The genesis of the tomb of doge Andrea Vendramin Verrocchio's unrealized project von McHam, Sarah Blake 1944-

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Byzantine sources in Ravenna influence Venetian Renaissance sculpture von McHam, Sarah Blake 1944-

Cyprus meets Venice and Rome the tomb of Livio Podocataro von McHam, Sarah Blake 1944-

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The eclectic taste of the Gattamelata family von McHam, Sarah Blake 1944-

Voids matter Donatello's Lamentation von McHam, Sarah Blake 1944-

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The Triumph of the Church Campagna's high altar at San Giorgio Maggiore von McHam, Sarah Blake 1944-

Pliny and the artistic culture of the Italian Renaissance the legacy of the "natural history" von McHam, Sarah Blake 1944-

Inhaltsverzeichnis

Giambologna's equestrian monument to Cosimo I the monument makes the memory von McHam, Sarah Blake 1944-

Tomba come testamento il monumento funerario di Andrea Bregno von McHam, Sarah Blake 1944-

La tomba del doge Giovanni Mocenigo politica e culto dinastico von McHam, Sarah Blake 1944-

Now and then recovering a sense of different values von McHam, Sarah Blake 1944-

[Rezension von:] Munman, Robert: Sienese Renaissance tomb monuments. - Philadelphia : American Philosophical Society von McHam, Sarah Blake 1944-

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Donatello's high altar in the Santo, Padua von McHam, Sarah Blake 1944-

La ridecorazione della cappella dell'Arca di Sant'Antonio nella Basilica del Santo, Padova, e sue relazioni con l'arte antica von McHam, Sarah Blake 1944-

Donatello's tomb of pope John XXIII von McHam, Sarah Blake 1944-

Venetian fifteenth-and sixteenth-century sculptors' drawings and modelli von McHam, Sarah Blake 1944-

"We penetrate the Earth's innards and search for riches" Pliny's hierarchy of materials and its influence in the Renaissance von McHam, Sarah Blake

The "Fantasia" of the cricket in Piero di Cosimo's "Vulcan and Aeolus" von McHam, Sarah Blake 1944-

L' artiste amoureux de son modèle von McHam, Sarah Blake

The high altar at the Santo movement, materials, and meanings von McHam, Sarah Blake 1944-