks |
| 246 | 1 | 3 | |a Pauline Oliveros and the Adaptive Use Musical Instrument |
| 246 | 1 | 0 | |a Pauline Oliveros and the Adaptive Use Musical Instrument |
| 264 | 1 | |a Ann Arbor |b University of Michigan Press |c 2024 | |
| 300 | |a xiv, 390 Seiten |b Illustrationen, Porträts |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Music and social justice | |
| 500 | |a "The AUMI Editorial Collective"--Cover | ||
| 505 | 8 | 0 | |t Going deep : AUMI since before the beginning |r Leaf Miller ; illustrations by Ty Dykema |t From punk philosophy to musical accessibility |r Zane Van Dusen |t My transformation into a masterpiece musical instrument and musician |r Clara Tomaz |t The gift of expression : playing AUMI with my son |r Julie Brocklehurst |t AUMI as a model for social justice |r George Lipsitz |t The dream of AUMI |r IONE |t AUMI in the context of adaptive music |r Alex Lubet |t AUMI among the ADMIs : the adaptive digital context |r Grace Shih-en Leu |t AUMI development and developers : the DLI years (2007-2012) |r Sherrie Tucker |t AUMI technology development at McGill (2012-2019) |r John Sullivan, Ivan Franco, Ian Hattwick, Thomas Ciufo, Eric Lewis |t How adaptive, how useful? Technological design solutions in AUMI for iOS |r Henry Lowengard |t Pauline's world of virtuosos : expanded instruments, deep listening, and stretched boundaries |r Jonas Braasch |t Exploring AUMI's potential in the Thunder Bay community : an interview between Nicola Oddy and Lise Vaugeois -- |t Building and sustaining ethical communities together : an interview with Rebecca Caines by Ellen Waterman -- |t There's no place like AUMI : building a community partnership in Lawrence, Kansas |r Jim Barnes, Kip Haaheim, Ray Mizumura-Pence, Sherrie Tucker, and Ranita Wilks |t Love, actually : using AUMI to transgress ableist directing habits |r Nicole Hodges Persley |t Wooden snapdragon |r Julie Unruh |t Improvising inclusive communities : shared reflections on the Jesse Stewart residency in Lawrence, Kansas |r Abbey Dvorak, Kip Haaheim, Ray Mizumura-Pence, and Sherrie Tucker |
| 505 | 8 | 0 | |t Sending and receiving : AUMI bodies and dance improvisation |r Michelle Heffner Hayes and Sherrie Tucker |t Communities of generosity and gratitude : AUMI-KU InterArts' first decade |r Ray Mizumura-Pence |t WAAM + AUMI : the We Are All Musicians Project and the Adaptive Use Musical Instrument |r Jesse Stewart |t "To me, dance is a home" : an Interview with Jessie Huggett |r Jessie Huggett interviewed by Jack Hui Litster |t "I am here" : AUMI sings and choral participation |r Ellen Waterman, Laurel Forshaw, Gillian Siddall, Henry Lowengard, Gale Franklin, Teresa Connors, and Karen Berglander |t AUMI, Theremin, and sonic witnessing |r Li Harris |t AUMI in practice : the Mills AIE |r Matt Robidoux |t Knowing as feeling : five meditations on the planets |r Kip Haaheim |t AUMI classrooms |r Jennifer Hurst and Grace Shih-en Leu |t Working with AUMI in classroom settings in a center school for students with severe cognitive and physical challenges |r Deborah A. Nelson and Nancy Patterson |t AUMI and "improvise approach" backing tracks |r Carrie Lennard |t AUMI and the ethics of technology : a personal encounter |r Eric Lewis |t AUMI and music therapy : supporting independent musicking |r Abbey Dvorak and Nicola Oddy |t Clinical applications using AUMI in music therapy practice |r Abbey L. Dvorak, James Maxson, and David Knott |t Use of AUMI in clinical music therapy for hospitalized patients with complex neurological disabilities |r Sergio Hazard |t AUMI and musical empowerment in a pediatric environment |r John Mulcahy |
| 505 | 8 | 0 | |t Dream music |r Julie Unruh |t Dreaming AUMI's future |r IONE |
