The literariness of media art:
"The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify lite...
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| Hauptverfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Routledge
2018
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| Ausgabe: | 1st |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha 4 Rosler, and Lawrence Weiner. These artists, much like the young Russian and German scholars of the 20th century, use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and many more media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama"-- |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 1138091510 1138091529 1315107988 135160869X 1351608703 1351608711 9781138091511 9781138091528 9781315107981 9781351608695 9781351608701 9781351608718 |
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| 245 | 1 | 0 | |a The literariness of media art |c Claudia Benthien, Jordis Lau, Maraike M. Marxsen |
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| 505 | 8 | |a <BLOCKQUOTE><P>List of Figures</P><P>Preface and Acknowledgements</P></BLOCKQUOTE><P></P><P><STRONG>1 Introduction</STRONG></P><BLOCKQUOTE><P>A Literary Approach to Media Art | Russian Formalism and Neoformalism | Reflecting Terminology: Media Art and Its Categories | Four Artistic Approaches: About the Structure of This Book</P></BLOCKQUOTE><P></P><P><STRONG>2 Literariness and Media Art: Theoretical Framing</STRONG></P><BLOCKQUOTE><P><STRONG>2.1 The Aesthetics of Language: Literary Theory</STRONG></P><P>The Obstreperousness of Poetic Language | Art as Device: Estrangement and Complicating Form | Poetics of Deviation | The Palpability and Performativity of Poetic Language | Ambiguity and the Split Sign</P><P><STRONG>2.2 Literariness Beyond Literature: Transdisciplinary Perspectives</STRONG> </P><P>Literariness and Ostranenie in Audiovisual Arts | Russian Formalism and Film | Technology as Device | The Poetics of Neoformalism | Literariness Between Media | Overabundance, | |
| 505 | 8 | |a Excess Emptiness, and Retreat of Synthesis | Medial Opacity and Perception</P></BLOCKQUOTE><P></P><P><STRONG>3 Voice and Script in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>3.1 Voice and the Materiality of Sound</STRONG></P><P>THEORY: The Voice as Medium and the Mediatized Voice | Sound Poetry and Transrational Language </P><P>ANALYSES: Iteration and the Alphabet as Aesthetic Devices | The Performative Power of the Acousmatic Voice | Technical Alienation of the Voice | Voice and Image, Voice and Script</P><P><STRONG>3.2 Script -- | |
| 505 | 8 | |a Between Visuality and Legibility</STRONG></P><P>THEORY: Russian Formalism and the Written Word | Script between Transparent Representation and Palpable Body | Script as Image / Script in Images | Written Words in Film</P><P>ANALYSES: Recognition versus Seeing | Framing as Aesthetic Device | Playing With Words | Writing On and With Bodies</P></BLOCKQUOTE><P></P><P><STRONG>4 Literary Genres in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>4.1 Elements of Poetry</STRONG></P><P>THEORY: Poetry as a Literary Genre | Excess Structuring: Language Use in Poetry | Vertical Compositions: Poetic Structures in the Audiovisual Arts | Lyric Subjectivity </P><P>ANALYSES: Visual Poetry and Media Art | Poetical Practices and Lyrical Speech in Media Art | Poetic Images: Experimental Video Poems </P><P><STRONG>4.2 Elements of Drama</STRONG></P><P>THEORY: Drama Theory and Media Art | Core Elements of Drama | Ostranenie and the Alienation Effect | Features of Postdramatic Theater </P><P>ANALYSES: Dialogic | |
| 505 | 8 | |a and Performative Installations | Theatrical Overabundance: Playing with the Theatrical Frame | Citing Elements of Classical Tragedy</P><P><STRONG>4.3 Elements of Prose</STRONG></P><P>THEORY: Narrative Prose and Time-Based Media | Narrative Order, Narrative Integration: fabula and sužet | Narrative Voice -- | |
