Radio production:
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York ; London
Focal Press, Taylor & Francis Group
2016
|
| Edition: | Sixth edition |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | xiv, 418 Seiten Illustrationen |
| ISBN: | 9781138819979 |
Staff View
MARC
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| 100 | 1 | |a McLeish, Robert |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Radio production |c by Robert McLeish and Jeff Link |
| 250 | |a Sixth edition | ||
| 264 | 1 | |a New York ; London |b Focal Press, Taylor & Francis Group |c 2016 | |
| 300 | |a xiv, 418 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Radio |x Production and direction | |
| 650 | 4 | |a Radio plays |x Production and direction | |
| 650 | 0 | 7 | |a Hörfunkproduktion |0 (DE-588)4324249-2 |2 gnd |9 rswk-swf |
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| 700 | 1 | |a Link, Jeff |e Verfasser |4 aut | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-028380325 | ||
Record in the Search Index
| _version_ | 1804175270927663104 |
|---|---|
| adam_text | Contents
Preface xv
1 Characteristics of the medium 1
Radio makes pictures 1
Radio speaks to millions 2
Radio speaks to the individual 3
Radio is private and personal 3
The speed of radio 4
Radio has no boundaries 4
The transient nature of radio 5
Radio on demand 6
Radio as background 6
Radio is selective 7
Radio lacks space 7
The personality of radio 8
The simplicity of radio 8
Radio is low cost 9
Radio for the disadvantaged 10
Radio teaches 11
Radio has music 12
Radio can surprise 12
Radio can suffer from interference 13
Radio for the individual 13
Radio for society 14
The public servant 15
Personal motivations 17
2 Structure and regulation 19
The national regulator 20
The local board 22
V
vi Contents
Station finance 23
Station structure 24
Community radio 25
Station life 26
Getting a job 26
3 The radio studio 28
Studio layout 29
The studio desk, mixer, control panel, console, or board 30
Digital mixers 34
Studio software 35
Digital compression 38
Digital development 39
Music playout 40
Recording formats 41
Digital audio workstation 42
Editing principles 44
Editing practice 45
Microphones 45
Stereo 48
Equipment faults 50
4 Using the Internet and social media 51
An online presence 51
Internet radio 52
Radio podcasts 54
Internet research 55
Making the best use of social media 56
Personal Twitter accounts 58
Blogs 59
A case study 60
5 Ethics 63
Declarations of intent 64
Objectivity, impartiality, and fairness 65
Limitation of harm 67
Watchdog 68
Whistleblowers 68
Bad practice 68
The status of the media 70
Contents vii
6 Writing for the ear 72
Who are you talking to? 72
What do you want to say? 73
The storage of talk 73
Words 74
Structure and signposting 75
Pictures and stories 76
Double meanings 76
The script 77
7 News ֊ policy and practice 79
‘Interesting’ 79
Codes of Practice 81
Objectivity 82
Legality 84
News values 86
Investigative reporting 89
Campaigning journalism 90
The news reporting function 91
Accuracy, realism, and truth 92
Intelligibility in the writing 93
Being fair 95
Giving offence 96
Causing distress 97
Civil disturbance and war reporting 97
The newsroom operation 99
Smartphone 103
Style book 103
Radio car 104
Equipment in the field 106
The news conference and press release 108
A summary 109
8 Interviewing 110
The basic approach 110
Types of interview 111
Securing the interviewee 113
What the interviewee should know 113
Preparation before the interview 114
The pre-interview discussion 115
Question technique 116
Contents
vm
10
Question ‘width’ 118
Devil’s advocate 119
Multiple questions 119
Leading questions 120
Non-questions 121
Non-answers 121
Non-verbal communication 122
During the interview 123
Winding up 124
After the interview 124
Style 125
Interviewing ‘cold’ 126
Interviewing through a translator 126
Location interviews 127
The triangle of trust 132
Vox pop 133
Phrasing the question 134
Interviewing children 136
Choosing the site 136
The recorder 137
Putting the question 138
The editing 139
Cues and links 142
Information for the broadcaster 142
Information for the listener 144
Links 147
Newsreading and presentation 148
The seven Ps 149
Newsreading 150
Pronunciation 151
Vocal stressing 152
Inflection 153
Quotation marks 153
Alterations 154
Corrections 154
Lists and numbers 154
Station style 155
Continuity presentation 156
Errors and emergencies 157
Contents ix
Headphones 158
Trails and promos 159
12 The discussion 161
Format 161
Selection of participants 162
The chairperson 164
Preparation 164
Advice to contributors 165
Contributor nerves 166
Starting the programme 166
Speaker control 166
Subject control 167
Technical control 168
Ending the programme 170
13 Phone-ins 171
Technical facilities 172
Programme classification 172
The open line 172
Support staff 173
Choosing the calls 174
The role of the host 176
Host style 176
Reference material 177
Studio operation 177
Additional telephone facilities 178
Use of‘delay’ 179
The specific subject 179
‘Early lines’ 181
Consumer affairs 182
The need to be fair 182
Linking programmes together 183
Personal counselling 183
The presenter as listener 184
Non-broadcasting effort 185
Anonymity 185
Phone-in checklist 186
14 Listener participation 187
Letters, phone calls, emails, texts and tweets 187
Programme follow-up 189
x Contents
Texting 190
Helpline 190
Visitors 191
Special involvement 192
Travelling roadshow 192
Major events 192
15 Music programming 194
Attitudes to music 195
Metadata 196
Likes and dislikes 196
Clock format 197
Computerised selection 199
Requests and dedications 200
Choosing music 200
Item order 201
Prefading to time 202
Preparing listeners’ material 202
Programme technique 203
Guest programmes 204
DJ shows 205
16 Sequences and magazines 210