| 520 | 3 | |a "Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to collectively recount years of personal experiences, research, and perspectives on the societal and community impact of inclusive musical improvisation. One of the lesser-known projects of composer, improviser, and humanitarian, Pauline Oliveros (1932-2016), the AUMI was designed as a liberating and affordable alternative to the constraints of instruments created only for normative bodies, thus opening a doorway for people of all ages, genders, abilities, races, and socioeconomic backgrounds to access artistic practice with others. More than a book about AUMI, this book is an invitation to readers to use AUMI in their own communities. This book, which contains wisdom from many who have been affected by their work with the instrument and the people who use it, is a representation of how music and extemporized performance have touched the lives and minds of scholars and families alike. Not only has AUMI provided the opportunity to grow in listening to others who may speak differently (or not at all), but it has been used as an avenue for a diverse set of people to build friendships with others whom they may have never otherwise even glanced at in the street. By providing a space for every person who comes across AUMI to perform, listen, improvise, and collaborate, the continuing development of this instrument contributes to a world in which every person is heard, welcomed, and celebrated."--Publisher's description | |
| 542 | 1 | |f This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License |u https://creativecommons.org/licenses/by-nc/4.0 | |
| 600 | 1 | 7 | |a Oliveros, Pauline |d 1932-2016 |0 (DE-588)11929320X |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Improvisation |0 (DE-588)4127993-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikinstrument |0 (DE-588)4040851-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Inklusion |g Soziologie |0 (DE-588)4696474-5 |2 gnd |9 rswk-swf |
| 653 | |a Adaptive use musical instrument (Computer file) | ||
| 653 | 1 | |a Oliveros, Pauline / 1932-2016 | |
| 653 | 0 | |a Software samplers | |
| 653 | 0 | |a Improvisation (Music) | |
| 653 | 0 | |a Musicians with disabilities | |
| 653 | 0 | |a Inclusive education | |
| 653 | 0 | |a Music therapy | |
| 653 | 0 | |a Échantillonneur (Instrument de musique) | |
| 653 | 0 | |a Improvisation (Musique) | |
| 653 | 0 | |a Musiciens handicapés | |
| 653 | 0 | |a Intégration scolaire | |
| 653 | 0 | |a Musicothérapie | |
| 653 | 1 | |a Oliveros, Pauline / 1932-2016 | |
| 653 | 0 | |a Improvisation (Music) | |
| 653 | 0 | |a Inclusive education | |
| 653 | 0 | |a Musicians with disabilities | |
| 689 | 0 | 0 | |a Oliveros, Pauline |d 1932-2016 |0 (DE-588)11929320X |D p |
| 689 | 0 | 1 | |a Musikinstrument |0 (DE-588)4040851-6 |D s |
| 689 | 0 | 2 | |a Improvisation |0 (DE-588)4127993-1 |D s |
| 689 | 0 | 3 | |a Inklusion |g Soziologie |0 (DE-588)4696474-5 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Ciufo, Thomas |4 edt | |
| 700 | 1 | |a Dvorak, Abbey L. |0 (DE-588)1113037326 |4 edt | |
| 700 | 1 | |a Haaheim, Bryan Kip |d 1955- |0 (DE-588)103531472X |4 edt | |
| 700 | 1 | |a Hurst, Jennifer |4 edt | |
| 700 | 0 | |a IONE |4 edt | |
| 700 | 1 | |a Leu, Grace Shih-en |4 edt | |
| 700 | 1 | |a Miller, Leaf |4 edt | |
| 700 | 1 | |a Mizumura-Pence, Ray |4 edt | |
| 700 | 1 | |a Oddy, Nicola |4 edt | |
| 700 | 1 | |a Stewart, Jesse |d 1974- |0 (DE-588)1047115360 |4 edt | |
| 700 | 1 | |a Sullivan, John |4 edt | |
| 700 | 1 | |a Tucker, Sherrie |d 1957- |0 (DE-588)1025954947 |4 edt | |
| 700 | 1 | |a Waterman, Ellen |d 1963- |0 (DE-588)1092231900 |4 edt | |
| 700 | 1 | |a Wilks, Ranita |4 edt | |
| 776 | 0 | 8 | |i Online version |t Improvising across abilities |d Ann Arbor, Michigan : University of Michigan Press, 2024 |z 9780472903689 |