| 505 | 8 | |a the Mediating Instance | Narrative Mode: Perception and Perspective </P><P>ANALYSES: Variations on First Person Narration in Media Art | Autobiography as Act and Device | Audiovisual Explorations of Epistolary Fiction </P></BLOCKQUOTE><P></P><P><STRONG>5 Works of Literature in Media Art</STRONG></P><BLOCKQUOTE><P>THEORY: Adaptation as Appropriation | Intertextual Dialogism | Adaptation, Translation, Transcription | Adaptations as Deviant Derivatives </P><P>ANALYSES: Voice and Sound: Acousmatic Adaptations | Baring the Signifier: Written Allusions | Aesthetics of Superimposition I: Reflecting Memory | Aesthetics of Superimposition II: Queer Defamiliarizations | Theatrical Appropriation: Personifying Literary Figures | Poetics of Quotations: The Literary in Performative Installations</P></BLOCKQUOTE><P></P><P><STRONG>6 Conclusion</STRONG></P><P><STRONG></STRONG></P><P><STRONG> </STRONG></P><BLOCKQUOTE><P>Bibliography</P><P>Featured Works</P><P>Formal Remarks</P></BLOCKQUOTE> | |
| 505 | 8 | |a Literariness and media art: theoretical framing -- Voice and script in media art -- Literary genres in media art -- Works of literature in media art | |
| 520 | 3 | |a "The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha 4 Rosler, and Lawrence Weiner. These artists, much like the young Russian and German scholars of the 20th century, use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and many more media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama"-- | |
| 650 | 4 | |a Formalisme (Littérature) | |
| 650 | 7 | |a Littérature russe |2 Histoire et critique | |
| 650 | 4 | |a Formalism (Literary analysis) | |
| 650 | 4 | |a Russian literature | |
| 650 | 4 | |a Formalism (Literary analysis) | |
| 650 | 4 | |a Russian literature |y 20th century |x History and criticism | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a Electronic books | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 700 | 1 | |a Lau, Jordis |e author |4 oth | |
| 700 | 1 | |a Marxsen, Maraike M. |e author |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9781138091511 |
| 856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1776657 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ZDB-4-EOAC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033659869 | ||
Datensatz im Suchindex
| _version_ | 1804184104127692800 |
|---|---|
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| any_adam_object | |
| any_adam_object_boolean | |
| author | Benthien, Claudia 1965- Lau, Jordis Marxsen, Maraike M. |
| author_facet | Benthien, Claudia 1965- Lau, Jordis Marxsen, Maraike M. |
| author_role | aut aut aut |
| author_sort | Benthien, Claudia 1965- |
| author_variant | c b cb j l jl m m m mm mmm |
| building | Verbundindex |
| bvnumber | BV048279703 |
| collection | ZDB-4-EOAC |
| contents | <BLOCKQUOTE><P>List of Figures</P><P>Preface and Acknowledgements</P></BLOCKQUOTE><P></P><P><STRONG>1 Introduction</STRONG></P><BLOCKQUOTE><P>A Literary Approach to Media Art | Russian Formalism and Neoformalism | Reflecting Terminology: Media Art and Its Categories | Four Artistic Approaches: About the Structure of This Book</P></BLOCKQUOTE><P></P><P><STRONG>2 Literariness and Media Art: Theoretical Framing</STRONG></P><BLOCKQUOTE><P><STRONG>2.1 The Aesthetics of Language: Literary Theory</STRONG></P><P>The Obstreperousness of Poetic Language | Art as Device: Estrangement and Complicating Form | Poetics of Deviation | The Palpability and Performativity of Poetic Language | Ambiguity and the Split Sign</P><P><STRONG>2.2 Literariness Beyond Literature: Transdisciplinary Perspectives</STRONG> </P><P>Literariness and Ostranenie in Audiovisual Arts | Russian Formalism and Film | Technology as Device | The Poetics of Neoformalism | Literariness Between Media | Overabundance, Excess Emptiness, and Retreat of Synthesis | Medial Opacity and Perception</P></BLOCKQUOTE><P></P><P><STRONG>3 