Programme title 211
Signature tune 212
Transmission time 212
The presenter 212
Linking style 213
Information content 214
Programme construction 214
Programme variety 216
Programme ideas 216
Voice piece 217
Interview 217
Discussion 218
Music 218
Sound effects 219
Listener participation 219
Features 220
Drama 22 ]
Item order 221
Production method 225
Responding to emergency 227
Contents xi
17 Making commercials 228
Copy policy 229
The target audience 230
The product or service ‘premise’ 231
Writing copy 232
Voicing and treatment 235
Music and effects 238
Stereo 241
Humour in advertising 242
Testing 244
18 Outside broadcasts (remotes) 245
Planning 245
Visiting the site 246
Communications to base 246
People 249
Hazard assessment 249
Equipment 249
Safety 250
Accommodation 251
Programme research 252
Liaison with the base studio 253
Publicity 253
Conflicts of approach 254
Tidiness 254
Gratuities 255
The big disaster 255
19 Commentary 258
Attitude to the listener 258
Preparation 259
Working with the base studio 261
Sport 262
Communicating mood 262
Coordinating the images 263
Content and style 263
News action 265
Sports action 266
Actuality and silence 267
The ending 267
xii Contents
An example 268
Coping with disaster 269
20 Music ‘live’ 271
Reproduction of internal balance 272
Creation of a synthetic balance 277
Studio layout 277
Microphones for music 279
Frequency control 282
Dynamic control 283
Echo 284
Channel delay 285
Mixing technique 286
Recording technique 288
Production points 291
21 Drama ֊ principles 293
Adapting for radio 295
The idea 296
Story construction 296
The setting 298
Characterisation 299
Dialogue 300
Drama from personal story 302
Truth vs. drama 305
Script layout 306
The actors 307
The acoustic 309
Sound effects 311
Music 315
Production technique 316
22 Documentary and feature programmes 319
The documentary 320
Planning 320
Research 323
Structure 324
Collecting the material 324
Impression and truth 325
Music 326
Contents
xiii
Compilation 326
Programme sequence 328
The ending 328
Contributors 329
Programmes in real time 329
The feature 330
23 The work of the producer 332
Ideas 332
The audience 333
Resource planning 334
Preparation of material 334
The studio session 336
Taste 338
Ending the session 339
Post-production 340
Programme administration 340
Technician, editor, administrator, and manager 341
24 The executive producer 343
Station management 344
Staff development 345
Scheduling 346
Rescheduling 348
Strategic planning 349
Commissioning programmes 350
Codes of Practice 351
Complaints 354
Website 355
Archival policy 357
25 Programme evaluation 359
Production evaluation 359
Programme quality 360
Audience evaluation 362
Personal meters 364
Research panels 365
Questionnaires 366
Written programme response 368
Web analytics 369
Cost evaluation 369
XIV
Contents
26 Training 371
Triggers for training 372
Learning objectives 373
Course organisation 375
Stretching imagination 376
Editorial selection 376
News priorities 376
News exercise 377
Voicework 377
Personal motivation 378
Vox pop 378
Commentary 379
Drama 379
Exercises and questions for media students 379
New challenges for old producers 380
Maintaining output 380
Assessing quality 381
Training evaluation 381
27 Back-announcement 383
Websites 385
Glossary 388
Further reading 402
Index 406
|
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| author | McLeish, Robert Link, Jeff |
| author_facet | McLeish, Robert Link, Jeff |
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| dewey-full | 791.4402/32 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4402/32 |
| dewey-search | 791.4402/32 |
| dewey-sort | 3791.4402 232 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | Sixth edition |
| format | Book |
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| id | DE-604.BV042954297 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:13:38Z |
| institution | BVB |
| isbn | 9781138819979 |
| language | English |
| lccn | 015013102 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028380325 |
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| physical | xiv, 418 Seiten Illustrationen |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Focal Press, Taylor & Francis Group |
| record_format | marc |
| spelling | McLeish, Robert Verfasser aut Radio production by Robert McLeish and Jeff Link Sixth edition New York ; London Focal Press, Taylor & Francis Group 2016 xiv, 418 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Radio Production and direction Radio plays Production and direction Hörfunkproduktion (DE-588)4324249-2 gnd rswk-swf Hörfunkproduktion (DE-588)4324249-2 s DE-604 Link, Jeff Verfasser aut Erscheint auch als Online-Ausgabe 978-1-315-74404-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028380325&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | McLeish, Robert Link, Jeff Radio production Radio Production and direction Radio plays Production and direction Hörfunkproduktion (DE-588)4324249-2 gnd |
| subject_GND | (DE-588)4324249-2 |
| title | Radio production |
| title_auth | Radio production |
| title_exact_search | Radio production |
| title_full | Radio production by Robert McLeish and Jeff Link |
| title_fullStr | Radio production by Robert McLeish and Jeff Link |
| title_full_unstemmed | Radio production by Robert McLeish and Jeff Link |
| title_short | Radio production |
| title_sort | radio production |
| topic | Radio Production and direction Radio plays Production and direction Hörfunkproduktion (DE-588)4324249-2 gnd |
| topic_facet | Radio Production and direction Radio plays Production and direction Hörfunkproduktion |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028380325&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mcleishrobert radioproduction AT linkjeff radioproduction |