| 856 | 4 | |u https://library.oapen.org/handle/20.500.12657/86015 | |
| 940 | 1 | |q BSB_NED_20240624 | |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035018541 | |
Datensatz im Suchindex
| _version_ | 1806324565584904192 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Ciufo, Thomas Dvorak, Abbey L. Haaheim, Bryan Kip 1955- Hurst, Jennifer IONE Leu, Grace Shih-en Miller, Leaf Mizumura-Pence, Ray Oddy, Nicola Stewart, Jesse 1974- Sullivan, John Tucker, Sherrie 1957- Waterman, Ellen 1963- Wilks, Ranita |
| author2_role | edt edt edt edt edt edt edt edt edt edt edt edt edt edt |
| author2_variant | t c tc a l d al ald b k h bk bkh j h jh i g s e l gse gsel l m lm r m p rmp n o no j s js j s js s t st e w ew r w rw |
| author_GND | (DE-588)1113037326 (DE-588)103531472X (DE-588)1047115360 (DE-588)1025954947 (DE-588)1092231900 |
| author_additional | Leaf Miller ; illustrations by Ty Dykema Zane Van Dusen Clara Tomaz Julie Brocklehurst George Lipsitz IONE Alex Lubet Grace Shih-en Leu Sherrie Tucker John Sullivan, Ivan Franco, Ian Hattwick, Thomas Ciufo, Eric Lewis Henry Lowengard Jonas Braasch Jim Barnes, Kip Haaheim, Ray Mizumura-Pence, Sherrie Tucker, and Ranita Wilks Nicole Hodges Persley Julie Unruh Abbey Dvorak, Kip Haaheim, Ray Mizumura-Pence, and Sherrie Tucker Michelle Heffner Hayes and Sherrie Tucker Ray Mizumura-Pence Jesse Stewart Jessie Huggett interviewed by Jack Hui Litster Ellen Waterman, Laurel Forshaw, Gillian Siddall, Henry Lowengard, Gale Franklin, Teresa Connors, and Karen Berglander Li Harris Matt Robidoux Kip Haaheim Jennifer Hurst and Grace Shih-en Leu Deborah A. Nelson and Nancy Patterson Carrie Lennard Eric Lewis Abbey Dvorak and Nicola Oddy Abbey L. Dvorak, James Maxson, and David Knott Sergio Hazard John Mulcahy |
| author_facet | Ciufo, Thomas Dvorak, Abbey L. Haaheim, Bryan Kip 1955- Hurst, Jennifer IONE Leu, Grace Shih-en Miller, Leaf Mizumura-Pence, Ray Oddy, Nicola Stewart, Jesse 1974- Sullivan, John Tucker, Sherrie 1957- Waterman, Ellen 1963- Wilks, Ranita |
| building | Verbundindex |
| bvnumber | BV049675633 |
| contents | Going deep : AUMI since before the beginning From punk philosophy to musical accessibility My transformation into a masterpiece musical instrument and musician The gift of expression : playing AUMI with my son AUMI as a model for social justice The dream of AUMI AUMI in the context of adaptive music AUMI among the ADMIs : the adaptive digital context AUMI development and developers : the DLI years (2007-2012) AUMI technology development at McGill (2012-2019) How adaptive, how useful? Technological design solutions in AUMI for iOS Pauline's world of virtuosos : expanded instruments, deep listening, and stretched boundaries Exploring AUMI's potential in the Thunder Bay community : an interview between Nicola Oddy and Lise Vaugeois -- Building and sustaining ethical communities together : an interview with Rebecca Caines by Ellen Waterman -- There's no place like AUMI : building a community partnership in Lawrence, Kansas Love, actually : using AUMI to transgress ableist directing habits Wooden snapdragon Improvising inclusive communities : shared reflections on the Jesse Stewart residency in Lawrence, Kansas Sending and receiving : AUMI bodies and dance improvisation Communities of generosity and gratitude : AUMI-KU InterArts' first decade WAAM + AUMI : the We Are All Musicians Project and the Adaptive Use Musical Instrument "To me, dance is a home" : an Interview with Jessie Huggett "I am here" : AUMI sings and choral participation AUMI, Theremin, and sonic witnessing AUMI in practice : the Mills AIE Knowing as feeling : five meditations on the planets AUMI classrooms Working with AUMI in classroom settings in a center school for students with severe cognitive and physical challenges AUMI and "improvise approach" backing tracks AUMI and the ethics of technology : a personal encounter AUMI and music therapy : supporting independent musicking Clinical applications using AUMI in music therapy practice Use of AUMI in clinical music therapy for hospitalized patients with complex neurological disabilities AUMI and musical empowerment in a pediatric environment Dream music Dreaming AUMI's future |