Voice and Script in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>3.1 Voice and the Materiality of Sound</STRONG></P><P>THEORY: The Voice as Medium and the Mediatized Voice | Sound Poetry and Transrational Language </P><P>ANALYSES: Iteration and the Alphabet as Aesthetic Devices | The Performative Power of the Acousmatic Voice | Technical Alienation of the Voice | Voice and Image, Voice and Script</P><P><STRONG>3.2 Script -- Between Visuality and Legibility</STRONG></P><P>THEORY: Russian Formalism and the Written Word | Script between Transparent Representation and Palpable Body | Script as Image / Script in Images | Written Words in Film</P><P>ANALYSES: Recognition versus Seeing | Framing as Aesthetic Device | Playing With Words | Writing On and With Bodies</P></BLOCKQUOTE><P></P><P><STRONG>4 Literary Genres in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>4.1 Elements of Poetry</STRONG></P><P>THEORY: Poetry as a Literary Genre | Excess Structuring: Language Use in Poetry | Vertical Compositions: Poetic Structures in the Audiovisual Arts | Lyric Subjectivity </P><P>ANALYSES: Visual Poetry and Media Art | Poetical Practices and Lyrical Speech in Media Art | Poetic Images: Experimental Video Poems </P><P><STRONG>4.2 Elements of Drama</STRONG></P><P>THEORY: Drama Theory and Media Art | Core Elements of Drama | Ostranenie and the Alienation Effect | Features of Postdramatic Theater </P><P>ANALYSES: Dialogic and Performative Installations | Theatrical Overabundance: Playing with the Theatrical Frame | Citing Elements of Classical Tragedy</P><P><STRONG>4.3 Elements of Prose</STRONG></P><P>THEORY: Narrative Prose and Time-Based Media | Narrative Order, Narrative Integration: fabula and sužet | Narrative Voice -- the Mediating Instance | Narrative Mode: Perception and Perspective </P><P>ANALYSES: Variations on First Person Narration in Media Art | Autobiography as Act and Device | Audiovisual Explorations of Epistolary Fiction </P></BLOCKQUOTE><P></P><P><STRONG>5 Works of Literature in Media Art</STRONG></P><BLOCKQUOTE><P>THEORY: Adaptation as Appropriation | Intertextual Dialogism | Adaptation, Translation, Transcription | Adaptations as Deviant Derivatives </P><P>ANALYSES: Voice and Sound: Acousmatic Adaptations | Baring the Signifier: Written Allusions | Aesthetics of Superimposition I: Reflecting Memory | Aesthetics of Superimposition II: Queer Defamiliarizations | Theatrical Appropriation: Personifying Literary Figures | Poetics of Quotations: The Literary in Performative Installations</P></BLOCKQUOTE><P></P><P><STRONG>6 Conclusion</STRONG></P><P><STRONG></STRONG></P><P><STRONG> </STRONG></P><BLOCKQUOTE><P>Bibliography</P><P>Featured Works</P><P>Formal Remarks</P></BLOCKQUOTE> Literariness and media art: theoretical framing -- Voice and script in media art -- Literary genres in media art -- Works of literature in media art |
| ctrlnum | (OCoLC)1064669671 (DE-599)BVBBV048279703 |
| edition | 1st |
| format | Electronic eBook |
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Marxsen</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Routledge</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a"><BLOCKQUOTE><P>List of Figures</P><P>Preface and Acknowledgements</P></BLOCKQUOTE><P></P><P><STRONG>1 Introduction</STRONG></P><BLOCKQUOTE><P>A Literary Approach to Media Art | Russian Formalism and Neoformalism | Reflecting Terminology: Media Art and Its Categories | Four Artistic Approaches: About the Structure of This Book</P></BLOCKQUOTE><P></P><P><STRONG>2 Literariness and Media Art: Theoretical Framing</STRONG></P><BLOCKQUOTE><P><STRONG>2.1 The Aesthetics of Language: Literary Theory</STRONG></P><P>The Obstreperousness of Poetic Language | Art as Device: Estrangement and Complicating Form | Poetics of Deviation | The Palpability and Performativity of Poetic Language | Ambiguity and the Split Sign</P><P><STRONG>2.2 Literariness Beyond Literature: