A Feminist Reader in Early Cinema:
A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media s...
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| Other Authors: | , , , , , , , , , , , , , , , , , , |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham
Duke University Press
[2002]
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| Series: | A Camera Obscura Book
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| Subjects: | |
| Online Access: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies.While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism.Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics-from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films-looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic.Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Physical Description: | 1 online resource (592 pages) 62 illus |
| ISBN: | 9780822383840 |
| DOI: | 10.1515/9780822383840 |
Staff View
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| 520 | |a A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies.While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. | ||
| 520 | |a The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism.Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics-from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films-looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic.Contributors. Constance Balides, Jennifer M. | ||
| 520 | |a Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen | ||
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| author2 | Amelie, Hastie Anne, Morey Bean, Jennifer M. Catherine, Russell Constance, Balides Dalle Angela, Vacche Diane, Negra Gaylyn, Studlar Jane M., Gaines Jennifer M., Bean Kristen, Whissel Kristine J., Butler Lori, Landy Lucy, Fischer Mary Ann, Doane Negra, Diane Patricia, White Radha, Vatsal Shelley, Stamp |
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| id | DE-604.BV047113742 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:26:55Z |
| indexdate | 2025-02-19T17:30:03Z |
| institution | BVB |
| isbn | 9780822383840 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032520172 |
| oclc_num | 1235886036 |
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| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (592 pages) 62 illus |
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| publishDate | 2002 |
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| publisher | Duke University Press |
| record_format | marc |
| series2 | A Camera Obscura Book |
| spelling | A Feminist Reader in Early Cinema Jennifer M. Bean, Diane Negra Durham Duke University Press [2002] © 2002 1 online resource (592 pages) 62 illus txt rdacontent c rdamedia cr rdacarrier A Camera Obscura Book Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies.While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism.Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics-from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films-looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic.Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen In English PERFORMING ARTS / Film & Video / General bisacsh Feminism and motion pictures Feminist film criticism Women in motion pictures Women in the motion picture industry Amelie, Hastie ctb Anne, Morey ctb Bean, Jennifer M. edt Catherine, Russell ctb Constance, Balides ctb Dalle Angela, Vacche ctb Diane, Negra ctb Gaines, Jane M. Sonstige oth Gaylyn, Studlar ctb Hastie, Amelie Sonstige oth Jane M., Gaines ctb Jennifer M., Bean ctb Kristen, Whissel ctb Kristine J., Butler ctb Lori, Landy ctb Lucy, Fischer ctb Mary Ann, Doane ctb Negra, Diane edt Patricia, White ctb Radha, Vatsal ctb Shelley, Stamp ctb Sibhan B., SomervilleXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Sumiko, HigashiXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Zhang, ZhenXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth https://doi.org/10.1515/9780822383840 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | A Feminist Reader in Early Cinema PERFORMING ARTS / Film & Video / General bisacsh Feminism and motion pictures Feminist film criticism Women in motion pictures Women in the motion picture industry |
| title | A Feminist Reader in Early Cinema |
| title_auth | A Feminist Reader in Early Cinema |
| title_exact_search | A Feminist Reader in Early Cinema |
| title_exact_search_txtP | A Feminist Reader in Early Cinema |
| title_full | A Feminist Reader in Early Cinema Jennifer M. Bean, Diane Negra |
| title_fullStr | A Feminist Reader in Early Cinema Jennifer M. Bean, Diane Negra |
| title_full_unstemmed | A Feminist Reader in Early Cinema Jennifer M. Bean, Diane Negra |
| title_short | A Feminist Reader in Early Cinema |
| title_sort | a feminist reader in early cinema |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Feminism and motion pictures Feminist film criticism Women in motion pictures Women in the motion picture industry |
| topic_facet | PERFORMING ARTS / Film & Video / General Feminism and motion pictures Feminist film criticism Women in motion pictures Women in the motion picture industry |
| url | https://doi.org/10.1515/9780822383840 |
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