| ctrlnum | (OCoLC)1443595883 (DE-599)BVBBV049675633 |
| format | Book |
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Technological design solutions in AUMI for iOS</subfield><subfield code="r">Henry Lowengard</subfield><subfield code="t">Pauline's world of virtuosos : expanded instruments, deep listening, and stretched boundaries</subfield><subfield code="r">Jonas Braasch</subfield><subfield code="t">Exploring AUMI's potential in the Thunder Bay community : an interview between Nicola Oddy and Lise Vaugeois --</subfield><subfield code="t">Building and sustaining ethical communities together : an interview with Rebecca Caines by Ellen Waterman --</subfield><subfield code="t">There's no place like AUMI : building a community partnership in Lawrence, Kansas</subfield><subfield code="r">Jim Barnes, Kip Haaheim, Ray Mizumura-Pence, Sherrie Tucker, and Ranita Wilks</subfield><subfield code="t">Love, actually : using AUMI to transgress ableist directing habits</subfield><subfield code="r">Nicole Hodges Persley</subfield><subfield code="t">Wooden snapdragon</subfield><subfield code="r">Julie Unruh</subfield><subfield code="t">Improvising inclusive communities : shared reflections on the Jesse Stewart residency in Lawrence, Kansas</subfield><subfield code="r">Abbey Dvorak, Kip Haaheim, Ray Mizumura-Pence, and Sherrie Tucker</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Sending and receiving : AUMI bodies and dance improvisation</subfield><subfield code="r">Michelle Heffner Hayes and Sherrie Tucker</subfield><subfield code="t">Communities of generosity and gratitude : AUMI-KU InterArts' first decade</subfield><subfield code="r">Ray Mizumura-Pence</subfield><subfield code="t">WAAM + AUMI : the We Are All Musicians Project and the Adaptive Use Musical Instrument</subfield><subfield code="r">Jesse Stewart</subfield><subfield code="t">"To me, dance is a home" : an Interview with Jessie Huggett</subfield><subfield code="r">Jessie Huggett interviewed by Jack Hui Litster</subfield><subfield code="t">"I am here" : AUMI sings and choral participation</subfield><subfield code="r">Ellen Waterman, Laurel Forshaw, Gillian Siddall, Henry Lowengard, Gale Franklin, Teresa Connors, and Karen Berglander</subfield><subfield code="t">AUMI, Theremin, and sonic witnessing</subfield><subfield code="r">Li Harris</subfield><subfield code="t">AUMI in practice : the Mills AIE</subfield><subfield code="r">Matt Robidoux</subfield><subfield code="t">Knowing as feeling : five meditations on the planets</subfield><subfield code="r">Kip Haaheim</subfield><subfield code="t">AUMI classrooms</subfield><subfield code="r">Jennifer Hurst and Grace Shih-en Leu</subfield><subfield code="t">Working with AUMI in classroom settings in a center school for students with severe cognitive and physical challenges</subfield><subfield code="r">Deborah A. Nelson and Nancy Patterson</subfield><subfield code="t">AUMI and "improvise approach" backing tracks</subfield><subfield code="r">Carrie Lennard</subfield><subfield code="t">AUMI and the ethics of technology : a personal encounter</subfield><subfield code="r">Eric Lewis</subfield><subfield code="t">AUMI and music therapy : supporting independent musicking</subfield><subfield code="r">Abbey Dvorak and Nicola Oddy</subfield><subfield code="t">Clinical applications using AUMI in music therapy