Transdisciplinary Perspectives</STRONG> </P><P>Literariness and Ostranenie in Audiovisual Arts | Russian Formalism and Film | Technology as Device | The Poetics of Neoformalism | Literariness Between Media | Overabundance, </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Excess Emptiness, and Retreat of Synthesis | Medial Opacity and Perception</P></BLOCKQUOTE><P></P><P><STRONG>3 Voice and Script in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>3.1 Voice and the Materiality of Sound</STRONG></P><P>THEORY: The Voice as Medium and the Mediatized Voice | Sound Poetry and Transrational Language </P><P>ANALYSES: Iteration and the Alphabet as Aesthetic Devices | The Performative Power of the Acousmatic Voice | Technical Alienation of the Voice | Voice and Image, Voice and Script</P><P><STRONG>3.2 Script -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Between Visuality and Legibility</STRONG></P><P>THEORY: Russian Formalism and the Written Word | Script between Transparent Representation and Palpable Body | Script as Image / Script in Images | Written Words in Film</P><P>ANALYSES: Recognition versus Seeing | Framing as Aesthetic Device | Playing With Words | Writing On and With Bodies</P></BLOCKQUOTE><P></P><P><STRONG>4 Literary Genres in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>4.1 Elements of Poetry</STRONG></P><P>THEORY: Poetry as a Literary Genre | Excess Structuring: Language Use in Poetry | Vertical Compositions: Poetic Structures in the Audiovisual Arts | Lyric Subjectivity </P><P>ANALYSES: Visual Poetry and Media Art | Poetical Practices and Lyrical Speech in Media Art | Poetic Images: Experimental Video Poems </P><P><STRONG>4.2 Elements of Drama</STRONG></P><P>THEORY: Drama Theory and Media Art | Core Elements of Drama | Ostranenie and the Alienation Effect | Features of Postdramatic Theater </P><P>ANALYSES: Dialogic </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">and Performative Installations | Theatrical Overabundance: Playing with the Theatrical Frame | Citing Elements of Classical Tragedy</P><P><STRONG>4.3 Elements of Prose</STRONG></P><P>THEORY: Narrative Prose and Time-Based Media | Narrative Order, Narrative Integration: fabula and sužet | Narrative Voice -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">the Mediating Instance | Narrative Mode: Perception and Perspective </P><P>ANALYSES: Variations on First Person Narration in Media Art | Autobiography as Act and Device | Audiovisual Explorations of Epistolary Fiction </P></BLOCKQUOTE><P></P><P><STRONG>5 Works of Literature in Media Art</STRONG></P><BLOCKQUOTE><P>THEORY: Adaptation as Appropriation | Intertextual Dialogism | Adaptation, Translation, Transcription | Adaptations as Deviant Derivatives </P><P>ANALYSES: Voice and Sound: Acousmatic Adaptations | Baring the Signifier: Written Allusions | Aesthetics of Superimposition I: Reflecting Memory | Aesthetics of Superimposition II: Queer Defamiliarizations | Theatrical Appropriation: Personifying Literary Figures | Poetics of Quotations: The Literary in Performative Installations</P></BLOCKQUOTE><P></P><P><STRONG>6 Conclusion</STRONG></P><P><STRONG></STRONG></P><P><STRONG> </STRONG></P><BLOCKQUOTE><P>Bibliography</P><P>Featured Works</P><P>Formal Remarks</P></BLOCKQUOTE></subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Literariness and media art: theoretical framing -- Voice and script in media art -- Literary genres in media art -- Works of literature in media art</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha 4 Rosler, and Lawrence Weiner. These artists, much like the young Russian and German scholars of the 20th century, use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and many more media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama"--</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Formalisme (Littérature)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Littérature russe</subfield><subfield code="2">Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Formalism (Literary analysis)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Russian literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Formalism (Literary analysis)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Russian literature</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Electronic books</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lau, Jordis</subfield><subfield code="e">author</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Marxsen, Maraike M.