Lindsay Anderson: cinema authorship
In a long and varied career, Lindsay Anderson made training films, documentaries, searing family dramas and blistering satires, including This Sporting Life, O Lucky Man! and Britannia Hospital.Students of British cinema and television from the 1950s to 1990s will find this book a valuable source of...
Gespeichert in:
Hauptverfasser: | , , , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2012 |
Online-Zugang: | FKWA1 |
Zusammenfassung: | In a long and varied career, Lindsay Anderson made training films, documentaries, searing family dramas and blistering satires, including This Sporting Life, O Lucky Man! and Britannia Hospital.Students of British cinema and television from the 1950s to 1990s will find this book a valuable source of information about a director whose work came to public attention with Free Cinema but who, unlike many of his peers in that movement did not take the Hollywood route to success. What emerges is a strong feeling for the character of the man as well as for a remarkable career in British cinema.The book will appeal to admirers, researchers and students alike. Making use of hitherto unseen original materials from Anderson’s extensive personal and professional records, it is most valuable as a study of how the films came about: the production problems involved, the collaborative input of others, as well as the completed films’ promotion and reception.It also offers a finely argued take on the whole issue of film authorship, and achieves the rare feat of being academically authoritative whilst also being completely accessible. It prompts renewed respect for the man and the artist and a desire to watch the films all over again. |
Beschreibung: | Includes bibliographical references, filmography and index |
Beschreibung: | 1 online resource (xii, 334 pages) digital, PDF file(s) |
ISBN: | 9781526141606 |
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245 | 1 | 0 | |a Lindsay Anderson |b cinema authorship |c John Izod, Karl Magee, Kathryn Hannan, Isabelle Gourdin-Sangouard |
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505 | 0 | |a List of illustrations --Preface --Acknowledgments --1. Lindsay Anderson’s ideas about authorship in the cinema --2. On the Diarie -- Lindsay Anderson’s Private Writing --3. The early film --4. This Sporting Life --5. The White Bus and Raz Dwa Trzy or The Singing Lesson --6. If…. --7. O Lucky Man! --8. In Celebration --9. The Old Crowd --10. Britannia Hospital --11. The Whales of August --12. Glory! Glory --13. Is That All There Is? --14. Lindsay Anderson in the archive --Filmography --References | |
520 | |a In a long and varied career, Lindsay Anderson made training films, documentaries, searing family dramas and blistering satires, including This Sporting Life, O Lucky Man! and Britannia Hospital.Students of British cinema and television from the 1950s to 1990s will find this book a valuable source of information about a director whose work came to public attention with Free Cinema but who, unlike many of his peers in that movement did not take the Hollywood route to success. What emerges is a strong feeling for the character of the man as well as for a remarkable career in British cinema.The book will appeal to admirers, researchers and students alike. Making use of hitherto unseen original materials from Anderson’s extensive personal and professional records, it is most valuable as a study of how the films came about: the production problems involved, the collaborative input of others, as well as the completed films’ promotion and reception.It also offers a finely argued take on the whole issue of film authorship, and achieves the rare feat of being academically authoritative whilst also being completely accessible. It prompts renewed respect for the man and the artist and a desire to watch the films all over again. | ||
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author | Izod, John Magee, Karl Hannan, Kathryn Gourdin-Sangouard, Isabelle |
author_facet | Izod, John Magee, Karl Hannan, Kathryn Gourdin-Sangouard, Isabelle |
author_role | aut aut aut aut |
author_sort | Izod, John |
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building | Verbundindex |
bvnumber | BV048724643 |
contents | List of illustrations --Preface --Acknowledgments --1. Lindsay Anderson’s ideas about authorship in the cinema --2. On the Diarie -- Lindsay Anderson’s Private Writing --3. The early film --4. This Sporting Life --5. The White Bus and Raz Dwa Trzy or The Singing Lesson --6. If…. --7. O Lucky Man! --8. In Celebration --9. The Old Crowd --10. Britannia Hospital --11. The Whales of August --12. Glory! Glory --13. Is That All There Is? --14. Lindsay Anderson in the archive --Filmography --References |
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spelling | Izod, John Verfasser aut Lindsay Anderson cinema authorship John Izod, Karl Magee, Kathryn Hannan, Isabelle Gourdin-Sangouard Manchester, UK Manchester University Press 2019 ©2012 1 online resource (xii, 334 pages) digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index List of illustrations --Preface --Acknowledgments --1. Lindsay Anderson’s ideas about authorship in the cinema --2. On the Diarie -- Lindsay Anderson’s Private Writing --3. The early film --4. This Sporting Life --5. The White Bus and Raz Dwa Trzy or The Singing Lesson --6. If…. --7. O Lucky Man! --8. In Celebration --9. The Old Crowd --10. Britannia Hospital --11. The Whales of August --12. Glory! Glory --13. Is That All There Is? --14. Lindsay Anderson in the archive --Filmography --References In a long and varied career, Lindsay Anderson made training films, documentaries, searing family dramas and blistering satires, including This Sporting Life, O Lucky Man! and Britannia Hospital.Students of British cinema and television from the 1950s to 1990s will find this book a valuable source of information about a director whose work came to public attention with Free Cinema but who, unlike many of his peers in that movement did not take the Hollywood route to success. What emerges is a strong feeling for the character of the man as well as for a remarkable career in British cinema.The book will appeal to admirers, researchers and students alike. Making use of hitherto unseen original materials from Anderson’s extensive personal and professional records, it is most valuable as a study of how the films came about: the production problems involved, the collaborative input of others, as well as the completed films’ promotion and reception.It also offers a finely argued take on the whole issue of film authorship, and achieves the rare feat of being academically authoritative whilst also being completely accessible. It prompts renewed respect for the man and the artist and a desire to watch the films all over again. Magee, Karl aut Hannan, Kathryn aut Gourdin-Sangouard, Isabelle aut Manchester University Press Sonstige oth |
spellingShingle | Izod, John Magee, Karl Hannan, Kathryn Gourdin-Sangouard, Isabelle Lindsay Anderson cinema authorship List of illustrations --Preface --Acknowledgments --1. Lindsay Anderson’s ideas about authorship in the cinema --2. On the Diarie -- Lindsay Anderson’s Private Writing --3. The early film --4. This Sporting Life --5. The White Bus and Raz Dwa Trzy or The Singing Lesson --6. If…. --7. O Lucky Man! --8. In Celebration --9. The Old Crowd --10. Britannia Hospital --11. The Whales of August --12. Glory! Glory --13. Is That All There Is? --14. Lindsay Anderson in the archive --Filmography --References |
title | Lindsay Anderson cinema authorship |
title_auth | Lindsay Anderson cinema authorship |
title_exact_search | Lindsay Anderson cinema authorship |
title_exact_search_txtP | Lindsay Anderson cinema authorship |
title_full | Lindsay Anderson cinema authorship John Izod, Karl Magee, Kathryn Hannan, Isabelle Gourdin-Sangouard |
title_fullStr | Lindsay Anderson cinema authorship John Izod, Karl Magee, Kathryn Hannan, Isabelle Gourdin-Sangouard |
title_full_unstemmed | Lindsay Anderson cinema authorship John Izod, Karl Magee, Kathryn Hannan, Isabelle Gourdin-Sangouard |
title_short | Lindsay Anderson |
title_sort | lindsay anderson cinema authorship |
title_sub | cinema authorship |
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