practice</subfield><subfield code="r">Abbey L. Dvorak, James Maxson, and David Knott</subfield><subfield code="t">Use of AUMI in clinical music therapy for hospitalized patients with complex neurological disabilities</subfield><subfield code="r">Sergio Hazard</subfield><subfield code="t">AUMI and musical empowerment in a pediatric environment</subfield><subfield code="r">John Mulcahy</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Dream music</subfield><subfield code="r">Julie Unruh</subfield><subfield code="t">Dreaming AUMI's future</subfield><subfield code="r">IONE</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to collectively recount years of personal experiences, research, and perspectives on the societal and community impact of inclusive musical improvisation. One of the lesser-known projects of composer, improviser, and humanitarian, Pauline Oliveros (1932-2016), the AUMI was designed as a liberating and affordable alternative to the constraints of instruments created only for normative bodies, thus opening a doorway for people of all ages, genders, abilities, races, and socioeconomic backgrounds to access artistic practice with others. More than a book about AUMI, this book is an invitation to readers to use AUMI in their own communities. This book, which contains wisdom from many who have been affected by their work with the instrument and the people who use it, is a representation of how music and extemporized performance have touched the lives and minds of scholars and families alike. 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| id | DE-604.BV049675633 |
| illustrated | Illustrated |
| indexdate | 2024-08-03T00:35:45Z |
| institution | BVB |
| isbn | 9780472055739 0472055739 9780472075737 047207573X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035018541 |
| oclc_num | 1443595883 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xiv, 390 Seiten Illustrationen, Porträts 23 cm |
| psigel | BSB_NED_20240624 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | University of Michigan Press |
| record_format | marc |
| series2 | Music and social justice |
| spelling | Improvising across abilities Pauline Oliveros and the Adaptive Use Musical Instrument editorial collective: Thomas Ciufo, Abbey Dvorak, Kip Haaheim, Jennifer Hurst, IONE, Grace Shih-en Leu, Leaf Miller, Ray Mizumura-Pence, Nicola Oddy, Jesse Stewart, John Sullivan, Sherrie Tucker, Ellen Waterman, Ranita Wilks Pauline Oliveros and the Adaptive Use Musical Instrument Ann Arbor University of Michigan Press 2024 xiv, 390 Seiten Illustrationen, Porträts 23 cm txt rdacontent n rdamedia nc rdacarrier Music and social justice "The AUMI Editorial Collective"--Cover Going deep : AUMI since before the beginning Leaf Miller ; illustrations by Ty Dykema From punk philosophy to musical accessibility Zane Van Dusen My transformation into a masterpiece musical instrument and musician Clara Tomaz The gift of expression : playing AUMI with my son Julie Brocklehurst AUMI as a model for social justice George Lipsitz The dream of AUMI IONE AUMI in the context of adaptive music Alex Lubet AUMI among the ADMIs : the adaptive digital context Grace Shih-en Leu AUMI development and developers : the DLI years (2007-2012) Sherrie Tucker AUMI technology development at McGill (2012-2019) John Sullivan, Ivan Franco, Ian Hattwick, Thomas Ciufo, Eric Lewis How adaptive, how useful? Technological design solutions in AUMI for iOS Henry Lowengard Pauline's world of virtuosos : expanded instruments, deep listening, and stretched boundaries Jonas Braasch Exploring AUMI's potential in the Thunder Bay community : an interview between Nicola Oddy and Lise Vaugeois -- Building and sustaining ethical communities together : an interview with Rebecca Caines by Ellen