</subfield><subfield code="e">author</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9781138091511</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1776657</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EOAC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033659869</subfield></datafield></record></collection> |
| id | DE-604.BV048279703 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:00:52Z |
| indexdate | 2024-07-10T09:34:02Z |
| institution | BVB |
| isbn | 1138091510 1138091529 1315107988 135160869X 1351608703 1351608711 9781138091511 9781138091528 9781315107981 9781351608695 9781351608701 9781351608718 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033659869 |
| oclc_num | 1064669671 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource |
| psigel | ZDB-4-EOAC |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Routledge |
| record_format | marc |
| spelling | Benthien, Claudia 1965- Verfasser aut The literariness of media art Claudia Benthien, Jordis Lau, Maraike M. Marxsen 1st London Routledge 2018 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier <BLOCKQUOTE><P>List of Figures</P><P>Preface and Acknowledgements</P></BLOCKQUOTE><P></P><P><STRONG>1 Introduction</STRONG></P><BLOCKQUOTE><P>A Literary Approach to Media Art | Russian Formalism and Neoformalism | Reflecting Terminology: Media Art and Its Categories | Four Artistic Approaches: About the Structure of This Book</P></BLOCKQUOTE><P></P><P><STRONG>2 Literariness and Media Art: Theoretical Framing</STRONG></P><BLOCKQUOTE><P><STRONG>2.1 The Aesthetics of Language: Literary Theory</STRONG></P><P>The Obstreperousness of Poetic Language | Art as Device: Estrangement and Complicating Form | Poetics of Deviation | The Palpability and Performativity of Poetic Language | Ambiguity and the Split Sign</P><P><STRONG>2.2 Literariness Beyond Literature: Transdisciplinary Perspectives</STRONG> </P><P>Literariness and Ostranenie in Audiovisual Arts | Russian Formalism and Film | Technology as Device | The Poetics of Neoformalism | Literariness Between Media | Overabundance, Excess Emptiness, and Retreat of Synthesis | Medial Opacity and Perception</P></BLOCKQUOTE><P></P><P><STRONG>3 Voice and Script in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>3.1 Voice and the Materiality of Sound</STRONG></P><P>THEORY: The Voice as Medium and the Mediatized Voice | Sound Poetry and Transrational Language </P><P>ANALYSES: Iteration and the Alphabet as Aesthetic Devices | The Performative Power of the Acousmatic Voice | Technical Alienation of the Voice | Voice and Image, Voice and Script</P><P><STRONG>3.2 Script -- Between Visuality and Legibility</STRONG></P><P>THEORY: Russian Formalism and the Written Word | Script between Transparent Representation and Palpable Body | Script as Image / Script in Images | Written Words in Film</P><P>ANALYSES: Recognition versus Seeing | Framing as Aesthetic Device | Playing With Words | Writing On and With Bodies</P></BLOCKQUOTE><P></P><P><STRONG>4 Literary Genres in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>4.1 Elements of Poetry</STRONG></P><P>THEORY: Poetry as a Literary Genre | Excess Structuring: Language Use in Poetry | Vertical Compositions: Poetic Structures in the Audiovisual Arts | Lyric Subjectivity </P><P>ANALYSES: Visual Poetry and Media Art | Poetical Practices and Lyrical Speech in Media Art | Poetic Images: Experimental Video Poems </P><P><STRONG>4.2 Elements of Drama</STRONG></P><P>THEORY: Drama Theory and Media Art | Core Elements of Drama | Ostranenie and the Alienation Effect | Features of Postdramatic Theater </P><P>ANALYSES: Dialogic and Performative Installations | Theatrical Overabundance: Playing with the Theatrical Frame | Citing Elements of Classical Tragedy</P><P><STRONG>4.3 Elements of Prose</STRONG></P><P>THEORY: Narrative Prose and Time-Based Media | Narrative Order, Narrative Integration: fabula and sužet | Narrative Voice -- the Mediating Instance | Narrative Mode: Perception and Perspective </P><P>ANALYSES: Variations on First Person Narration in Media Art | Autobiography as Act and Device | Audiovisual Explorations of Epistolary Fiction </P></BLOCKQUOTE><P></P><P><STRONG>5 Works of Literature in Media Art</STRONG></P><BLOCKQUOTE><P>THEORY: Adaptation as Appropriation | Intertextual Dialogism | Adaptation, Translation, Transcription | Adaptations as Deviant Derivatives </P><P>ANALYSES: Voice and Sound: Acousmatic Adaptations | Baring the Signifier: Written Allusions | Aesthetics of Superimposition I: Reflecting Memory | Aesthetics of Superimposition II: Queer Defamiliarizations | Theatrical Appropriation: Personifying Literary Figures | Poetics of Quotations: The Literary in Performative Installations</P></BLOCKQUOTE><P></P><P><STRONG>6 Conclusion</STRONG></P><P><STRONG></STRONG></P><P><STRONG> </STRONG></P><BLOCKQUOTE><P>Bibliography</P><P>Featured Works</P><P>Formal Remarks</P></BLOCKQUOTE> Literariness and media art: theoretical framing -- Voice and script in media art -- Literary genres in media art -- Works of literature in media art "The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha 4 Rosler, and Lawrence Weiner. These artists, much like the young Russian and German scholars of the 20th century, use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and many more media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama"-- Formalisme (Littérature) Littérature russe Histoire et critique Formalism (Literary analysis) Russian literature Russian literature 20th century History and criticism 1900-1999 Electronic books Criticism, interpretation, etc Lau, Jordis author oth Marxsen, Maraike M. author oth Erscheint auch als Druck-Ausgabe 9781138091511 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1776657 Verlag kostenfrei Volltext |
| spellingShingle | Benthien, Claudia 1965- Lau, Jordis Marxsen, Maraike M. The literariness of media art <BLOCKQUOTE><P>List of Figures</P><P>Preface and Acknowledgements</P></BLOCKQUOTE><P></P><P><STRONG>1 Introduction</STRONG></P><BLOCKQUOTE><P>A Literary Approach to Media Art | Russian Formalism and Neoformalism | Reflecting Terminology: Media Art and Its Categories | Four Artistic Approaches: About the Structure of This Book</P></BLOCKQUOTE><P></P><P><STRONG>2 Literariness and Media Art: Theoretical Framing</STRONG></P><BLOCKQUOTE><P><STRONG>2.1 The Aesthetics of Language: Literary Theory</STRONG></P><P>The Obstreperousness of Poetic Language | Art as Device: Estrangement and Complicating Form | Poetics of Deviation | The Palpability and Performativity of Poetic Language | Ambiguity and the Split Sign</P><P><STRONG>2.2 Literariness Beyond Literature: Transdisciplinary Perspectives</STRONG> </P><P>Literariness and Ostranenie in Audiovisual Arts | Russian Formalism and Film | Technology as Device | The Poetics of Neoformalism | Literariness Between Media | Overabundance, Excess Emptiness, and Retreat of Synthesis | Medial Opacity and Perception</P></BLOCKQUOTE><P></P><P><STRONG>3 Voice and Script in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>3.1 Voice and the Materiality of Sound</STRONG></P><P>THEORY: The Voice as Medium and the Mediatized Voice | Sound Poetry and Transrational Language </P><P>ANALYSES: Iteration and the Alphabet