First pages a poetics of titles von Maiorino, Giancarlo 1943-

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The Figino, or, On the purpose of painting : art theory in the late Renaissance / von Comanini, Gregorio, -1608

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At the margins of the Renaissance Lazarillo de Tormes and the picaresque art of survival von Maiorino, Giancarlo

Die Postmoderne und die Verbrauchtheit der Titel ein neobarockes Dilemma von Maiorino, Giancarlo 1943-

The portrait of eccentricity Arcimboldo and the mannerist grotesque von Maiorino, Giancarlo

The legend of geometry fulfilled abstraction and denaturalization of matter in the paintings of Piero della Francesca and Piet Mondrian von Maiorino, Giancarlo 1943-

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In search of true form Michelangelo's power of expression and the aesthetic lure of the 'non-finito' von Maiorino, Giancarlo 1943-

Titian's Concert Champêtre and Sannazaro's Arcadia titology and the invention of a Renaissance Pastoral von Maiorino, Giancarlo 1943-

[Rezension von:] Barolsky, Paul: Why Mona Lisa smiles and other tales by Vasari. - University Park/Pa. : The Pennsylvania State University Press, 1991 von Maiorino, Giancarlo 1943-

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Leonardo da Vinci the Daedalian mythmaker von Maiorino, Giancarlo

Adam, "new born and perfect" the Renaissance promise of eternity von Maiorino, Giancarlo

The cornucopian mind and the baroque unity of the arts von Maiorino, Giancarlo

The cornucopian mind and the baroque unity of the arts von Maiorino, Giancarlo 1943-

The cornucopian mind and the baroque unity of the arts von Maiorino, Giancarlo 1943-

Linear perspective and symbolic form humanistic theory and practice in the work of L. B. Alberti von Maiorino, Giancarlo

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An interpretation of the Napoleonic myth in literature and art von Maiorino, Giancarlo

The Figino, or, On the purpose of painting art theory in the late Renaissance von Comanini, Gregorio -1608

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