Broadway goes to war :: American theater during World War II /
"In Broadway Goes to War, Robert L. McLaughlin and Sally E. Parry analyze how American theater actively addressed and debated timely and controversial topics during World War II. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Ad...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lexington, Kentucky :
University Press of Kentucky,
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In Broadway Goes to War, Robert L. McLaughlin and Sally E. Parry analyze how American theater actively addressed and debated timely and controversial topics during World War II. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical topics about the conflict well before other forms of popular media. McLaughlin and Parry reveal that while film studios, radio stations, newspapers, and other media outlets widely chose to echo official government communications and opinions regarding Nazi Germany and the war, Broadway remained stunningly independent. In the absence of pressure from the US Office of War Information or an industry-based agency like Hollywood's Hayes Office, the New York stage became an important venue for debating topics that would have been considered taboo on a film set, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the US during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognized"-- The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize. |
| Beschreibung: | 1 online resource (x, 290 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 267-280) and index. |
| ISBN: | 9780813181011 0813181011 9780813181004 0813181003 |
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| 245 | 1 | 0 | |a Broadway goes to war : |b American theater during World War II / |c Robert L. McLaughlin and Sally E. Parry. |
| 264 | 1 | |a Lexington, Kentucky : |b University Press of Kentucky, |c [2021] | |
| 264 | 4 | |c ©2021 | |
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| 504 | |a Includes bibliographical references (pages 267-280) and index. | ||
| 505 | 0 | |a Popular culture, Broadway, and World War II -- Before Pearl Harbor -- Overseas -- The home front -- Anticipating the postwar world -- Conclusion. | |
| 520 | |a "In Broadway Goes to War, Robert L. McLaughlin and Sally E. Parry analyze how American theater actively addressed and debated timely and controversial topics during World War II. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical topics about the conflict well before other forms of popular media. McLaughlin and Parry reveal that while film studios, radio stations, newspapers, and other media outlets widely chose to echo official government communications and opinions regarding Nazi Germany and the war, Broadway remained stunningly independent. In the absence of pressure from the US Office of War Information or an industry-based agency like Hollywood's Hayes Office, the New York stage became an important venue for debating topics that would have been considered taboo on a film set, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the US during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognized"-- |c Provided by publisher | ||
| 520 | |a The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize. | ||
| 588 | 0 | |a Print version record. | |
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| author | McLaughlin, Robert L., 1957-2022 Parry, Sally E. |
| author_GND | http://id.loc.gov/authorities/names/no2004041892 |
| author_facet | McLaughlin, Robert L., 1957-2022 Parry, Sally E. |
| author_role | aut aut |
| author_sort | McLaughlin, Robert L., 1957-2022 |
| author_variant | r l m rl rlm s e p se sep |
| building | Verbundindex |
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| collection | ZDB-4-EBA |
| contents | Popular culture, Broadway, and World War II -- Before Pearl Harbor -- Overseas -- The home front -- Anticipating the postwar world -- Conclusion. |
| ctrlnum | (OCoLC)1244433524 |
| dewey-full | 809.2/93581 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.2/93581 |
| dewey-search | 809.2/93581 |
| dewey-sort | 3809.2 593581 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| geographic | New York (State) New York fast https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
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| id | ZDB-4-EBA-on1244433524 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T15:51:03Z |
| institution | BVB |
| isbn | 9780813181011 0813181011 9780813181004 0813181003 |
| language | English |
| oclc_num | 1244433524 |
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| physical | 1 online resource (x, 290 pages) : illustrations |
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| spelling | McLaughlin, Robert L., 1957-2022, author. https://id.oclc.org/worldcat/entity/E39PCjMw3h3tvyrFHGtvPRMkjC Broadway goes to war : American theater during World War II / Robert L. McLaughlin and Sally E. Parry. Lexington, Kentucky : University Press of Kentucky, [2021] ©2021 1 online resource (x, 290 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 267-280) and index. Popular culture, Broadway, and World War II -- Before Pearl Harbor -- Overseas -- The home front -- Anticipating the postwar world -- Conclusion. "In Broadway Goes to War, Robert L. McLaughlin and Sally E. Parry analyze how American theater actively addressed and debated timely and controversial topics during World War II. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical topics about the conflict well before other forms of popular media. McLaughlin and Parry reveal that while film studios, radio stations, newspapers, and other media outlets widely chose to echo official government communications and opinions regarding Nazi Germany and the war, Broadway remained stunningly independent. In the absence of pressure from the US Office of War Information or an industry-based agency like Hollywood's Hayes Office, the New York stage became an important venue for debating topics that would have been considered taboo on a film set, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the US during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognized"-- Provided by publisher The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize. Print version record. World War, 1939-1945 Theater and the war. http://id.loc.gov/authorities/subjects/sh85148509 War and theater United States History 20th century. American drama 20th century History and criticism. World War, 1939-1945 United States Literature and the war. Theater New York (State) New York History 20th century. Theater and society United States. Popular culture United States History 20th century. Guerre mondiale, 1939-1945 Théâtre et guerre. Guerre et théâtre États-Unis Histoire 20e siècle. Théâtre américain 20e siècle Histoire et critique. Guerre mondiale, 1939-1945 États-Unis Littérature et guerre. Théâtre et société États-Unis. Culture populaire États-Unis Histoire 20e siècle. PERFORMING ARTS Theater Broadway & Musical Revue. bisacsh American drama fast Popular culture fast Theater fast Theater and society fast War and literature fast War and theater fast New York (State) New York fast https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq World War (1939-1945) fast https://id.oclc.org/worldcat/entity/E39Qhp4vBbhpRH9XvjbDFXtxhb 1900-1999 fast Criticism, interpretation, etc. fast History fast Parry, Sally E., author. http://id.loc.gov/authorities/names/no2004041892 has work: Broadway goes to war (Text) https://id.oclc.org/worldcat/entity/E39PCGCcrGDqxy863pM9PxPjfm https://id.oclc.org/worldcat/ontology/hasWork Print version: McLaughlin, Robert L., 1957- Broadway goes to war. Lexington, Kentucky : University Press of Kentucky, [2021] 9780813180946 (DLC) 2020053333 (OCoLC)1190853602 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2516207 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2516207 Volltext |
| spellingShingle | McLaughlin, Robert L., 1957-2022 Parry, Sally E. Broadway goes to war : American theater during World War II / Popular culture, Broadway, and World War II -- Before Pearl Harbor -- Overseas -- The home front -- Anticipating the postwar world -- Conclusion. World War, 1939-1945 Theater and the war. http://id.loc.gov/authorities/subjects/sh85148509 War and theater United States History 20th century. American drama 20th century History and criticism. World War, 1939-1945 United States Literature and the war. Theater New York (State) New York History 20th century. Theater and society United States. Popular culture United States History 20th century. Guerre mondiale, 1939-1945 Théâtre et guerre. Guerre et théâtre États-Unis Histoire 20e siècle. Théâtre américain 20e siècle Histoire et critique. Guerre mondiale, 1939-1945 États-Unis Littérature et guerre. Théâtre et société États-Unis. Culture populaire États-Unis Histoire 20e siècle. PERFORMING ARTS Theater Broadway & Musical Revue. bisacsh American drama fast Popular culture fast Theater fast Theater and society fast War and literature fast War and theater fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85148509 |
| title | Broadway goes to war : American theater during World War II / |
| title_auth | Broadway goes to war : American theater during World War II / |
| title_exact_search | Broadway goes to war : American theater during World War II / |
| title_full | Broadway goes to war : American theater during World War II / Robert L. McLaughlin and Sally E. Parry. |
| title_fullStr | Broadway goes to war : American theater during World War II / Robert L. McLaughlin and Sally E. Parry. |
| title_full_unstemmed | Broadway goes to war : American theater during World War II / Robert L. McLaughlin and Sally E. Parry. |
| title_short | Broadway goes to war : |
| title_sort | broadway goes to war american theater during world war ii |
| title_sub | American theater during World War II / |
| topic | World War, 1939-1945 Theater and the war. http://id.loc.gov/authorities/subjects/sh85148509 War and theater United States History 20th century. American drama 20th century History and criticism. World War, 1939-1945 United States Literature and the war. Theater New York (State) New York History 20th century. Theater and society United States. Popular culture United States History 20th century. Guerre mondiale, 1939-1945 Théâtre et guerre. Guerre et théâtre États-Unis Histoire 20e siècle. Théâtre américain 20e siècle Histoire et critique. Guerre mondiale, 1939-1945 États-Unis Littérature et guerre. Théâtre et société États-Unis. Culture populaire États-Unis Histoire 20e siècle. PERFORMING ARTS Theater Broadway & Musical Revue. bisacsh American drama fast Popular culture fast Theater fast Theater and society fast War and literature fast War and theater fast |
| topic_facet | World War, 1939-1945 Theater and the war. War and theater United States History 20th century. American drama 20th century History and criticism. World War, 1939-1945 United States Literature and the war. Theater New York (State) New York History 20th century. Theater and society United States. Popular culture United States History 20th century. Guerre mondiale, 1939-1945 Théâtre et guerre. Guerre et théâtre États-Unis Histoire 20e siècle. Théâtre américain 20e siècle Histoire et critique. Guerre mondiale, 1939-1945 États-Unis Littérature et guerre. Théâtre et société États-Unis. Culture populaire États-Unis Histoire 20e siècle. PERFORMING ARTS Theater Broadway & Musical Revue. American drama Popular culture Theater Theater and society War and literature War and theater New York (State) New York United States Criticism, interpretation, etc. History |
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