Waterman -- There's no place like AUMI : building a community partnership in Lawrence, Kansas Jim Barnes, Kip Haaheim, Ray Mizumura-Pence, Sherrie Tucker, and Ranita Wilks Love, actually : using AUMI to transgress ableist directing habits Nicole Hodges Persley Wooden snapdragon Julie Unruh Improvising inclusive communities : shared reflections on the Jesse Stewart residency in Lawrence, Kansas Abbey Dvorak, Kip Haaheim, Ray Mizumura-Pence, and Sherrie Tucker Sending and receiving : AUMI bodies and dance improvisation Michelle Heffner Hayes and Sherrie Tucker Communities of generosity and gratitude : AUMI-KU InterArts' first decade Ray Mizumura-Pence WAAM + AUMI : the We Are All Musicians Project and the Adaptive Use Musical Instrument Jesse Stewart "To me, dance is a home" : an Interview with Jessie Huggett Jessie Huggett interviewed by Jack Hui Litster "I am here" : AUMI sings and choral participation Ellen Waterman, Laurel Forshaw, Gillian Siddall, Henry Lowengard, Gale Franklin, Teresa Connors, and Karen Berglander AUMI, Theremin, and sonic witnessing Li Harris AUMI in practice : the Mills AIE Matt Robidoux Knowing as feeling : five meditations on the planets Kip Haaheim AUMI classrooms Jennifer Hurst and Grace Shih-en Leu Working with AUMI in classroom settings in a center school for students with severe cognitive and physical challenges Deborah A. Nelson and Nancy Patterson AUMI and "improvise approach" backing tracks Carrie Lennard AUMI and the ethics of technology : a personal encounter Eric Lewis AUMI and music therapy : supporting independent musicking Abbey Dvorak and Nicola Oddy Clinical applications using AUMI in music therapy practice Abbey L. Dvorak, James Maxson, and David Knott Use of AUMI in clinical music therapy for hospitalized patients with complex neurological disabilities Sergio Hazard AUMI and musical empowerment in a pediatric environment John Mulcahy Dream music Julie Unruh Dreaming AUMI's future IONE "Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to collectively recount years of personal experiences, research, and perspectives on the societal and community impact of inclusive musical improvisation. One of the lesser-known projects of composer, improviser, and humanitarian, Pauline Oliveros (1932-2016), the AUMI was designed as a liberating and affordable alternative to the constraints of instruments created only for normative bodies, thus opening a doorway for people of all ages, genders, abilities, races, and socioeconomic backgrounds to access artistic practice with others. More than a book about AUMI, this book is an invitation to readers to use AUMI in their own communities. This book, which contains wisdom from many who have been affected by their work with the instrument and the people who use it, is a representation of how music and extemporized performance have touched the lives and minds of scholars and families alike. Not only has AUMI provided the opportunity to grow in listening to others who may speak differently (or not at all), but it has been used as an avenue for a diverse set of people to build friendships with others whom they may have never otherwise even glanced at in the street. By providing a space for every person who comes across AUMI to perform, listen, improvise, and collaborate, the continuing development of this instrument contributes to a world in which every person is heard, welcomed, and celebrated."