Patch & tweak: exploring modular synthesis
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Fredriksberg]
Bjooks
[2018]
|
| Ausgabe: | 3rd edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 367 Seiten 25 cm |
| ISBN: | 9788799999514 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804180142539407360 |
|---|---|
| adam_text | CONTENTS INTRODUCTION 11 SEMI-MODULARS................................................... 46 Stereo and multi voice samplers....................152 PRE-CONFIGURED SYSTEMS............................... 56 Tape and radio analogies...............................153 CASES.........................................................................66 Granular synthesis............................................ 154 Partials and overtones........................................ 12 POWER.......................................................................86 Granular drums................................................. 155 Harmonic mixtures ............................................13 AUDIO CONNECTIONS........................................ 80 HARMONICS AND SOUND.................................. 12 Subharmonics ................................................... 13 Typical audio output ranges .............................80 VOLTAGE CONTROL.............................................. 14 Output modules ............................................... 80 AUDIO MODIFIERS 161 Pitch voltages .................................................... 14 Computer and İOS audio ................................ 84 Control voltages ................................................14 Recording your modular ................................. 85 The basic VCF.................................................. 162 Audio signals..................................................... 15 MIDI CONNECTIONS..........................................90 Slopes and
poles............................................ 163 Gates, triggers, and clocks ............................... 15 Connectors........................................................90 Morphing and pinging ...................................165 Generating CVs................................................. 15 MIDI to CV/Gate ............................................... 92 Feedback........................................................ 166 Patch cables........................................................ 15 MIDI and CV software .......................................93 Filter banks .................................................... 167 Dual filters........................................................167 BUILDING BLOCKS OF SYNTHESIS................. 16 The classic oscillator waveforms....................... 16 AUDIO SOURCES 99 Resonators and formant filters........................168 Advanced tone generators ...............................17 Spectral processors.........................................169 Noise ................................................................ 17 Filter designs................................................... 170 Filters.................................................................. 18 Analog waveshapes.........................................100 WAVESHAPERS ....................................................176 Waveshapers...................................................... 19 Tuning.............................................................. 104 Rectifiers.......................................................... 176
Envelope generators.........................................20 Synchronization............................................... 112 Animators and comparators............................177 Low frequency oscillators................................. 20 Multiple oscillators ......................................... 114 Wave folders.................................................... 178 Random sources ............................................... 21 Frequency modulation....................................114 Alternate wave bending.................................. 179 Performance controllers ................................... 21 Complex oscillators........................................ 115 VCAs ....................................................................... 184 Complex alternatives .................................... 116 Linear vs. exponential...................................... 186 Shapes............................................................... 24 Phase modulation............................................ 117 AC vs. DC coupled ........................................ 186 Details signal flow..........................................25 Noise sources...................................................118 Panning VCAs................................................... 186 Audio sources modifiers............................... 26 Digital wavetable oscillators............................122 Tube VCAs........................................................186 CV sources modifiers ....................................27 Alternative