as Aesthetic Devices | The Performative Power of the Acousmatic Voice | Technical Alienation of the Voice | Voice and Image, Voice and Script</P><P><STRONG>3.2 Script -- Between Visuality and Legibility</STRONG></P><P>THEORY: Russian Formalism and the Written Word | Script between Transparent Representation and Palpable Body | Script as Image / Script in Images | Written Words in Film</P><P>ANALYSES: Recognition versus Seeing | Framing as Aesthetic Device | Playing With Words | Writing On and With Bodies</P></BLOCKQUOTE><P></P><P><STRONG>4 Literary Genres in Media Art</STRONG></P><BLOCKQUOTE><P><STRONG>4.1 Elements of Poetry</STRONG></P><P>THEORY: Poetry as a Literary Genre | Excess Structuring: Language Use in Poetry | Vertical Compositions: Poetic Structures in the Audiovisual Arts | Lyric Subjectivity </P><P>ANALYSES: Visual Poetry and Media Art | Poetical Practices and Lyrical Speech in Media Art | Poetic Images: Experimental Video Poems </P><P><STRONG>4.2 Elements of Drama</STRONG></P><P>THEORY: Drama Theory and Media Art | Core Elements of Drama | Ostranenie and the Alienation Effect | Features of Postdramatic Theater </P><P>ANALYSES: Dialogic and Performative Installations | Theatrical Overabundance: Playing with the Theatrical Frame | Citing Elements of Classical Tragedy</P><P><STRONG>4.3 Elements of Prose</STRONG></P><P>THEORY: Narrative Prose and Time-Based Media | Narrative Order, Narrative Integration: fabula and sužet | Narrative Voice -- the Mediating Instance | Narrative Mode: Perception and Perspective </P><P>ANALYSES: Variations on First Person Narration in Media Art | Autobiography as Act and Device | Audiovisual Explorations of Epistolary Fiction </P></BLOCKQUOTE><P></P><P><STRONG>5 Works of Literature in Media Art</STRONG></P><BLOCKQUOTE><P>THEORY: Adaptation as Appropriation | Intertextual Dialogism | Adaptation, Translation, Transcription | Adaptations as Deviant Derivatives </P><P>ANALYSES: Voice and Sound: Acousmatic Adaptations | Baring the Signifier: Written Allusions | Aesthetics of Superimposition I: Reflecting Memory | Aesthetics of Superimposition II: Queer Defamiliarizations | Theatrical Appropriation: Personifying Literary Figures | Poetics of Quotations: The Literary in Performative Installations</P></BLOCKQUOTE><P></P><P><STRONG>6 Conclusion</STRONG></P><P><STRONG></STRONG></P><P><STRONG> </STRONG></P><BLOCKQUOTE><P>Bibliography</P><P>Featured Works</P><P>Formal Remarks</P></BLOCKQUOTE> Literariness and media art: theoretical framing -- Voice and script in media art -- Literary genres in media art -- Works of literature in media art Formalisme (Littérature) Littérature russe Histoire et critique Formalism (Literary analysis) Russian literature Russian literature 20th century History and criticism |
| title | The literariness of media art |
| title_auth | The literariness of media art |
| title_exact_search | The literariness of media art |
| title_exact_search_txtP | The literariness of media art |
| title_full | The literariness of media art Claudia Benthien, Jordis Lau, Maraike M. Marxsen |
| title_fullStr | The literariness of media art Claudia Benthien, Jordis Lau, Maraike M. Marxsen |
| title_full_unstemmed | The literariness of media art Claudia Benthien, Jordis Lau, Maraike M. Marxsen |
| title_short | The literariness of media art |
| title_sort | the literariness of media art |
| topic | Formalisme (Littérature) Littérature russe Histoire et critique Formalism (Literary analysis) Russian literature Russian literature 20th century History and criticism |
| topic_facet | Formalisme (Littérature) Littérature russe Formalism (Literary analysis) Russian literature Russian literature 20th century History and criticism |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1776657 |
| work_keys_str_mv | AT benthienclaudia theliterarinessofmediaart AT laujordis theliterarinessofmediaart AT marxsenmaraikem theliterarinessofmediaart |