Redefining Eclecticism in Early Modern Bolognese Painting: Ideology, Practice, and Criticism
This book focuses on the unique nature of early modern Bolognese painting that found its expression in stylistic diversity. The flourishing of different stylistic approaches in the Mannerist paintings of the previous generation evolved, at the turn the seventeenth century, in the work of the Bologne...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2019]
|
| Schriftenreihe: | Visual and Material Culture, 1300 –1700
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FAB01 FCO01 Volltext |
| Zusammenfassung: | This book focuses on the unique nature of early modern Bolognese painting that found its expression in stylistic diversity. The flourishing of different stylistic approaches in the Mannerist paintings of the previous generation evolved, at the turn the seventeenth century, in the work of the Bolognese painters into an approach best described as eclecticism, characterized by the combination of two or more styles in a single work of art. Eclectism was a major innovation and major contribution to the history of art. But it then also became a critical term that suffered much negative press. The book therefore also traces the role of ecclecticism as a concept in the evolution of criticism and scholarship about the Bolognese school of painting over 250 years, showing how the dramatically vascilatting attitudes towards this concept shaped the historical view of the Bolognese painters, ultimately having a tremendous dampening impact on our understanding of seventeenth-century art |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) |
| Beschreibung: | 1 online resource |
| ISBN: | 9789048537259 |
| DOI: | 10.1515/9789048537259 |
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Datensatz im Suchindex
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| author | M. Unger, Daniel |
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| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9789048537259 |
| era | Geschichte 1500-1650 gnd |
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| geographic | Bologna (DE-588)4007616-7 gnd |
| geographic_facet | Bologna |
| id | DE-604.BV045930860 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:30:41Z |
| institution | BVB |
| isbn | 9789048537259 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031313297 |
| oclc_num | 1104931371 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-1046 DE-739 DE-860 DE-859 DE-Aug4 DE-1043 DE-858 |
| owner_facet | DE-473 DE-BY-UBG DE-1046 DE-739 DE-860 DE-859 DE-Aug4 DE-1043 DE-858 |
| physical | 1 online resource |
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| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Visual and Material Culture, 1300 –1700 |
| spelling | M. Unger, Daniel Verfasser aut Redefining Eclecticism in Early Modern Bolognese Painting Ideology, Practice, and Criticism Daniel M. Unger Amsterdam Amsterdam University Press [2019] © 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Visual and Material Culture, 1300 –1700 Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) This book focuses on the unique nature of early modern Bolognese painting that found its expression in stylistic diversity. The flourishing of different stylistic approaches in the Mannerist paintings of the previous generation evolved, at the turn the seventeenth century, in the work of the Bolognese painters into an approach best described as eclecticism, characterized by the combination of two or more styles in a single work of art. Eclectism was a major innovation and major contribution to the history of art. But it then also became a critical term that suffered much negative press. The book therefore also traces the role of ecclecticism as a concept in the evolution of criticism and scholarship about the Bolognese school of painting over 250 years, showing how the dramatically vascilatting attitudes towards this concept shaped the historical view of the Bolognese painters, ultimately having a tremendous dampening impact on our understanding of seventeenth-century art In English Malvasia, Carlo Cesare 1616-1693 (DE-588)122440676 gnd rswk-swf Borromeo, Camillo -1549 (DE-588)1199979899 gnd rswk-swf Paleotti, Gabriele 1522-1597 Discorso intorno alle imagini sacre e profane (DE-588)7544763-0 gnd rswk-swf Winckelmann, Johann Joachim 1717-1768 (DE-588)118633600 gnd rswk-swf Geschichte 1500-1650 gnd rswk-swf ART / History / Baroque & Rococo bisacsh Painting Italy Bologna History Painting, Italian History Painting, Modern Eklektizismus (DE-588)4151664-3 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Bologna (DE-588)4007616-7 gnd rswk-swf Bologna (DE-588)4007616-7 g Malerei (DE-588)4037220-0 s Geschichte 1500-1650 z Eklektizismus (DE-588)4151664-3 s Kunstkritik (DE-588)4033659-1 s 1\p DE-604 Paleotti, Gabriele 1522-1597 Discorso intorno alle imagini sacre e profane (DE-588)7544763-0 u Malvasia, Carlo Cesare 1616-1693 (DE-588)122440676 p Borromeo, Camillo -1549 (DE-588)1199979899 p Winckelmann, Johann Joachim 1717-1768 (DE-588)118633600 p 2\p DE-604 https://doi.org/10.1515/9789048537259 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | M. Unger, Daniel Redefining Eclecticism in Early Modern Bolognese Painting Ideology, Practice, and Criticism Malvasia, Carlo Cesare 1616-1693 (DE-588)122440676 gnd Borromeo, Camillo -1549 (DE-588)1199979899 gnd Paleotti, Gabriele 1522-1597 Discorso intorno alle imagini sacre e profane (DE-588)7544763-0 gnd Winckelmann, Johann Joachim 1717-1768 (DE-588)118633600 gnd ART / History / Baroque & Rococo bisacsh Painting Italy Bologna History Painting, Italian History Painting, Modern Eklektizismus (DE-588)4151664-3 gnd Kunstkritik (DE-588)4033659-1 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)122440676 (DE-588)1199979899 (DE-588)7544763-0 (DE-588)118633600 (DE-588)4151664-3 (DE-588)4033659-1 (DE-588)4037220-0 (DE-588)4007616-7 |
| title | Redefining Eclecticism in Early Modern Bolognese Painting Ideology, Practice, and Criticism |
| title_auth | Redefining Eclecticism in Early Modern Bolognese Painting Ideology, Practice, and Criticism |
| title_exact_search | Redefining Eclecticism in Early Modern Bolognese Painting Ideology, Practice, and Criticism |
| title_full | Redefining Eclecticism in Early Modern Bolognese Painting Ideology, Practice, and Criticism Daniel M. Unger |
| title_fullStr | Redefining Eclecticism in Early Modern Bolognese Painting Ideology, Practice, and Criticism Daniel M. Unger |
| title_full_unstemmed | Redefining Eclecticism in Early Modern Bolognese Painting Ideology, Practice, and Criticism Daniel M. Unger |
| title_short | Redefining Eclecticism in Early Modern Bolognese Painting |
| title_sort | redefining eclecticism in early modern bolognese painting ideology practice and criticism |
| title_sub | Ideology, Practice, and Criticism |
| topic | Malvasia, Carlo Cesare 1616-1693 (DE-588)122440676 gnd Borromeo, Camillo -1549 (DE-588)1199979899 gnd Paleotti, Gabriele 1522-1597 Discorso intorno alle imagini sacre e profane (DE-588)7544763-0 gnd Winckelmann, Johann Joachim 1717-1768 (DE-588)118633600 gnd ART / History / Baroque & Rococo bisacsh Painting Italy Bologna History Painting, Italian History Painting, Modern Eklektizismus (DE-588)4151664-3 gnd Kunstkritik (DE-588)4033659-1 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Malvasia, Carlo Cesare 1616-1693 Borromeo, Camillo -1549 Paleotti, Gabriele 1522-1597 Discorso intorno alle imagini sacre e profane Winckelmann, Johann Joachim 1717-1768 ART / History / Baroque & Rococo Painting Italy Bologna History Painting, Italian History Painting, Modern Eklektizismus Kunstkritik Malerei Bologna |
| url | https://doi.org/10.1515/9789048537259 |
| work_keys_str_mv | AT mungerdaniel redefiningeclecticisminearlymodernbolognesepaintingideologypracticeandcriticism |