--Publisher's description This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License https://creativecommons.org/licenses/by-nc/4.0 Oliveros, Pauline 1932-2016 (DE-588)11929320X gnd rswk-swf Improvisation (DE-588)4127993-1 gnd rswk-swf Musikinstrument (DE-588)4040851-6 gnd rswk-swf Inklusion Soziologie (DE-588)4696474-5 gnd rswk-swf Adaptive use musical instrument (Computer file) Oliveros, Pauline / 1932-2016 Software samplers Improvisation (Music) Musicians with disabilities Inclusive education Music therapy Échantillonneur (Instrument de musique) Improvisation (Musique) Musiciens handicapés Intégration scolaire Musicothérapie Oliveros, Pauline 1932-2016 (DE-588)11929320X p Musikinstrument (DE-588)4040851-6 s Improvisation (DE-588)4127993-1 s Inklusion Soziologie (DE-588)4696474-5 s DE-604 Ciufo, Thomas edt Dvorak, Abbey L. (DE-588)1113037326 edt Haaheim, Bryan Kip 1955- (DE-588)103531472X edt Hurst, Jennifer edt IONE edt Leu, Grace Shih-en edt Miller, Leaf edt Mizumura-Pence, Ray edt Oddy, Nicola edt Stewart, Jesse 1974- (DE-588)1047115360 edt Sullivan, John edt Tucker, Sherrie 1957- (DE-588)1025954947 edt Waterman, Ellen 1963- (DE-588)1092231900 edt Wilks, Ranita edt Online version Improvising across abilities Ann Arbor, Michigan : University of Michigan Press, 2024 9780472903689 https://library.oapen.org/handle/20.500.12657/86015 |
| spellingShingle | Improvising across abilities Pauline Oliveros and the Adaptive Use Musical Instrument Going deep : AUMI since before the beginning From punk philosophy to musical accessibility My transformation into a masterpiece musical instrument and musician The gift of expression : playing AUMI with my son AUMI as a model for social justice The dream of AUMI AUMI in the context of adaptive music AUMI among the ADMIs : the adaptive digital context AUMI development and developers : the DLI years (2007-2012) AUMI technology development at McGill (2012-2019) How adaptive, how useful? Technological design solutions in AUMI for iOS Pauline's world of virtuosos : expanded instruments, deep listening, and stretched boundaries Exploring AUMI's potential in the Thunder Bay community : an interview between Nicola Oddy and Lise Vaugeois -- Building and sustaining ethical communities together : an interview with Rebecca Caines by Ellen Waterman -- There's no place like AUMI : building a community partnership in Lawrence, Kansas Love, actually : using AUMI to transgress ableist directing habits Wooden snapdragon Improvising inclusive communities : shared reflections on the Jesse Stewart residency in Lawrence, Kansas Sending and receiving : AUMI bodies and dance improvisation Communities of generosity and gratitude : AUMI-KU InterArts' first decade WAAM + AUMI : the We Are All Musicians Project and the Adaptive Use Musical Instrument "To me, dance is a home" : an Interview with Jessie Huggett "I am here" : AUMI sings and choral participation AUMI, Theremin, and sonic witnessing AUMI in practice : the Mills AIE Knowing as feeling : five meditations on the planets AUMI classrooms Working with AUMI in classroom settings in a center school for students with severe cognitive and physical challenges AUMI and "improvise approach" backing tracks AUMI and the ethics of technology : a personal encounter AUMI and music therapy : supporting independent musicking Clinical applications using AUMI in music therapy practice Use of AUMI in clinical music therapy for hospitalized patients with complex neurological disabilities AUMI and musical empowerment in a pediatric environment Dream music Dreaming AUMI's future Oliveros, Pauline 1932-2016 (DE-588)11929320X gnd Improvisation (DE-588)4127993-1 gnd Musikinstrument (DE-588)4040851-6 gnd Inklusion Soziologie (DE-588)4696474-5 gnd |
| subject_GND | (DE-588)11929320X (DE-588)4127993-1 (DE-588)4040851-6 (DE-588)4696474-5 |
| title | Improvising across abilities Pauline Oliveros and the Adaptive Use Musical Instrument |