approaches................................... 130 Ring modulation.............................................. 187 East West Coast examples............................ 28 Macro oscillators.............................................. 132 Amplitude vs. balanced modulation.............. 187 Physical modelling.......................................... 134 LPGs.........................................................................192 29 DRUMS PERCUSSION .................................... 140 Passive LPGs.....................................................192 PATCH SYMBOLS ................................................... 24 SYSTEMS SETUP Percussive sounds........................................... 140 Vactrols.............................................................. 193 FORMATS................................................................ 30 Emulating classic drum machines.................. 142 MIXERS...................................................................198 3LI: Eurorack...................................................... 30 Analog percussion synthesizers ..................... 144 Audio vs. CV mixers.........................................198 4LI: Serge...........................................................31 Digital percussion synthesizers ...................... 145 Passive mixers.................................................. 198 4II: Buchla .........................................................32 SAMPLING SAMPLE PLAYBACK .................150 Stereo............................................................... 198 MU/5II: Moog and
.com................................... 33 Sampling specs................................................ 150 Crossfading and scanning.............................. 198 SOFTWAREMODULARS ......................................38 Sample players................................................ 151 Clipping and saturation .................................198
Effects sends and quad................ .... 200 Red and Brownian noise.......................... ,.253 Binary beats, alternate approaches................299 Expandable mixing systems ........ .... 201 Shift register ........................................... „253 Machine intelligence.......................................300 Chaos generators ................................... „254 Euclidean rhythms.......................................... 300 Multi-effects.................................. ....206 Turing machines ..................................... „255 Probability and chance ...................................301 Digital reverbs................................ ....207 Random sampler .................................... „255 Game algorithms............................................ 302 Delays............................................ ....208 Source of Uncertainty............................. „256 Skippers .......................................................... 302 Chorus and flanging .................... ....210 Wogglebug ............................................ „256 Burst generators.............................................. 303 EQ, compression and limiting ..... ....211 Random gates and triggers ................... „257 LOGIC FUNCTIONS ............................................ 308 Vocoders and distortion ............... ....212 GENERATIVE PATCHES............................... .260 Reading truth tables........................................ 308 Bit crushers and downsampling .... ....213 CV MODIFIERS ............................................. .268
NOT..................................................................308 Frequency shifters ........................ ....213 Attenuators............................................. „268 OR, AND, XOR.................................................309 Attenuverters........................................... „268 Applied logic, and flip-flops .......................... 310 Inverters, offsets, and adders................... „269 SEQUENCERS....................................................... 316 Multiples ................................................. „270 Traditional analog sequencers .......................318 Minimum/maximum............................... „270 Arpeggiators....................................................319 The basics.......................................................220 Rectifiers ................................................. „271 Modern digital sequencers............................. 320 Two-stage EGs ............................................... 221 Utility mixers and CVPs ........................... „271 Transposing sequences...................................321 Four-stage EGs................................................ 222 Matrix mixers........................................... „272 Step time versus real time recording.............. 321 EFFECTS ............................................. CVSOURCES MODIFIERS ......... ....206 219 ENVELOPE GENERATORS ...............................220 Delay, Hold, and Off segments...................... 222 Switches................................................... „273 Alternative
approaches........................ Envelope slope shapes................................... 223 Quantizers ............................................... „274 External sequencers........................................ 323 End-of-stage triggers and looping.................224 Audio versus CV ...................................... .274 CONTROLLERS.....................................................328 Re-triggering................................................... 225 Slew limiters ............................................ „275 Ribbon controllers.......................................... 328 Voltage and timing control.............................225 Comparators ........................................... „275 Touch switches.................................................328 Multi-stage envelopes and segments ........... 226 Slope detectors........................................ .275 Pressure and area sensoring........................... 329 Sequencers as envelopes.............................. 227 MULTI-FUNCTION MODULES................... . 280 Touch keyboards............................................. 330 Beyond stages and shapes ............................227 Digital examples...................................... .280 Keys..................................................................334 LFOs....................................................................... 232 Slope generators ..................................... .282 Sliders, pads, and joysticks.............................. 335 Expressive alternatives....................................336 Basic
