Corot's "The Four Times of DaY" a decorative scheme for Decamps's Fontainebleau studio von Herring, Sarah, Tomlinson, Hayley, Macaro, Gabriella, Peggie, David

A critical reassessment of six landscape paintings by Charles-François Daubigny belonging to the National Gallery von Herring, Sarah, Tomlinson, Hayley, Roy, Ashok 1936-, Macaro, Gabriella, Peggie, David

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Materials as markers how useful are distinctive materials as indicators of master or copyist? von Sheldon, Libby, Macaro, Gabriella

Ernest-Victor Hareux and the Barbizon artists von Tomlinson, Hayley, Herring, Sarah, Macaro, Gabriella

Distinctive materials in a late sixteenth-century portrait von Sheldon, Libby, Macaro, Gabriella

Rediscovering Reni the technical investigation, treatment, and reattribution of "The Toilet of Venus" von Mandy, Kristina, Whitlum-Cooper, Francesca, Billinge, Rachel, Howard, Helen Catherine, Macaro, Gabriella, Peggie, David

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The Barbizon paintings at the National Gallery a technical study von Macaro, Gabriella

The technical examination and conservation treatment of Portrait of a Lady by Francesco Morandini von Macaro, Gabriella

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Titian after 1540 technique and style in his later works von Dunkerton, Jill 1952-, Spring, Marika

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