| title_alt | Pauline Oliveros and the Adaptive Use Musical Instrument Going deep : AUMI since before the beginning From punk philosophy to musical accessibility My transformation into a masterpiece musical instrument and musician The gift of expression : playing AUMI with my son AUMI as a model for social justice The dream of AUMI AUMI in the context of adaptive music AUMI among the ADMIs : the adaptive digital context AUMI development and developers : the DLI years (2007-2012) AUMI technology development at McGill (2012-2019) How adaptive, how useful? Technological design solutions in AUMI for iOS Pauline's world of virtuosos : expanded instruments, deep listening, and stretched boundaries Exploring AUMI's potential in the Thunder Bay community : an interview between Nicola Oddy and Lise Vaugeois -- Building and sustaining ethical communities together : an interview with Rebecca Caines by Ellen Waterman -- There's no place like AUMI : building a community partnership in Lawrence, Kansas Love, actually : using AUMI to transgress ableist directing habits Wooden snapdragon Improvising inclusive communities : shared reflections on the Jesse Stewart residency in Lawrence, Kansas Sending and receiving : AUMI bodies and dance improvisation Communities of generosity and gratitude : AUMI-KU InterArts' first decade WAAM + AUMI : the We Are All Musicians Project and the Adaptive Use Musical Instrument "To me, dance is a home" : an Interview with Jessie Huggett "I am here" : AUMI sings and choral participation AUMI, Theremin, and sonic witnessing AUMI in practice : the Mills AIE Knowing as feeling : five meditations on the planets AUMI classrooms Working with AUMI in classroom settings in a center school for students with severe cognitive and physical challenges AUMI and "improvise approach" backing tracks AUMI and the ethics of technology : a personal encounter AUMI and music therapy : supporting independent musicking Clinical applications using AUMI in music therapy practice Use of AUMI in clinical music therapy for hospitalized patients with complex neurological disabilities AUMI and musical empowerment in a pediatric environment Dream music Dreaming AUMI's future |
| title_auth | Improvising across abilities Pauline Oliveros and the Adaptive Use Musical Instrument |
| title_exact_search | Improvising across abilities Pauline Oliveros and the Adaptive Use Musical Instrument |
| title_full | Improvising across abilities Pauline Oliveros and the Adaptive Use Musical Instrument editorial collective: Thomas Ciufo, Abbey Dvorak, Kip Haaheim, Jennifer Hurst, IONE, Grace Shih-en Leu, Leaf Miller, Ray Mizumura-Pence, Nicola Oddy, Jesse Stewart, John Sullivan, Sherrie Tucker, Ellen Waterman, Ranita Wilks |
| title_fullStr | Improvising across abilities Pauline Oliveros and the Adaptive Use Musical Instrument editorial collective: Thomas Ciufo, Abbey Dvorak, Kip Haaheim, Jennifer Hurst, IONE, Grace Shih-en Leu, Leaf Miller, Ray Mizumura-Pence, Nicola Oddy, Jesse Stewart, John Sullivan, Sherrie Tucker, Ellen Waterman, Ranita Wilks |
| title_full_unstemmed | Improvising across abilities Pauline Oliveros and the Adaptive Use Musical Instrument editorial collective: Thomas Ciufo, Abbey Dvorak, Kip Haaheim, Jennifer Hurst, IONE, Grace Shih-en Leu, Leaf Miller, Ray Mizumura-Pence, Nicola Oddy, Jesse Stewart, John Sullivan, Sherrie Tucker, Ellen Waterman, Ranita Wilks |
| title_short | Improvising across abilities |
| title_sort | improvising across abilities pauline oliveros and the adaptive use musical instrument |
| title_sub | Pauline Oliveros and the Adaptive Use Musical Instrument |
| topic | Oliveros, Pauline 1932-2016 (DE-588)11929320X gnd Improvisation (DE-588)4127993-1 gnd Musikinstrument (DE-588)4040851-6 gnd Inklusion Soziologie (DE-588)4696474-5 gnd |
| topic_facet | Oliveros, Pauline 1932-2016 Improvisation Musikinstrument Inklusion Soziologie |
| url | https://library.oapen.org/handle/20.500.12657/86015 |
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