waveshapes............................................232 Voltage ranges................................................ 232 322 NOTES TRIGGERS 287 Sensor input....................................................337 iPad apps ........................................................ 338 Offsetting and inverting LFO values.............. 232 Modulation depth and phase......................... 233 CLOCK PULSES.................................. .288 Advanced LFO shapes................................... 234 Dedicated clock modules ............ „289 Sync, tap tempo, and delay.............................235 Clock dividers and multipliers...... „290 CV RECORDERS................................................... 240 Reset, gate and trigger delays....... „291 A SELECT HISTORY...............................................340 ENVELOPE PITCH FOLLOWERS...................246 Ratcheting....................................... .292 GLOSSARY.............................................................358 RANDOM SOURCES........................................... 252 MIDI to clock, DIN sync.................. .293 RESOURCES ......................................................... 364 Random LFOs .................................................252 RHYTHM GENERATORS ................... 298 ABOUT THE AUTHORS THE TEAM............... 368 Sample and hold (S H).................................. 252 Programmable trigger sequencers .298 COLOPHON.......................................................... 368 APPENDIX 339
|
| any_adam_object | 1 |
| author | Bjørn, Kim 1969- Meyer, Chris 1961- |
| author2 | Nagle, Paul 1947- |
| author2_role | edt |
| author2_variant | p n pn |
| author_GND | (DE-588)1171368798 (DE-588)1188637991 (DE-588)135122031 (DE-588)134595513 |
| author_facet | Bjørn, Kim 1969- Meyer, Chris 1961- Nagle, Paul 1947- |
| author_role | aut aut |
| author_sort | Bjørn, Kim 1969- |
| author_variant | k b kb c m cm |
| building | Verbundindex |
| bvnumber | BV045940315 |
| classification_rvk | ZN 6860 LR 11370 |
| ctrlnum | (OCoLC)1121479360 (DE-599)KXP1666620335 |
| discipline | Elektrotechnik / Elektronik / Nachrichtentechnik Musikwissenschaft |
| edition | 3rd edition |
| format | Book |
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| id | DE-604.BV045940315 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:30:56Z |
| institution | BVB |
| isbn | 9788799999514 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031322573 |
| oclc_num | 1121479360 |
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| owner_facet | DE-12 DE-11 |
| physical | 367 Seiten 25 cm |
| psigel | BSB_NED_20191119 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Bjooks |
| record_format | marc |
| spelling | Bjørn, Kim 1969- Verfasser (DE-588)1171368798 aut Patch & tweak exploring modular synthesis Kim Bjørn and Chris Meyer ; edited by Paul Nagle ; foreword by Suzanne Ciani Patch and tweak 3rd edition [Fredriksberg] Bjooks [2018] 367 Seiten 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Synthesizer Elektronik (DE-588)4184253-4 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Electronic music User interfaces (Computer systems) (DE-588)4145395-5 Bildband gnd-content Elektronische Musik (DE-588)4014355-7 s Synthesizer Elektronik (DE-588)4184253-4 s DE-604 Meyer, Chris 1961- Verfasser (DE-588)1188637991 aut Nagle, Paul 1947- (DE-588)135122031 edt Ciani, Suzanne 1946- (DE-588)134595513 wpr Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031322573&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bjørn, Kim 1969- Meyer, Chris 1961- Patch & tweak exploring modular synthesis Synthesizer Elektronik (DE-588)4184253-4 gnd Elektronische Musik (DE-588)4014355-7 gnd |
| subject_GND | (DE-588)4184253-4 (DE-588)4014355-7 (DE-588)4145395-5 |
| title | Patch & tweak exploring modular synthesis |
| title_alt | Patch and tweak |
| title_auth | Patch & tweak exploring modular synthesis |
| title_exact_search | Patch & tweak exploring modular synthesis |
| title_full | Patch & tweak exploring modular synthesis Kim Bjørn and Chris Meyer ; edited by Paul Nagle ; foreword by Suzanne Ciani |
| title_fullStr | Patch & tweak exploring modular synthesis Kim Bjørn and Chris Meyer ; edited by Paul Nagle ; foreword by Suzanne Ciani |
| title_full_unstemmed | Patch & tweak exploring modular synthesis Kim Bjørn and Chris Meyer ; edited by Paul Nagle ; foreword by Suzanne Ciani |
| title_short | Patch & tweak |
| title_sort | patch tweak exploring modular synthesis |
| title_sub | exploring modular synthesis |
| topic | Synthesizer Elektronik (DE-588)4184253-4 gnd Elektronische Musik (DE-588)4014355-7 gnd |
| topic_facet | Synthesizer Elektronik Elektronische Musik Bildband |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031322573&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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